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Ludwig van Beethoven - Recordings during War Time conducted by Wilhelm Furtwangler
by C. Michael Bailey
German conductor and composer Wilhelm Furtwangler (1886--1954) remains a difficult enigma in music. Though never a member of Germany's NAZI party he was nevertheless associated with the regime both tacitly and unwittingly through the long-term efforts of Dr. Josef Goebbels' Ministry of Public Enlightenment and Propaganda. Socially and politically naïve, Furtwangler believed that German Art and ...
Chris Standring: Don't Talk, Dance!
by Jeff Winbush
If jazz is to avoid being relegated to the pit of obsolescence where VCR's, pet rocks and NBC's fall lineup for the last five years has been consigned to it won't be enough to simply continue catering to the true believers and faithful die-hards that currently maintains the genre. Jazz will have to go places it ...
Medeski, Martin & Wood + Nels Cline: Woodstock Sessions, Vol. 2
by John Kelman
In retrospect, it was inevitable; why it took so long for veteran jazz jam band Medeski, Martin & Wood to get together with Nels Cline is anybody's guess. The über-guitarist has, since joining Wilco a decade ago, managed to significantly raise his visibility, but anybody who suggests that he's been moonlighting" in the alt-country/alt-rock/alt-alt band to ...
Scottish National Jazz Orchestra: American Adventure
by John Kelman
Sometimes an idea seems great on paper, but in execution doesn't exactly work out as planned. Other times, that same idea doesn't just look great, it actually exceeds already high expectations. When saxophonist Tommy Smith--almost single-handedly responsible for rebuilding a modern jazz scene in his home country of Scotland, where he returned after studying at Boston's ...
Anne Mette Iversen's Double Life: So Many Roads
by Dan Bilawsky
Music making, like life itself, is all about balance. In both worlds, highs and lows, triumphs and tragedies, harmony and melody, chaos and order, the clinical and the emotional, the simple and complex, and so much more are constantly being balanced on the scales. Rarely are things in perfect equilibrium, yet so many people strive to ...
Mark Weinstein: Latin Jazz Underground
by Dan Bilawsky
Has flautist Mark Weinstein run out of ideas on how to merge various dialects of Latin jazz with other musical tongues? The answer is a resounding no." Latin Jazz Underground finds Weinstein saluting the loft jazz scene of the '70s by tackling the work of jazz iconoclasts-turned-icons--pianist Andrew Hill and saxophonists Ornette Coleman and Sam Rivers--and ...
Sons of Kemet: Burn
by Phil Barnes
The first thing you notice about Shabaka Hutchings' latest project, Sons of Kemet, is the unexpectedly large feel to the recording's soundscape. Not only does it have the hallmarks of a warmer analogue past but the reverb is at times extraordinary, being akin to hearing the band play in an immense auditorium with twice as many ...
Ola Kvernberg Trio: Northern Tapes
by John Kelman
It's been three years since Ola Kvernberg released the ambitious Liarbird (Jazzland, 2011), a studio document of his 2010 Molde International Jazz Festival commission where guest Joshua Redman was recruited for the live performance, but where, far more than a ringer for Kvernberg, Redman was clearly awestruck by this virtuosic young violinist/composer. It's not that Kvernberg ...
John Carter & Bobby Bradford: Tandem
by John Eyles
The music on the double CD Tandem (remastered) was all previously available on two single Emanem CDs, Tandem 1 and Tandem 2, released in 1996. They have now been withdrawn and replaced by this release. In the process the music has been programmed in a more sensible order and, as the album title highlights, the sound ...
Bob Dylan: The 30th Anniversary Concert Celebration Deluxe Edition
by John Kelman
A star-studded show celebrating the music of Bob Dylan, televised around the world thirty years after the release of his first Columbia recording, 1962's Bob Dylan, could have been seen as swan song; after all, Dylan was in a period of songwriting inactivity that would last from 1990 through to his potent reemergence with 1997's Time ...


