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Ted Rosenthal Trio: Out of This World
by Dan McClenaghan
2011 has been productive year in the recording realm for pianist Ted Rosenthal. His contribution to The Westchester Jazz Orchestra's superb Maiden Voyage Suite (WJO Records) helped elevate the re-imaging of pianist Herbie Hancock's classic Maiden Voyage (Blue Note, 1965) to the highest level of big band artistry. With Out of this World, Rosenthal slips back ...
Hal Leonard Books Publishes "Antonio Carlos Jobim: An Illuminated Man"
MONTCLAIR, N.J.—A half-century ago, Charlie Byrd, Herbie Mann, and others returned from a trip to Brazil with a trove of recordings by Antonio Carlos “Tom" Jobim. Stan Getz listened to them and recorded “Desafinado," which spent 70 weeks on the Billboard charts, and soon thereafter, “The Girl from Ipanema," which won the Grammy Award for Record ...
Marc Copland / John Abercrombie: Speak to Me
by Dan McClenaghan
Pianist Marc Copland and guitarist John Abercrombie played together for the first time in the 1970s, in drummer Chico Hamilton's group. This was when Copland was playing saxophone, before his seemingly unlikely but very successful switch to piano. Nearly forty years later, the two artists still find opportunities for musical hook-ups, contributing to extraordinary recordings like ...
New from Legacy: Tony Bennett's "The Classic Christmas Album"
14-time Grammy Award®-winning Columbia Records artist Tony Bennett turns his attention to his timeless catalog of Christmas recordings and personally picks 18 of his favorites—including one brand new, previously unreleased tune, “What Child Is This"—for The Classic Christmas Album. The new collection will be available everywhere starting October 11th through Columbia/RPM/Legacy, a division of SONY MUSIC ...
Diane Monroe: Bridging Diverse Musical Worlds
by Victor L. Schermer
Listening to Diane Monroe play jazz violin--whether solo, duo, or in a group--what's immediately evident is how great an improviser she is, fitting seamlessly with the music and the group, breathing and moving with the music. Only then does it become clear that she possesses the precision, complexity, and technique of a classical concert violinist. Indeed, ...
Take Five With Tommy Vig
by AAJ Staff
Meet Tommy Vig: Born to a musical family in Budapest, Tommy Vig was internationally recognized as a child prodigy by the age of six, playing drums with his father, clarinetist Gyorgy Vig. His sense of improvisation, rhythm and energy at that young age made him unique, and he performed live concerts on radio, at ...
Ted Rosenthal Trio: Out Of This World
by Dan Bilawsky
Standards, when presented in their original form, speak of the time and place of their creation, but part of their longevity is due to the fact that they aren't encased in an early twentieth century amber that fossilizes and dates the material. The music of George Gershwin, Cole Porter, Billy Strayhorn, and Richard Rodgers is timeless, ...
Tom Everett: Jazz at Harvard
by Andrew J. Sammut
It's no accident that forty years of jazz at Harvard coincides with forty years of Tom Everett at the esteemed university. Everett founded Harvard University's first student jazz band, taught its first jazz history course and welcomed the campus' first visiting jazz artist. He now leads two jazz bands at the prestigious university, continues to teach ...
Michael Kaeshammer: Kaeshammer
by C. Michael Bailey
It doesn't take a Charles Darwin to realize that the true evolutionary inheritors of Frank Sinatra's and Peggy Lee's brand of “popular" music were Elton John and Billy Joel, and not Harry Connick, Jr. or Michael Buble, the latter being more keepers of the flame than the former innovators. Had popular music not dissembled into the ...
Heigh Ho, Heigh Ho, It's Off To Jazz We Go . . .
by Jack Bowers
Just west of Albuquerque, across the Rio Grande River, lies the picturesque village of Corrales (population around 7,500). Among its residents (and natural resources) is world-renowned jazz trumpeter Bobby Shew. With a musician of his caliber within arm's reach, it would have been imprudent not to call upon him to take part in the village's Music ...
