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Frank Morgan
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It is a real rarity for a jazz musician to have his career interrupted for three decades and then be able to make a complete comeback. Frank Morgan showed a great deal of promise in his early days, but it was a long time before he could fulfill his potential. The son of guitarist Stanley Morgan (who played with the Ink Spots), he took up clarinet and alto early on. Morgan moved to Los Angeles in 1947 and was approached by Duke Ellington who wanted the then 15-year-old Frank to go on the road with his band. Frank's father wanted his son to finish school so the Ellington gig never materialized, but by the time he was 17, Frank was working at LA's Club Alabam, backing the likes of Josephine Baker and Billie Holiday
Miguel Zenón Quartet: Vanguardia Subterránea: Live at The Village Vanguard
by Mark Corroto
The perfect sports analogy for saxophonist and composer Miguel Zenón might just be baseball legend Roberto Clemente. Both were born in Puerto Rico, and both are revered as masters of their respective crafts. Clemente was a perennial All-Star, a World Series MVP, a Gold Glove winner and a National League batting champion. Zenón, for his part, ...
Jon Batiste, Frank Morgan, Jack Mouse & Jonah David
by Joe Dimino
Welcome to the 896th episode of Neon Jazz, where the groove never stops! We kick things off with the electrifying Jonah David, spinning a fresh cut from his highly anticipated 2025 album, Waltz for Eli. Then, we take a time-traveling leap back to 1955 for a sizzling classic--Frank Morgan's fiery rendition of “The Champ." This hour ...
I Hear a Rhapsody
by David Caudill
We put out a call to visitors to AAJ to tell us their stories about how jazz has impacted, indeed shaped their lives. David Caudill heard the call. David has lived in Cincinnati for three decades and spent a long career writing, both in journalism and for a short while in corporate communications. He ...
The Reid Hoyson Project: Your Move
by Jack Bowers
The Reid Hoyson Project consists of two groups, each of which showcases the insuperable talents of saxophonist Keith Bishop who plays tenor with a close-knit quintet, alto with the more spacious octet. Drummer Hoyson, a fixture on the Pittsburgh jazz scene for roughly half a century, waited until Bishop was available before recording his latest album, ...
Charlie Parker: Be Bop Live
by Mark Corroto
The name of the record label is ezz-thetics, which was also a composition by George Russell and an album of the same name (which featured Eric Dolphy) released by Riverside Records in 1961. Maybe a better moniker for the label is “Lest We Forget." Not that we could ever abandon Charlie Parker, but today when streaming ...
[Long] Live (at) the Jazz Standard! - Companion Mixtape
![Read "[Long] Live (at) the Jazz Standard! - Companion Mixtape" reviewed by Ludovico Granvassu](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/8e2bd12f18d90ceed1a528ede689239e.jpg)
by Ludovico Granvassu
There was so much great music recorded live at the Jazz Standard, that we could not possibly squeeze it all in our weekly radio show, so here's a bonus mixtape with another couple of hours of great memories from the celebrated venue, as part of our commemoration series. [Check out Part 1 and Part 2]
Barbara Reed: Mystery and Music
by Nicholas F. Mondello
Pianist, composer and author, Los Angeles-based Barbara Reed is not only a triple artistic threat, but, she has combined all of those abundant skills in a way that is literally novel. Originally from suburban Chicago and having studied at Berklee, Reed has developed a long, celebrated performing career in L.A. Her debut album as ...
Jeff Chambers' Chosen Alternative: The Therapies of Tijuana
by Arthur R George
Jeff Chambers, long a go-to San Francisco Bay Area bassist, looked at death closely and decided it was not yet his time. In 2017 his medical chart revealed Stage IV prostate cancer, commonly and fearfully an endgame diagnosis. Prostate cancer affects African-American men with almost twice the frequency as other races, and is almost twice as ...
Ten Artists: February 2019
by C. Michael Bailey
Cecilia Bartoli Antonio Vivaldi Decca 2018 2019 marks the thirtieth anniversary of mezzo-soprano Cecilia Bartoli recording for Decca, her label for the duration of her career. Bartoli's first recording was Rossini's Il Barbiere di Siviglia (London/Decca, 1989) opposite famous baritone Leo Nucci. My own introduction to Bartoli was through her Mozart ...
