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From the Vault: The Marquee Club Live in 1971
by Doug Collette
Somewhat late to the archival exploration of their fifty-year plus vault, the Rolling Stones are making up for lost time with titles like this. The Marquee Club Live in 1971 reaffirms the notion the conic British group were never a better band than at this juncture of their career. Recorded with impeccable sound by ...
Grateful Dead: Dave's Picks Volume 14 Academy of Music, New York, NY, 3/26/72
by Doug Collette
There was nothing like a Grateful Dead concert and never more so than in New York, but this one comprising Dave's Picks Volume 14, is an especially significant one: the final night (except for a benefit for the Hell's Angels the very next evening) of a six-night run at the Academy of Music on 3/26/72, taking ...
Nils Lofgren: Nils Lofgren
by Doug Collette
Apart from Nils Lofgren's essay of clear-headed, affectionate reflection and a few extra photos, there's no additional content on the reissue of his eponymous solo album (here often referred to as “Fat Man" based on the cover picture). But there really doesn't need to be: this is one of those very rare rock records that sounds ...
Beats and Pieces Big Band: All In
by Phil Barnes
The idea of the gang is well established in rock bands--think of the wonderful Astrid Kirchherr photos of the Beatles in their Hamburg-era leathers, the Specials glowering from the cover of their classic debut LP or the Clash in pretty much any picture ever taken of them. Rock bands often foster this “us v's them" mentality ...
Sticky Fingers Super Deluxe Box Set
by C. Michael Bailey
Year in and year out, much is made of the Rolling Stones' Exile on Main Street (Universal Music Group, 1972/2010) (EOMS) being the “greatest rock and roll album." It is traditionally beaten out in most critics' and readers' polls by either The Beatles Sgt. Pepper's Lonely Hearts Club Band (Parlophone, 1967) or Rubber Soul (Parlophone, 1965). ...
Ivo Neame: Strata
by Phil Barnes
Probably best known for his work as part of the much celebrated trio Phronesis, UK pianist Ivo Neame has quietly built an enviable discography encompassing sideman appearances with Ant Law and Andre Canniere along with excellent albums as leader such as 2012's Yatra. The latter in particular was a remarkably ambitious octet session that mixed clarinet ...
Sonny Landreth: Bound By the Blues
by C. Michael Bailey
Fresh Cream (Atco) was released in 1966, at the height of the blues revival that began in the late 1950s with the publication of Samuel Charter's The Country Blues (Rinehart, 1950) and the subsequent release of the LP The Country Blues (Folkways, 1959). In the early blues revival, it was the rural, acoustic blues that were ...
Benedicta: Marian Chant from Norcia
by C. Michael Bailey
The mid-1990s so-called “new age" or “ambient" music discovered the Plainsong, leading to the release of Chant (Angel, 1973/1994) by the Benedictine Monks of Santo Domingo de Silos. Such a spike in popularity in all things mystical was nothing novel at the end of the Twentieth Century (or any other post-civilization century, for that matter). Judging ...
Luther Thomas: In Denmark
by Jakob Baekgaard
Denmark has a long tradition of jazz immigration and in the land where the Danish author Hans Christian Andersen was born, it is truly a musical fairy tale that such great artists as saxophonists Ben Webster, Dexter Gordon and Stan Getz have lived and worked in the country, along with pianists like Kenny Drew and Horace ...
Masabumi Kikuchi / Ben Street / Thomas Morgan / Kresten Osgood
by Jakob Baekgaard
The German poet, philosopher and literary critic Karl Wilhelm Friedrich von Schlegel (1772-1829) had an affinity for the fragment as an art form and in his Athenaeumsfragment 206, he wrote about it, saying that: “[a] fragment, like a small work of art, has to be entirely isolated from the surrounding world and be complete in itself ...
