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Frank Rosolino

Frank Rosolino will be remembered and respected throughout the contemporary jazz world for his mastery of the trombone, his uncanny ability to fit and work successfully with a wide range of musical ideas, and perhaps last but not entirely forgotten, his wit and capacity for comic entertainment. There has seldom been a time when any single aspect of this amazingly complex individual was submerged for any great length of time. He was always the superb performer, upfront individually as a musician or commercially as an entertainer. Frank Rosolino was born in Detroit on August 20, 1926 and began taking trombone lessons in the eighth grade or about the time he was 14 years of age

Jazz & Film: An Alternative Top 20 Soundtrack Albums

Read "Jazz & Film: An Alternative Top 20 Soundtrack Albums" reviewed by Chris May

Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...

ARTICLE: ALBUM REVIEW

Geoff Mason: GMQ

Read "GMQ" reviewed by Jack Bowers

Geoff Mason, one of the UK's leading jazz trombonists, mans the front line by himself on the slyly named GMQ, an eloquent quartet session from which Mason's longtime colleague, the outstanding saxophonist Simon Spillett, is regrettably missing. As nothing can be done to set that right, best to focus on the music at hand, which binds ...

ARTICLE: RADIO

Stan Kenton and West Coast Jazz (1950 - 1958)

Read "Stan Kenton and West Coast Jazz (1950 - 1958)" reviewed by Russell Perry

In the last hour, we heard evidence of Woody Herman's capacity for talent development in the form of further work by reed players Stan Getz, Serge Chaloff, Al Cohn, Zoot Sims and Jimmy Giuffre. In this hour we turn the spotlight on alumni of the Stan Kenton Orchestra which produced several significant players in the West ...

ARTICLE: BIG BAND REPORT

Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4

Read "Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4" reviewed by Simon Pilbrow

Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 The Los Angeles Jazz Institute (LAJI), under Ken Poston, has continued for some thirty years to ...

ARTICLE: ALBUM REVIEW

OSU Jazz Orchestra: Solid Gold

Read "Solid Gold" reviewed by Jack Bowers

Having overseen one impressive Jazz Studies program, at Northeast (OK) State University in Tahlequah, Tommy Poole has moved on to Oklahoma State University in Stillwater where he seems well on the way to repeating that success. The subtitle of Solid Gold, the first recording under Poole's direction by the OSU Jazz Orchestra, reads “featuring Michael Dease." ...

ARTICLE: LIVE REVIEW

38th Annual Detroit Jazz Festival

Read "38th Annual Detroit Jazz Festival" reviewed by C. Andrew Hovan

38th Annual Detroit Jazz Festival Hart Plaza Detroit, Michigan September 1-4, 2017 Those of us who have been following jazz music for a long time know that there are definite changes in the landscape these days that are having a major impact on the music scene. For starters, we recently have ...

ARTICLE: TAKE FIVE WITH...

Take Five with Ralph Hepola

Read "Take Five with Ralph Hepola" reviewed by Ralph Hepola

About Ralph Hepola Born in Saint Paul, Minnesota in the United States, Ralph Hepola studied piano before starting on the tuba at age twelve. At seventeen, he was chosen to play before the British Royal Family in the Manitoba All-Province Band at Brandon, Manitoba in Canada. While still in high school, Ralph began performing ...

ARTICLE: ALBUM REVIEW

Cory Weeds & the Jeff Hamilton Trio: Dreamsville

Read "Dreamsville" reviewed by Jack Bowers

Even though the substance and framework of jazz are constantly changing and evolving, the music's bedrock--marked by spontaneity and free-wheeling swing--remains essentially unimpaired and secure. And when it comes to swinging, it's hard to eclipse the irrepressible pulse of the tenor saxophone, an instrument whose long and enduring ties to jazz and swing have been epitomized ...

ARTICLE: ALBUM REVIEW

Norman David: The Eleventet - Please Call

Read "The Eleventet - Please Call" reviewed by Victor L. Schermer

Clarinetist and soprano saxophonist Norman David founded and has been leading Philadelphia's Eleventet for over three decades. After thirty years playing in in and around the city, the band found their recording groove with their first CD, At This Time (Norman David/Coolcraft, 2011). Now, in this new release, they deliver swinging and ear-popping sounds while at ...


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