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Earl MacDonald: Open Borders
by Dan Bilawsky
Politicians might do well to take a few pointers from pianist-arranger Earl MacDonald. As this fine album attests to, it's far better to build bridges than walls, and far more productive to open borders and dialogue than close hearts, minds, and doors. While MacDonald didn't initially set out to make a political statement ...
Ron Carter: A Clew of Worms
by Jim Worsley
So the saying goes, the early bird gets the worm. Occasionally, if one is so fortunate, you can get a whole lot more. From the beginning just knowing that I was going to have the opportunity to see and hear Ron Carter play was about seeing a legend. Of course you hope to hear ...
Jason Kao Hwang
by Paolo Peviani
Il tratto principale della mia musica Le qualità su cui concentro i miei sforzi sono l'umanità e la verità sonora. La qualità che desidero nei musicisti che suonano con me Mi piacciono i musicisti con una fervida immaginazione, che si esprimono attraverso un linguaggio autenticamente e pienamente personale. Mi piacciono i ...
Dave Rempis: Lattice
by Mark Corroto
I recall an interview with a lionized baby boomer saxophonist, who told the story of listening to side one, and only side one, of John Coltrane's A Love Supreme (Impulse!, 1965). He was reluctant to turn the LP over (this was in the pre-digital era), thinking side two could never match the majesty of “Acknowledgement" and ...
Nestor Torres: Jazz Flute Traditions
by Roger Farbey
Born in Puerto Rico in 1957, Néstor Torres began learning the flute at the age of 12. Moving with his family to New York when he was 18, he studied jazz and classical music at the Mannes College of Music in New York and the New England Conservatory of Music in Boston. Following in the wake ...
Jason Stein Quartet: Lucille
by Mark Corroto
Jason Stein continues to curve a niche in the jazz world, but it's not what you might assume. Listeners straightaway assume that he is an idiosyncratic outlier because his sole instrument is the bass clarinet. We've grown accustomed to saxophonists like Eric Dolphy and David Murray doubling on the bass clarinet. Stein's constancy to this one ...
John Vanore: Stolen Moments
by Jerome Wilson
For the majority of jazz fans, the entire career of Oliver Nelson is summed up in one composition, “Stolen Moments" which makes as much sense as Duke Ellington being known for nothing except “Mood Indigo." Though he died at the very premature age of 43, Nelson built a substantial body of work in the jazz and ...
Chasing Trane: The John Coltrane Documentary
by Victor L. Schermer
John ColtraneChasing Trane: The John Coltrane Documentary Meteor 17 and Crew Neck Productions2017 Because it is poised to contribute to the image of John Coltrane in popular culture for years to come, a thoughtful appraisal of this film is very important. Promoted at major film festivals and released to theaters worldwide, ...
To Be Continued (Carol Liebowitz, Claire de Brunner, Daniel Carter, and Kevin Norton): Poetry from the Future
by Roger Farbey
This leaderless improvising quartet utilises some unusual instruments on their recording. Bassoon is rarely heard outside of classical music and Claire de Brunner is an excellent exponent of the instrument. She studied jazz improvisation with Lee Konitz. She also studied with pianist Connie Crothers as did Carol Liebowitz, whose restrained yet vital contributions are nearly as ...
ears&eyes Records: From Chicago to the World
by Jakob Baekgaard
Those who feel that jazz has run out of steam, that there is nothing new to say, should encounter bassist and renaissance man, Matthew Golombisky, who runs the Chicago-based label ears&eyes. The name says it all. Golombisky is interested in what is going on around him. He is not only curious about music, but also passionate ...
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