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Young Coleman Hawkins Speaks and Plays
After Coleman Hawkins left Fletcher Henderson in 1934, he spent nearly five years touring in Europe. Having established the saxophone as a serious jazz instrument, he provided significant inspiration among European musicians as jazz took a solid foothold on the continent and in the British Isles. Hawkins appeared with bands in England, Switzerland, France and Holland, ...
Jazz Musician of the Day: Fletcher Henderson
All About Jazz is celebrating Fletcher Henderson's birthday today! The bands Fletcher Henderson led in the 1920s and 1930s were vitally significant incubators of new developments in jazz. Henderson played a key role in bringing improvisatory jazz styles from New Orleans and other areas of the country to New York, where they merged with a dance-band ...
Live From Old York: Tom Lewis, Bryan Ferry, Blockheads, Brass Monkey & 4square
by Martin Longley
Tom Lewis The Black Swan November 7, 2013 It was easy to identify Tom Lewis whilst he was sitting amongst the audience at the Black Swan Folk Club, checking out the floor singers at the evening's beginning. This was a man sporting an anchor earring and an anchor ...
Dr. Kay & His Interstellar Tone Scientists: The Search for True Happiness
by Eyal Hareuveni
Who could guess that about twenty years after the spirit of Sun Ra left this planet and went to higher spheres what will transpire in the chilly winds of Oslo, Norway. But anyone who followed even remotely the unbelievable life of Sun Ra already knows that stranger things have happened. The young ...
Ye Olde Criticism of Jazz
by Scott Krane
SURREALISM, n. Psychic automatism in its pure state, by which one proposes to express--verbally, by means of the written word, or in any other manner--the actual functioning of thought. Dictated by the thought, in the absence of any control exercised by reason, exempt from any aesthetic or moral concern. ENCYCLOPEDIA. Philosophy. Surrealism is based ...
Tribute To Henry "Red" Allen This Week On Riverwalk Jazz
This week, Riverwalk Jazz pays tribute to Henry ‘Red’ Allen, one of the last great trumpeters to come out of New Orleans in the 1920s. The program is distributed in the US by Public Radio International, on Sirius/XM satellite radio and can be streamed on-demand from the Riverwalk Jazz website. You can also drop in on ...
University of Central Florida Jazz Ensemble 1: Jazz Town / The Blues Is Alright
by Jack Bowers
The state of Florida, not usually thought of as a hotbed of jazz, has become a breeding ground for those who may someday be counted among the music's best and brightest, thanks to the state's several widely praised undergraduate Jazz Studies programs that are churning out well-schooled musicians almost as fast as Ben and Jerry's churns ...
Fletcher Henderson And Don Redman: The Birth Of The Big Band Reed Section
This week, Riverwalk Jazz presents “Fletcher Henderson and Don Redman: The Birth of the Big Band Reed Section" with arrangements adapted by the Jim Cullum Jazz Band’s clarinetist Ron Hockett from the classic Henderson scores from the 1920s. To bring to life this distinctive sound, clarinetists Allan Vaché and Kim Cusack join Jim Cullum and the ...
"Originals By Originals" This Week On Riverwalk Jazz
This week on Riverwalk Jazz, jazz legends perform their own compositions with The Jim Cullum Jazz Band. We dig into the archive for “Originals by Originals." The program is distributed in the US by Public Radio International, on Sirius/XM satellite radio and can be streamed on-demand from the Riverwalk Jazz website. You can also drop in ...
Part 6: The Basses of Our Music
by William Carter
Listen to bassist Pops Foster with the Luis Russell Orchestra from 1929, playing “Jersey Lightning." Also on this record are New Orleans men Henry “Red" Allen, Albert Nicholas and Paul Barbarin. Virtually all of the New Orleans bass players depicted in this post played in an energetic, percussive style very similar to Foster's:
