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Frank Morgan

It is a real rarity for a jazz musician to have his career interrupted for three decades and then be able to make a complete comeback. Frank Morgan showed a great deal of promise in his early days, but it was a long time before he could fulfill his potential. The son of guitarist Stanley Morgan (who played with the Ink Spots), he took up clarinet and alto early on. Morgan moved to Los Angeles in 1947 and was approached by Duke Ellington who wanted the then 15-year-old Frank to go on the road with his band. Frank's father wanted his son to finish school so the Ellington gig never materialized, but by the time he was 17, Frank was working at LA's Club Alabam, backing the likes of Josephine Baker and Billie Holiday

Barbara Reed: Mystery and Music

Read "Barbara Reed: Mystery and Music" reviewed by Nicholas F. Mondello

Pianist, composer and author, jny: Los Angeles-based Barbara Reed is not only a triple artistic threat, but, she has combined all of those abundant skills in a way that is literally novel. Originally from suburban jny: Chicago and having studied at Berklee, Reed has developed a long, celebrated performing career in L.A. Her debut ...

ARTICLE: PROFILE

Jeff Chambers' Chosen Alternative: The Therapies of Tijuana

Read "Jeff Chambers' Chosen Alternative: The Therapies of Tijuana" reviewed by Arthur R George

Jeff Chambers, long a go-to jny: San Francisco Bay Area bassist, looked at death closely and decided it was not yet his time. In 2017 his medical chart revealed Stage IV prostate cancer, commonly and fearfully an endgame diagnosis. Prostate cancer affects African-American men with almost twice the frequency as other races, and is almost twice ...

ARTICLE: BAILEY'S BUNDLES

Ten Artists: February 2019

Read "Ten Artists: February 2019" reviewed by C. Michael Bailey

Cecilia Bartoli Antonio Vivaldi Decca 2018 2019 marks the thirtieth anniversary of mezzo-soprano Cecilia Bartoli recording for Decca, her label for the duration of her career. Bartoli's first recording was Rossini's Il Barbiere di Siviglia (London/Decca, 1989) opposite famous baritone Leo Nucci. My own introduction to Bartoli was through her Mozart ...

ARTICLE: ALBUM REVIEW

Frank Morgan & George Cables: Montreal Memories

Read "Montreal Memories" reviewed by Jack Bowers

Alto saxophonist Frank Morgan and pianist George Cables, two seasoned pros at the top of their game, joined forces to map this superb concert performance at the 1989 Montreal Jazz Festival. Morgan--unchained at last from his debilitating heroin addiction and four years removed from prison--is a wellspring of creativity and passion, while Cables, eleven years Morgan's ...

Montreal Memories

Label: HighNote Records
Released: 2018
Track listing: Now's The Time; All The Things You Are; A Night in Tunisia; Round Midnight; Confirmation; Blues For Rosalinda; Helen's Song; Lullaby; Medley: Nefertiti/Billie's Bounce.

ARTICLE: ALBUM REVIEW

Frank Morgan and George Cables: Montreal Memories

Read "Montreal Memories" reviewed by Peter J. Hoetjes

Montreal Memories is a duet album recorded at Theatre Port Royal on July 1, 1989, featuring two of the most talented jazz artists of any generation: alto saxophonist Frank Morgan; and pianist George Cables. This is the second duet album they've released, the first being Contemporary's Double Image in 1987. A jazz duet is ...

ARTICLE: ALBUM REVIEW

Doug Webb: Fast Friends

Read "Fast Friends" reviewed by Mark Corroto

There is nothing as soul cleansing as bebop. Period. When you couple the music with the sunshine of Los Angeles (OK, when the smog has cleared) there is a medicinal, tonic effect to be had. Enter L.A. session saxophonist Doug Webb, a contributor to film and television, and member of big bands led by Bill Holman, ...

ARTICLE: ALBUM REVIEW

Vinny Golia Wind Quartet: Live At The Century City Playhouse – Los Angeles, 1979

Read "Live At The  Century City Playhouse – Los Angeles, 1979" reviewed by Mark Corroto

If you were born yesterday, you can be forgiven for believing the West Coast jazz scene begins with Kamasi Washington. As with most things related to jazz, New York is the focus, with slight consideration of Chicago. The rich history of Los Angeles' creative community, including the early Ornette Coleman ensembles, Dexter Gordon, Horace Tapscott, Frank ...

ARTICLE: UNDER THE RADAR

Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond" reviewed by Karl Ackermann

Beyond the Hubs While jny: New Orleans, jny: Chicago, jny: Kansas City and jny: New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far ...


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