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Erik Friedlander throws a glass of absinthe, and more new releases
by Ludovico Granvassu
This week Mondo Jazz chats with cellist Erik Friedlander about his latest project inspired by Pablo Picasso's bronze sculpture “Glass of Absinthe." Artemisia--a visually stunning vinyl box set containing musically stunning work--features Uri Caine on piano, Mark Helias on bass and Ches Smith on drums. And, of course, more new releases! Playlist ...
Rudi Mahall / Alexander von Schlippenbach: So Far
by Mark Corroto
The raw materials with which pianist Alexander von Schlippenbach and clarinetist (chiefly bass clarinetist) Rudy Mahall work on the free improvisation recording So Far, are best described as untreated, as opposed to unrefined, the other definition of raw. Their music is reduced to its essential components of sound, pulse, and interplay. The two German ...
Leonardo Pavkovic: Nothing is Ordinary
by Chris M. Slawecki
More than any other person, Leonardo Pavkovic has made me write some crazy shit. Pavkovic is the primal force behind the joyously eclectic MoonJune Records, which he established in 2001. “Established" may not be the right word: “I am truly an unusual and rules breaking call-it-record-company with a 'label' identity despite the fact that ...
Evan Parker / Barry Guy / Paul Lytton: Music For David Mossman / Live At Vortex London
by Mark Corroto
Spinning the latest release by the trio of Evan Parker, Barry Guy, and Paul Lytton brings to mind The Rolling Stones. Like the Stones, these musicians have been performing together since the 1960s, and seemingly every time they perform, they conjure a crossfire hurricane. This 2016 live performance at London's Club Vortex is no exception.
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Paul Rutherford: The Conscience
by Nicola Negri
La lituana NoBusiness Records è tra le etichette più significative nel panorama free jazz attuale, specializzata nella diffusione di registrazioni d'archivio, solitamente live, oltre che nella promozione di nuovi progetti. All'inizio del 2017, NoBusiness ha inaugurato una collaborazione con un'altra etichetta che condivide le stesse strategie, la giapponese Chap Chap Records. Attiva fin dai primi anni ...
John Butcher, John Edwards, Mark Sanders: Last Dream at the Morning
by Alberto Bazzurro
Radicalismo improvvisativo duro e puro, per questi tre senatori del ramo, appartenenti alla seconda generazione di musicisti inglesi specializzati nella pratica specifica. Il sassofonismo ispido e acuminato, esplicitamente antigrazioso, di John Butcher (espresso su tenore e soprano, guarda caso) s'ispira palpabilmente a Evan Parker, pontefice massimo in materia (con cui fra l'altro John Edwards ha collaborato ...
Christoph Erb / Jim Baker / Frank Rosaly: ...don't buy him a parrot...
by John Sharpe
Swiss reedman Christoph Erb has a thing about the Windy City. He first visited in 2011 and discovered fertile ground for collaborations, affirmed by the 14 Chicago-centric releases on his own Veto imprint. Among those hookups is the trio here with pianist Jim Baker and drummer Frank Rosaly, which is also responsible for Parrots Paradise (Veto ...
Sylvie Courvoisier: D'Agala
by Mark Corroto
If you have a pigeonhole into which you would like to place pianist Sylvie Courvoisier's music, maybe stop reading right now. The Swiss-born, now twenty-year native of New York, apportions her many talents to multiple ensembles and musical styles--solo to large ensemble, chamber works, Downtown jazz, flamenco, European classical and improvisation. Needless to say, stagnant is ...
Sylvie Courvoisier Trio: D'Agala
by Troy Dostert
Swiss-born pianist Sylvie Courvoisier has spent close to twenty years in the states honing her distinctive approach to classically-inflected jazz improvisation. Along the way she's worked with a who's-who of leading-edge musicians, including veterans like John Zorn, Evan Parker and Ellery Eskelin, but also the younger generation of avant-gardists such as Mary Halvorson and Nate Wooley. ...
