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Kris Davis: Diatom Ribbons
by Troy Dostert
To call pianist Kris Davis stylistically omnivorous would seem to be an understatement. While she started her career solidly in the avant-garde circles that brought her into projects with stalwarts of the genre like Ingrid Laubrock, Tyshawn Sorey, Tom Rainey and Tony Malaby, that hasn't stopped her from forging connections with other musicians not typically included ...
Kris Davis: Diatom Ribbons
by John Sharpe
Cross fertilization has been at the heart of jazz since its inception when African rhythms met European instrumentation. That stylistic melange is taken to another level in the cultural melting pot of New York City. Being based in the city since 2001, it's little surprise that Canadian pianist Kris Davis has developed an ever-expanding list of ...
Kris Davis: Diatom Ribbons
by Karl Ackermann
The virtuoso pianist and composer Kris Davis has been ubiquitous in 2019. Her projects with Nate Wooley, Ken Vandermark, and Craig Taborn have been complemented by her appointment to the faculty of the Berklee Institute of Jazz and Gender Justice. Davis will serve as associate director of creative development and teach composition and improvisation courses. The ...
Results for pages tagged "Esperanza Spalding"...
Céline Rudolph
Vocalist and composer Céline Rudolph glides between Berlin, São Paulo, Paris and New York, between tongues and genres, always landing in the very heart of music.„Music is like breathing, it was there ever since I could remember“ Céline Rudolph says and recollects how her father always played a break when jamming on the guitar, so that there was a space for his children to create improvised lines or percussive fills. Born in Berlin and raised with her parents’ rich record collection, the daughter of a Frenchwoman from Bordeaux and a cosmopolitan musical enthusiast from Berlin, started singing along with an LP from João Gilberto performing the Brazilian classic “Rosa Morena” to an LP at the age of five. Her mother was singing French chansons to her at home, while Céline learned to play Nat Adderley’s “WorkSong” on her recorder. She picked up the piano and started composing as an autodidact, then started writing French songs on the guitar, which became her main tool of expression. In short: multi-path orientation was on the cards from the very beginning. After university studies of rhetorics and philosophy, she realized that music exerted a much stronger pull, so she switched to a degree in vocal jazz and composition at Hochschule der Künste Berlin with mentors David Friedman, Jerry Granelli, Kirk Nurock and Catherine Gayer. Soon, she plunged into African music and studied with the percussionist Famoudou Konaté in West Africa. Her love of Brazilian music led her to São Paulo where she met Rodolfo Stroeter who produced three of her albums and four tours across Europe and Brazil so far: The albums are BRAZAVENTURE, METAMORFLORES (enja records) and SALVADOR (Verve,Universal).
Emma Frank: Well-Rounded And Quite Frank
by Friedrich Kunzmann
Among today's protagonists, breaking the boundaries between what vocal jazz should and folk or singer-songwriter music can be--Gretchen Parlato, Esperanza Spalding or Rebecca Martin come to mind--Boston-born and raised Emma Frank is deservedly making a name for herself. On her last outing Ocean Av (Susan Records, 2018) the singer's songwriting demonstrates the perfect balance between elaborate ...
Spring Quartet at Dalton Recital Hall
by John Ephland
Spring Quartet Dalton Recital Hall, Western Michigan University Kalamazoo, MI May 4, 2019 They had to add chairs. The 435-seat Dalton Recital Hall, on the campus of Western Michigan University, was filled with multiple generations of music fans from all walks of life. The alluring ticket, brought to town by ...
Women in Jazz, Pt. 2: The Girls From Piney Woods
by Karl Ackermann
In Part 1 of Women in Jazz we looked at the historical position of women in early jazz. Despite their influence in shaping the art, their talent as composers, arrangers, instrumentalists, and band leaders, women have often been token additions; marginalized window dressing in a male-dominated world. One hundred years after Lil Hardin held ...
Pedro Martins: VOX
by Friedrich Kunzmann
Big things were always going to be expected from Brazilian guitar prodigy Pedro Martins after he won the Montreux Guitar Competition in 2015. Under the guidance of Kurt Rosenwinkel, Martins has grown not only as a guitarist but also as a multi-instrumentalist, singer and composer who has left his very own mark on Rosenwinkel's late Caipi ...
For Today, Tomorrow and Always - A 2018 Retrospective
by Mary Foster Conklin
The final broadcast of the year remembered some of the great artists that left us in 2018, with birthday shout outs to Una Mae Carlisle, Cab Calloway, Rebecca Parris, Nancy LaMott and Annie Lennox, among others, plus a nod to more Grammy nominees. Happy New Year! Playlist Janice Friedman “Get Set" from Live at ...
Jason Palmer: Fair Weather
by Karl Ackermann
Newvelle Records co-founder, the pianist Elan Mehler is familiar with one of Boston's few long-time, dedicated jazz clubs, Wally's. As he explains in the liner notes for Fair Weather, the club is where trumpeter and North Carolina native Jason Palmer was leading a band for nearly two decades. Palmer has played with leading talents such as ...
