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Results for "Eyal Hareuveni"
Lina Nyberg: The Show
by Eyal Hareuveni
The thirteenth release of Swedish jazz singer and composer Lina Nyberg marks her twentieth anniversary as an artist. This live recording from the small Theater Studio Lederman in Stockholm highlights Nyberg's theatrical flair as a vocalist, a kind of a highly creative staged concert. Nyberg writes in her liner notes that she always envied dancers and ...
Dave Fox Group featuring Bruce Eisenbeil: Home Again
by Eyal Hareuveni
The third release of the Dave Fox group, augmented now by avant-guitarist Bruce Eisenbeil, presents free improvised music at its best. This is adventurous music that's raw, muscular, unstructured, intense, idiosyncratic in its risk-taking approach but still cohesive in a unique way. The group is comprised of North Carolina's Greensboro College music educator Fox (here on ...
Jeremy Udden: Plainville
by Eyal Hareuveni
Saxophonist Jeremy Udden's sophomore release is a compassionate and happy reflection on his home town of Plainville, in rural southern Massachusetts, and his early and formative musical influences as a boy who was interested in all kinds of music-- indie-rock, alt-country, folk and, later on, jazz. Though this is an emotional journey, arranged in a highly ...
Jason Rigby: The Sage
by Eyal Hareuveni
The sophomore release of New York-based saxophonist/composer Jason Rigby features him as a unique new voice that deserves wider attention. His deep, full-bodied tenor sound and his inside-outside jazz vocabulary reference sax greats such as John Coltrane and Wayne Shorter, while his elastic sense of time sounds closer to the fluid playfulness of Ornette Coleman. His ...
Daphna Sadeh & The Voyagers: Reconciliation
by Eyal Hareuveni
Israeli-born, England-based composer and double-bassist Daphna Sadeh's third release, Reconciliation—the musician's second recording with her band, The Voyagers—is true to its title. Following the group's first album, Walking the Line (33 Records, 2007), Reconciliation reconciles the varied cultural roots of Sadeh—her classical training, jazz education in New York, Sephardic and Ashkenazi Jewish music, and traditional Arabic ...
Mark O'Leary: Plucking the Flower
by Eyal Hareuveni
Irish guitarist Mark O'Leary emerged on the global improvised music scene in the last few years, pushing his bold vision and broad scope of musicality through constantly-changing collaborations. O'Leary can cross easily between genres, from progressive, synth-laden rock and seventies fusion to free jazz and abstract soundscapes.The guitarist's encyclopedic interests and remarkable prolificacy are ...
Greg Wall's Later Prophets: Ha'Orot: The Kook Project
by Eyal Hareuveni
Rabbi Avraam Izchak HaCohen Kook (1865-1935) was one of the most influential and inspirational religious Jewish thinkers of the 20th century. Kook was a man who was humanistic in his philosophy. He preached for vegetarianism and was interested in the arts (he thought that Rembrandt was a tzadik, a righteous man), though his philosophy was deeply ...
Yoni Kretzmer's New Dilemma: Yoni Kretzmer's New Dilemma
by Eyal Hareuveni
Unlike many young jazz players in Israel, tenor saxophonist Kretzmer chose to broaden his musical education in France, instead of the United States. This appears to have exposed him to a much more varied scene, and a more open and flexible definition of jazz genres. His musical world is rooted in the fusion-meets-progressive rock ...
Charles Evans: The King Of All Instruments
by Eyal Hareuveni
Baritone saxophonist player (and high school teacher by trade) Charles Evans' fourth release is a triumphant solo exploration of the big horn. Equipped with warm recommendations by sax players--former teacher Dave Liebman and fellow baritone player John Surman, Evans' multilayered compositions for the baritone saxophone, recorded between June 2007 to March 2008, suggest varied facets of ...
Carlos Bica & Azul in Jerusalem
by Eyal Hareuveni
Carlos Bica & Azul Yellow Submarine Jerusalem, Israel March 24, 2009Some of the best performances that I have seen in recent years were the ones with almost no hype surrounding them. Such was the case with the free concert by Berlin-based Portuguese bassist Carlos Bica and the Azul Trio--completed ...
