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679

Article: Old, New, Borrowed and Blue

Jazz Goes Green: Musical Explorations On A Secondary Color Of Note

Read "Jazz Goes Green: Musical Explorations On A Secondary Color Of Note" reviewed by Dan Bilawsky


With spring taking hold and summer on the way, it's hard to avoid encounters with the color green. The drab gray and white of winter is now no more and a vibrant green color scheme has taken over. A drive along the Long Island Expressway--which leads to Manhattan and some of the greatest jazz clubs in ...

417

Article: Multiple Reviews

Keefe Jackson and Aram Shelton: Seeing You See and Two Cities

Read "Keefe Jackson and Aram Shelton: Seeing You See and Two Cities" reviewed by Clifford Allen


The city of Chicago continues to find itself in a jazz renaissance well into the waxing years of the 21st century--a status that many of America's cities can't easily lay claim to. With the pedigrees of individual improvisers and composers like reedman Ken Vandermark and flutist Nicole Mitchell well established in the 1990s, a slightly younger ...

236

Article: Take Five With...

Take Five With Alison Cecile Johns

Read "Take Five With Alison Cecile Johns" reviewed by AAJ Staff


Meet Alison Cecile Johns: Alison Cecile Johns is a vocalist and composer with one eye on the world of jazz, rock and '70s R&B, and the other on an open sky of world music and electronica. Legendary composer Pauline Oliveros praised her “spiritual voice," and she has worked with composers as diverse as Sebastian Robin Craig, ...

400

Article: Multiple Reviews

David S. Ware and Joe Rigby: Loft Jazz Soloists

Read "David S. Ware and Joe Rigby: Loft Jazz Soloists" reviewed by Clifford Allen


In the void left by the deaths of saxophonists John Coltrane and Albert Ayler, among the cheap rents in Lower Manhattan and Brooklyn offering space to artists and musicians, the presence of affordable loft spaces birthed an intersection of jazz scenes in the 1970s. The music itself favored a variety of approaches, mostly built on the ...

336

Article: Album Review

Ballrogg: Insomnia

Read "Insomnia" reviewed by John Kelman


Contrasting his role in the remarkable Norwegian trio In the Country--responsible for the critically acclaimed debut This Was the Pace of My Heartbeat (Rune Grammofon, 2005) and even more ambitious Whiteout (Rune Grammofon, 2009)--bassist Roger Arntzen formed Ballrogg in 2006, with saxophonist Klaus Ellerhusen Holm; a more intimate duo that found its own dark nexus of ...

589

Article: Extended Analysis

Von Freeman: Vonski Speaks

Read "Von Freeman: Vonski Speaks" reviewed by Clifford Allen


Von Freeman Vonski Speaks Nessa Records 2009 The “musician's musician" is a tiring phrase--assuming that only someone who actually plays an instrument can receive joy from listening to players such as tenor saxpohonists Dexter Gordon, Don Byas and Ike Quebec, trumpeter Dupree Bolton or drummer Walter Perkins. None ...

1,264

Article: Interview

Steve Norton: Debris and Beyond

Read "Steve Norton: Debris and Beyond" reviewed by Gordon Marshall


Multi-reedist Steve Norton is best known for his work with the 1990s Boston-based band Debris. Debris was an ambitious, exuberant, puzzling band that puzzled together serialism, free jazz and funk. Their music is in equal measure exhilarating and exhausting. It was the combination, in part, that burned Norton out about ten years ago, as ...

624

Article: Genius Guide to Jazz

New CD Promises Jazz from Beyond

Read "New CD Promises Jazz from Beyond" reviewed by Jeff Fitzgerald, Genius


David Gurnitz is excited. The president of the North Jersey Paranormal Association, and an ardent jazz fan, has captured yet another of what he believes to be proof of some of the greatest names in jazz history jamming from the “other side." “Listen," he says, turning on a small digital recorder that had recently ...

278

Article: Album Review

Peter van Huffel Quartet: Like The Rusted Key

Read "Like The Rusted Key" reviewed by Raul d'Gama Rose


The Berlin-based Canadian alto saxophonist, Peter van Huffel may be one of the most intense performers on this instrument. He creates sharp images with his playing, is exceedingly energetic--in sections of music that demand quieter moments his calmness is most elastic and taut--and although he has a tendency to play with broad glissandi almost throughout Like ...

262

Article: Album Review

David Binney / Alan Ferber: In the Paint

Read "In the Paint" reviewed by John Kelman


With an influence felt, perhaps, as much or more in the work of others than in his own record sales, alto saxophonist David Binney rarely co-leads groups, but his longstanding collaboration with pianist Edward Simon has been fruitful in more ways than one. Sharing compositional and conceptual duties frees him to focus more on his playing, ...


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