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John Butcher, Ståle Liavik Solberg: So Beautiful, It Starts to Rain
by Vic Albani
John Butcher sta lentamente prendendo il posto di “sua maestà" Evan Parker che potremmo definire quasi uno specialista degli incontri in duo con percussionisti vari. Scherzi a parte, il sessantatreenne sassofonista di Brighton attivo discograficamente sin dalla fine degli anni Ottanta, torna a far brillare casa Clean Feed da una parte con una ristampa ...
Otomo / Yamazaki / Parker: 14.11.16
by Nicola Negri
Cafe Oto is one of the most important venues for free improvisation and avant-garde jazz in Europe, with an intelligent programming that often focuses on ad-hoc pairings and special projects. The London venue also has a record label, Otoroku, with a small but already impressive catalogue on LP and CD that expanded considerably after the launch ...
Bergamo Jazz Festival 2017
by Francesco Martinelli
Bergamo Jazz Festival Bergamo, Italy March 19-26, 2017 The Bergamo Jazz Festival, one of the most long-lived and prestigious Italian festivals, celebrated in 2017 its 39th edition. Since about ten years the Town of Bergamo nominates a musician as artistic director, and the 2017 edition has been the second under ...
Alexander Hawkins
by Paolo Peviani
Il tratto principale della mia musica È molto difficile rispondere ma spero che, in qualche modo, il tratto principale della mia musica corrisponda al tratto principale di me stesso. La qualità che desidero nei musicisti che suonano con me Gioia, apertura, generosità, e che non abbiano paure nel fare musica.
Konstrukt: Molto Bene
by Mark Corroto
Many listeners still cannot fathom the concept of Turkish free jazz. Consider though, the origins of free jazz both in North American. The United States claims John Coltrane, Ornette Coleman, Sun Ra, Albert Ayler, and Cecil Taylor. But let us recognize that Europe produced Evan Parker (England), Bengt Nordström (Sweden), John Tchicai (Denmark), Peter Brötzmann (Germany), ...
Sylvie Courvoisier/Mary Halvorson: Crop Circles
by Mark Corroto
Crop Circles is the inevitable meeting of two remarkable female artists. Both pianist Sylvie Courvoisier and guitarist Mary Halvorson have distinguished careers. Courvoisier in her quartet, her large ensemble, and Mephista (a trio with Ikue Mori and Susie Ibarra). Halvorson leads a trio, quintet, septet, octet and is a member multiple bands including Thumbscrew, Anthony Braxton's ...
Joëlle Léandre: A Woman's Work...
by Mark Corroto
How do you sum up the career of an improvising artist like Joëlle Léandre? Do you reissue a package of recordings from her 40 years of performance? That is probably not possible, given the multiple labels and the location and ownership of the masters. Besides, free improvisation, almost by definition, dissipates (or probably should dissipate) upon ...
Evan Parker / Mark Nauseef / Toma Gouband: As The Wind
by John Eyles
Evan Parker's Psi label was once a flourishing concern, releasing up to ten albums a year in its peak years between 2004 and 2011, but activity has tailed off recently. After releasing five albums in 2012, neither 2013 nor 2014 brought anything, leading to fears that no more would be heard from Psi. Thankfully, since then ...
Il meglio del 2016 secondo Enrico Bettinello
by AAJ Staff
Cristiano Calcagnile Multikulti Cherry On (Caligola Records) The Dwarfs of East Agouza Bes (Nawa) Alexander Hawkins, Evan Parker Leaps In Leicester (Clean Feed Records) Hobby Horse Rocketdine (Parco della Musica Records) Rob Mazurek & São Paulo Underground Cantos Invisiveis (Cuneiform ...
John Escreet: The Unknown
by Budd Kopman
Improvisation is the core of jazz, and hearing it live is the best possible experience. However, there are different levels of improvisation, ranging from stretching the melody, to playing over a tune's changes, or taking off during a particular composition. The presence of melody, harmony and rhythm as well as structure can vary to a wide ...
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