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Fred Anderson

Tenor saxophonist extraordinare, Fred Anderson was born in Monroe, Louisiana. In 1940, Fred migrated to Evanston, Illinois, and also lived for a time in Gary, Indiana. Making a living waiting tables, and installing carpet, Fred Anderson ho nned his skills on tenor. He cites his primary musical influences as Charlie Parker because of Bird's profound knowledge of the saxophone. In the early 1960's, Fred came in contact with more and more members of the soon-to-be-formed AACM. In 1964, he performed on what many to consider to be the first AACM concert which featured Fred, Billy Brimfield (trumpet), Joseph Jarman (woodwinds), Arth ur Reed (drums), Charles Clark (bass)

ARTICLE: INTERVIEW

Makaya McCraven: Cross Border Traffic

Read "Makaya McCraven: Cross Border Traffic" reviewed by Chris May

Like his near contemporaries Shabaka Hutchings, Kamasi Washington, Nubya Garcia and Robert Glasper, the Chicago-based drummer, bandleader, producer and self-declared beat scientist Makaya McCraven is routinely described by the more breathless commentators writing about modern music as a “saviour" of jazz. Certainly, McCraven and his peers are enriching jazz by their embrace of other ...

ARTICLE: ALBUM REVIEW

Chad Taylor Trio: The Daily Biological

Read "The Daily Biological" reviewed by Giuseppe Segala

Chad Taylor è conosciuto in particolare per essere cofondatore, insieme a Rob Mazurek, del Chicago Underground Duo, con le sue varianti nei diversi ampliamenti degli organici. La sua attività si è dipanata ad ampio raggio negli ultimi trent'anni, facendo fulcro sulla scena di Chicago prima, e di New York poi, collaborando tra l'altro con protagonisti storici, ...

ARTICLE: ALBUM REVIEW

James Brandon Lewis / Chad Taylor: Live In Willisau

Read "Live In Willisau" reviewed by Mark Corroto

Saxophonist James Brandon Lewis and drummer Chad Taylor's 2017 studio session Radiant Imprints (Musicube/Off, 2018) was hailed by many critics and fans alike as one of the best recordings of 2018. It was indeed a true revelation, yet that recording wasn't the genesis of a major talent. Lewis' inaugural release Divine Travels (Okeh, 2014) accomplished that ...

ARTICLE: INTERVIEW

Charles Rumback: Singing Structures of Rhythm

Read "Charles Rumback: Singing Structures of Rhythm" reviewed by Jakob Baekgaard

Versatility, personality and musical empathy are qualities that a modern drummer needs, and Charles Rumback has them in abundance. Based in Chicago, Rumback has accompanied adventurous singer/songwriters like Caleb Willitz, Steve Dawson and Ryley Walker, played jazzy electronica with Colorlist and explored the classic format of the piano trio with bassist John Tate and pianist Jim ...

John Dikeman And The Origin Of The Species

Read "John Dikeman And The Origin Of The Species" reviewed by Mark Corroto

If we were to go searching for saxophonist John Dikeman's spirit animal, we might have to bypass beast for sapien. Let's just say his spirit animal is the father of punk, Iggy Pop. Like early music by The Stooges, Dikeman's sound makes reference to the music of both Albert Ayler and Pharoah Sanders. It's a shame ...

ARTICLE: ALBUM REVIEW

DKV & Joe McPhee: The Fire Each Time

Read "The Fire Each Time" reviewed by Mark Corroto

Do you participate in the 21st century phenomena called 'binge-watching'? With the advent of Netflix and downloadable television, consumers can view an entire television series in one sitting. Be it eight episodes of Russian Doll or sixty hours of The Wire, it's all available, and the possibilities to feast are tempting. Where a filmmaker might have ...

ARTICLE: ALBUM REVIEW

Assif Tsahar: In Between the Tumbling a Stillness

Read "In Between the Tumbling a Stillness" reviewed by Mark Corroto

As the saying goes, In Between The Tumbling A Stillness, recorded in 2015 in Tel Aviv, “comes in like a lion and goes out like a lamb." Saxophonist Assif Tsahar, who sticks to tenor throughout, opens “In Between" like a lion, if that lion were Albert Ayler. The 35-minute piece draws from the fire music of ...

ARTICLE: ALBUM REVIEW

Assif Tsahar / William Parker / Hamid Drake: In Between the Tumbling a Stillness

Read "In Between the Tumbling a Stillness" reviewed by Karl Ackermann

Israeli saxophonist/clarinetist Assif Tsahar has deep roots in the free-jazz genre, having played with Cecil Taylor, Butch Morris, Peter Kowald, Fred Anderson, Ken Vandermark, Herb Robertson, Cooper-Moore, and many others. Among his other associations are two albums with bassist William Parker, Sunrise in the Tone World (AUM Fidelity, 1995) and Mass for the Healing of the ...

ARTICLE: RADIO

Ain't Nothin' in Chicago for a Monkey Bastard to Do

Read "Ain't Nothin' in Chicago for a Monkey Bastard to Do" reviewed by Patrick Burnette

Mike is from the Chicago-land area, Pat spent his salad days in Hyde Park--maybe the bastards are a bit biased, but they love talking about the Windy City. It doesn't hurt that it has a long, noble, somewhat left-of-center history concerning jazz. Anyway, this time they explore the work of a couple of tenor titans, little-known ...


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