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Article: Live Review

Kerava Jazz 2018

Read "Kerava Jazz 2018" reviewed by Anthony Shaw


Kerava Jazz Festival Kerava, Finland May 25-27, 2018 The town of Kerava plays as much roll in the lives of most Finns as just its fleeting name on the station that express trains speed through on their way to the capital Helsinki, 20 miles south. Or for the international traveler ...

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Article: Multiple Reviews

Clean Feed 2018

Read "Clean Feed 2018" reviewed by Mark Corroto


Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott ...

2

Article: Album Review

Stray: Into Darkness

Read "Into Darkness" reviewed by John Sharpe


Two old masters and two younger pretenders unite to produce Into Darkness. Saxophonist John Butcher and guitarist John Russell were both part of the so-called second generation of improvisers, following in the wake of progenitors such as Evan Parker, Derek Bailey and John Stevens. Joining them in a continuous 51-minute live performance from London's Iklektic in ...

9

Article: Out and About: The Super Fans

Meet Mark Weber

Read "Meet Mark Weber" reviewed by Tessa Souter and Andrea Wolper


Almost every aspect of Mark Weber's life ends up intersecting with jazz; he just might be the original Renaissance jazz fan. A former wedding photographer, he found himself photographing nearly every jazz musician to pass through Los Angeles and Albuquerque in the past several decades and, without planning to, ended up writing for CODA, deejaying a ...

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Article: Live Review

Jazzahead! 2018

Read "Jazzahead! 2018" reviewed by Henning Bolte


Bremen Trade Fair Hall Jazzahead! Bremen, Germany April 21-23, 2018 Jazzahead!, the three-day annual jazz marketplace marketplace of/for jazz in the Hanseatic city of Bremen in North-Western Germany with 3,283 participants from 61 countries stood strong and steady again this year. A total of 40 showcases over three ...

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Article: Radio & Podcasts

Erik Friedlander throws a glass of absinthe, and more new releases

Read "Erik Friedlander throws a glass of absinthe, and more new releases" reviewed by Ludovico Granvassu


This week Mondo Jazz chats with cellist Erik Friedlander about his latest project inspired by Pablo Picasso's bronze sculpture “Glass of Absinthe." Artemisia--a visually stunning vinyl box set containing musically stunning work--features Uri Caine on piano, Mark Helias on bass and Ches Smith on drums. And, of course, more new releases! Playlist ...

1

Article: Album Review

Rudi Mahall / Alexander von Schlippenbach: So Far

Read "So Far" reviewed by Mark Corroto


The raw materials with which pianist Alexander von Schlippenbach and clarinetist (chiefly bass clarinetist) Rudy Mahall work on the free improvisation recording So Far, are best described as untreated, as opposed to unrefined, the other definition of raw. Their music is reduced to its essential components of sound, pulse, and interplay. The two German ...

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Article: Interview

Leonardo Pavkovic: Nothing is Ordinary

Read "Leonardo Pavkovic: Nothing is Ordinary" reviewed by Chris M. Slawecki


More than any other person, Leonardo Pavkovic has made me write some crazy shit. Pavkovic is the primal force behind the joyously eclectic MoonJune Records, which he established in 2001. “Established" may not be the right word: “I am truly an unusual and rules breaking call-it-record-company with a 'label' identity despite the fact that ...

6

Article: Album Review

Evan Parker / Barry Guy / Paul Lytton: Music For David Mossman / Live At Vortex London

Read "Music For David Mossman / Live At Vortex London" reviewed by Mark Corroto


Spinning the latest release by the trio of Evan Parker, Barry Guy, and Paul Lytton brings to mind The Rolling Stones. Like the Stones, these musicians have been performing together since the 1960s, and seemingly every time they perform, they conjure a crossfire hurricane. This 2016 live performance at London's Club Vortex is no exception.

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Article: Under the Radar

Culture Clubs: Part IV: When Jazz Met Europe

Read "Culture Clubs: Part IV: When Jazz Met Europe" reviewed by Karl Ackermann


The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...


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