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Results for "Eric Dolphy"
Rudi Mahall / Axel Dorner / Jan Roder / Uli Jennessen: Die Enttausschung
by Nic Jones
It's only right that the whole membership of this quartet gets equal billing, as this is a group that sublimates the individual in the interest of collective identity. Given the instrumental line-up--two horns, bass and drums--there are, of course, countless precedents for music in this form. The group proves itself to be abundantly aware of them, ...
European Jazz Jamboree 2009
by AAJ Staff
European Jazz JamboreeBerlin, GermanySeptember 18-24, 200920 years after the Berlin Wall came down, the global appreciation of Germany's jazz is arguably finally getting its due, with no small help from the European Jazz Jamboree (EJJ). In its sophomore year, EJJ has quickly garnered attention throughout Europe, and now the States, too, is (and/or ...
Got Bass Clarinet? Jason Stein Does
by Mark Corroto
In the short history of jazz--only about 110 years--the bass clarinet has had an even shorter existence. Students of Charles Darwin's evolutionary studies might point towards the adaption of the instrument into the new jazz of the 1960s; or perhaps the branch of evolution studies called biogeography might explain that fertile locations spawn growth in the ...
Aki Takase / Louis Sclavis: Yokohama
by Nic Jones
Aki Takase is making a real burden for herself with this the latest in her hopefully ongoing series of Intakt releases. With every successive one it's not just a simple matter of the quality going up but rather a matter of different facets of her ability being revealed. As these releases have all been documents of ...
Empirical: Out 'n' In
by Chris May
Empirical's eponymous debut album, a stew of mutated bop produced by saxophonist Courtney Pine for his own Destin-E label, created a bushfire of enthusiasm in the UK. That was in 2007, and since then the group has made international strides too, appearing at the Newport Jazz Festival, the New York Jazz Festival, the North Sea Jazz ...
Joe Morris: Fine Objects
by Mark Corroto
Guitarist Joe Morris continues his 2002 experimentation with the double-bass. On Fine Objects, he leads a trio of saxophone, bass, and drums through two of his own compositions, a couple of trio improvisations, and other compositions by Ornette Coleman, Eric Dolphy, Larry Clinton and Petr Cancura. Morris chose two former students from the New ...
Wayne Wallace Latin Jazz Quintet: Bien Bien!
by Raul d'Gama Rose
The music with clave that began with Machito's “Tanga," and George Russell's “Cubana-Be Cubana-Bop" has come a long way. With clave in his soul, trombonist Wayne Wallace proves, yet again, on Bien Bien! that the cheer of the music is truly infectious. Wallace is rare among musicians who can swing as well as he can clave. ...
Jason Adasiewicz's Rolldown: Varmint
by Troy Collins
Varmint is the sophomore follow up to Rolldown (482 Music, 2008), the self-titled debut of vibraphonist Jason Adasiewicz's quintet. Inspired by the avant-garde innovations of such late 1960s Blue Note recording artists as Eric Dolphy, Andrew Hill, Bobby Hutcherson, Jackie McLean, and Grachan Moncur III, Adasiewicz continues to explore the tenuous divide between inside and outside ...
Paul Giallorenzo: Get In To Go Out
by Mark Corroto
Pianist Paul Giallorenzo locates the jazz he makes with his quintet somewhere in the early 1960s, when post-bop was getting ready to explode into free jazz and its pioneers were rooted in swing, but thinking outward thoughts. Eric Dolphy's Out To Lunch (Blue Note, 1964), Ornette Coleman's Tomorrow Is The Question (Contemporary, 1959), and Andrew Hill's ...
Drummer Matt Wilson Put the 'Play' in Playing Jazz with His Quartet
Drummers have a reputation of being a little “different" than the rest of the players on the bandstand. There are jokes about drummers not being real musicians and how machines do their job better, often told by drummers themselves. No matter the genre, these musicians inarguably tend to march to the beat of their own making. ...
