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All-Star Swing Sessions
By Bud Freeman
Label: Fantasy Jazz
Released: 2004
Track listing: 1. I Let a Song Go Out of My Heart (Ellington/Mills/Nemo/Redmond) - 5:18
2. S'posin' (Denniker/Razaf) - 5:41
3. March on, March On (Edwards) - 4:48
4. Shorty's Blues (Baker/Freeman/Hopkins) - 4:45
5. Love Me or Leave Me (Donaldson/Kahn) - 5:18
6. Something to Remember You By (Dietz/Schwartz) - 4:41
7. Hector's Dance (Baker/Freeman/Hopkins) - 3:26
8. But Not for Me (Gershwin/Gershwin) - 4:26
9. Darktown Strutters Ball (Brooks) - 7:41
10. It Had to Be You (Jones/Kahn) - 5:01
11. Farewell Blues (Mares/Rappolo/Schoebel) - 3:38
12. Keep Smiling at Trouble (De Sylva/Gensler/Jolson) - 3:13
13. The Buzzard (Freeman) - 3:11
14. What Is There to Say? (Duke/Harburg) - 3:32
15. Tillie's Downtown Now (Freeman) - 3:28
Getting Sentimental: Live at the Village Vanguard
By Bill Evans
Label: Fantasy Jazz
Released: 2004
Track listing: I Should Care, How My Heart Sings, Gary's Theme, I'm Getting Sentimental Over You, Quiet Now, Re: Person I Knew, The Peacocks, Emily, Song from M*A*S*H (Suicide is Painless), Turn out the Stars, When I Fall in Love, In Your Own Sweet Way, But Beautiful, I Love You
Boss Guitar
Label: Fantasy Jazz
Released: 2004
Track listing: 1. Besame Mucho (Skylar/Velazquez) - 6:32
2. Dearly Beloved (Kern/Mercer) - 4:52
3. Days of Wine and Roses (Mancini/Mercer) - 3:48
4. The Trick Bag (Montgomery) - 4:27
5. Canadian Sunset (Gimbel/Heywood) - 5:07
6. Fried Pies (Montgomery) - 6:47
7. The Breeze and I (Lecuona/Stillman) - 4:11
8. For Heaven's Sake (Bretton/Edwards/Meyer) - 4:42
9. Besame Mucho (Skylar/Velazquez) - 6:27
10. Fried Pies (Montgomery) - 6:38
McGriff Avenue
Label: Fantasy Jazz
Released: 2004
Track listing: 1. All About My Girl (McGriff) - 7:50
2. McGriff Avenue (Jones) - 7:35
3. Soul Street (Forrest) - 10:50
4. The Answer Is in the Blues (Jones) - 8:13
5. The Great Unknown (Cuber/McGriff) - 6:45
6. Dissertation on the Blues (Jones) - 8:35
7. The Worm (McGriff) - 6:30
8. America, the Beautiful (Bates/Ward) - 3:02
Roy Haynes: Quiet Fire
by AAJ Staff
Quiet Fire repackages two oddball Roy Haynes Galaxy discs, Thank You, Thank You (1977) and Vistalite (1978), into one intermittently interesting extra-length CD of duets, trios, quartets, quintets, sextets and septets. Though the cast is strong (players include George Cables, Stanley Cowell, Ron Carter, Bobby Hutcherson, Cecil McBee and Joe Henderson), the music is ...
McCoy Tyner: Counterpoints
by AAJ Staff
McCoy Tyner has basically been making the same insanely luscious and gorgeously dense modal music for nearly 40 years now. Which means that Counterpoints , which consists of five unreleased live tracks from a 1978 Tokyo concert (others were issued in 1979 on the currently unavailable Passion Dance ), is unlikely to offer anything new to ...
Dave Brubeck Quartet: Jazz at the College of the Pacific
by David Rickert
Before he hit it big with Time Out, Dave Brubeck found a niche market with the college crowd. The tweed coat and horn-rimmed glasses set were eager to soak in all that he had to offer, and Brubeck can take part of the credit for turning jazz into a more academic pursuit than it was previously ...
Vince Guaraldi Trio: A Boy Named Charlie Brown
by David Rickert
By any standard, “Linus and Lucy" is a great song. Anyone over the age of seven is familiar with the melody, a catchy tune instantly identifiable with the Peanuts gang. It also put Vince Guaraldi, an artist who might otherwise have been a one-hit wonder with “Cast Your Fate To the Wind" and relegated to the ...
Bola Sete: Voodoo Village
by David Rickert
In the mid-sixties bossa nova was the second most popular music after rock and roll, a situation that gave talented artists like Bola Sete exposure that otherwise might have been elusive. Like Charlie Byrd, another artist who paid the rent with Brazilian music, Sete combined formidable classical and flamenco chops with a jazz sensibility to create ...
Bola Sete: Voodoo Village
by Derek Taylor
Seven ball, corner pocket. If Bola Sete had chosen cue stick over guitar there’s little doubt he would have brought similar agility and acumen to the game of billiards. Luckily for listeners across the globe he chose the latter instrument as his means of expression. Particulars on Sete’s colorful career are recounted elsewhere—his Bohemian youth spent ...
