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Jack Bruce: Silver Rails
by Phillip Woolever
Jack Bruce and a sterling cast of supporting players roar down breathtaking tracks on this powerful production, offering what sounds like Bruce's autobiographical retrospective in an artistic, highly personal manifesto. The album seems to progress in stages, starting with British blues and abstract jazz, musical touchstones Bruce has based much of his catalog on. ...
Nat Birchall: Live In Larissa
by Phil Barnes
This limited double vinyl and download collection is a wonderful document of two nights that Birchall and his band played at the Duende Jazz Bar in Larissa during May 2013. The trip appears to have made an enormous impression on Birchall who commented shortly after returning that I think our visit will become one of the ...
Jacob Young: Forever Young
by John Kelman
While all groups aim for the kind of collective chemistry that can make, for example, five people speak with a single voice, how they get there can vary significantly. In some cases there's instantaneous chemistry; in other cases, it comes from pre-existing relationships amongst various permutations and combinations of its members; in still other instances it ...
Keith Jarrett / Charlie Haden: Last Dance
by John Kelman
For the past 30 years--barring a few diversions into classical repertoire, unexpected instrumentation like 1986's Book of Ways and a couple of home-cooked solo albums that, as with the 1986 recording No End (ECM, 2013), were out-of-character recordings where he overdubbed all the instruments himself--pianist Keith Jarrett has been working two contexts and two contexts only: ...
The Yes Album (Definitive Edition CD/Blu-Ray)
by John Kelman
While later albums like Fragile (Atlantic, 1971) and the epic Close to the Edge (Atlantic, 1972) would establish Yes as superstars of the progressive rock world (and, to some extent, beyond), it was The Yes Album, also released by Atlantic but nine months earlier in February of 1971, that announced Yes a group with still-untapped potential ...
Simon Thacker's Svara Kanti: Rakshasa
by Ian Patterson
Following the acclaimed guitar concerti of Nava Rasa Ensemble (Slap The Moon, 2011), which saw nine musicians blend Carnatic, Hindustani and Western classical traditions, classical guitarist/composer Simon Thacker scales back the ensemble size, but not his ambition, for Rakshasa, a formidable quartet exploration of Asian and Western sounds that bends the traditions as much as it ...
Saxophone Summit: Visitation
by John Kelman
After two recordings for Telarc--2004's Gathering of Spirits, with the late Michael Brecker, and 2008's Seraphic Light, with Ravi Coltrane assuming the position vacated by Brecker following his untimely passing the previous year--Saxophone Summit is back with Visitation. Funded by the (for jazz) early crowd-funding ArtistShare imprint, it demonstrates the difference between recording for a relatively ...
JC Sanford Orchestra: Views from the Inside
by Dan Bilawsky
Views From The Inside is a study in contrasts and opposing forces. It's a work of compression and expansion, sonic saturation and sparsity, and consonance and dissonance. It's music that's alternately grandiloquent and direct, pointing to a place where high art and simple emotional expression aren't at odds with one another. In short, it's everything that's ...
No Pews Required: Chris McDonald Jazz Orchestra
by Jack Bowers
A glance at the name and song titles on Chris McDonald's new album might lead to an assumption that this is a Christian manifesto masquerading as big-band jazz, when in fact the reverse is true--McDonald, a superlative arranger, happens to be a man of faith who uses Christian themes as the basis for some of the ...
Tim Garland: Songs To The North Sky
by Ian Patterson
So much of multi-reedist Tim Garland's recorded output takes nature as its inspiration. The eternal symphony of the sea, the theatre of sky, light and air and the vistas that have accompanied Garland's twenty plus years on the road are ever-present in his works; Songs to the North Sky is no exception. The first of two ...


