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Einar Scheving: Land Mins Fodur
by Alex Franquelli
It is jazz, all right. But it is that kind of jazz that manages to flow in a natural, effortless way. The rigid canons of composition are refined by a clever approach to folk music, which in Land Míns Föður (The Land of My Father) ceases to be a mere echo in an otherwise contemporary context ...
Roy Harper: Recorded Live in Concert at Metropolis Studios, London
by Ian Patterson
For much of a career that began on the London folk scene in the mid-1960s, singer/songwriter and guitarist Roy Harper has been an underground cult figure and symbol of the counterculture, playing the length and breadth of England to fiercely loyal fans. Harper's best gigs have the intimacy of a confessional, the passion of a Speaker's ...
Julian Shore: Filaments
by Dave Wayne
There is nothing wrong with mellow jazz. As long as distance can be maintained from the hackneyed, dialed-in feel of smooth jazz, it can be a refreshing change of pace from the intensity and analytical focus of a lot of modern art music, jazz or otherwise. Listening to pianist Julian Shore's Filaments, there's the sense that ...
Michael Feinberg: The Elvin Jones Project
by Dave Wayne
Electronic boops and beeps are the first thing you hear on bassist Michael Feinberg's The Elvin Jones Project. This could either be a good sign or a bad one. Fortunately it's the former, and it acts as an effective reminder that drummer Elvin Jones was a pioneering and exploratory musician whose legacy extends well beyond his ...
Pat Metheny: Tap - John Zorn's Book of Angels | Vol. 20
by Nenad Georgievski
Literary, anything and everything can and will happen in composer John Zorn's constantly evolving musical world. Within that world, surprise and exploration are an important ingredients, as much as the cross-styling or the plethora of approaches for the different kinds of collaborative compositions he has created for the players involved. This surprising crossed paths of Zorn ...
Moss Project: What Do You See When You Close Your Eyes?
by Jakob Baekgaard
The idea of creating a gesamtkunstwerk, a synthesis of the arts, is not something new. Classical composer Richard Wagner envisioned his operas as a meeting between music, literature and the visual expression of painting; since Wagner, many artists have tried to unite the different artistic languages into a total work of art. While ...
Marbin: Last Chapter of Dreaming
by Dave Wayne
Back in the 1970s, fusion used to mean one thing; the melding of jazz improvisation and chord structures with the stylistic eclecticism and pure energy of progressive rock. As a recognizable formula emerged, it became common to hear the exotic strains of various ethnic musics in a jazz-rock fusion context. By the late '70s, its emphasis ...
June Tabor / Iain Ballamy / Huw Warren: Quercus
by John Kelman
Awaiting release for more than seven years, Quercus is not the first time ECM has branched into the realm of traditional British music combined with jazz improvisation. Unlike the rawer and more unfettered freedom of producer Steve Lake's inspired pairing of singer Robin Williamson with improvisers including violist Mat Maneri, bassist Barre Phillips and Swedish traditionalist ...
Drew Gress: The Sky Inside
by John Kelman
Bassist Drew Gress returns with the same quintet with whom he's been recording since 2005's 7 Black Butterflies (Premonition). Don't fix it if it ain't broke, they say, and if, with the addition of trumpeter Ralph Alessi to the core quartet that also recorded 2001's Spin & Drift (Premonition (and with Craig Taborn replacing original pianist ...
Edward Simon Trio: Live in New York at Jazz Standard
by John Kelman
Some artists maintain a busy release schedule, putting out an album a year--sometimes, in the case of musicians like guitarist Bill Frisell, even more frequently--while others, for a variety of reasons, are less prolific. Pianist Edward Simon has, in recent years, been issuing albums with broader distribution under his own name--which automatically discounts 2010's independently released ...


