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About Eric Dolphy

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Musician

Eric Dolphy

Born:

Eric Allan Dolphy was a jazz musician who played alto saxophone, flute and bass clarinet.

Dolphy was one of several groundbreaking jazz alto players to rise to prominence in the 1960s. He was also the first important bass clarinet soloist in jazz, and among the earliest significant flute soloists; he is arguably the greatest jazz improviser on either instrument. On early recordings, he occasionally played traditional B-flat soprano clarinet. His improvisational style was characterized by a near volcanic flow of ideas, utilizing wide intervals based largely on the 12-tone scale, in addition to using an array of animal- like effects which almost made his instruments speak. Although Dolphy's work is sometimes classified as free jazz, his compositions and solos had a logic uncharacteristic of many other free jazz musicians of the day; even as such, he was definitively avant-garde. In the years after his death his music was more aptly described as being "too out to be in and too in to be out."

19

Article: Jazz Raconteurs

Julius Hemphill: Marty Ehrlich and Tim Berne Remember a Musical Visionary

Read "Julius Hemphill: Marty Ehrlich and Tim Berne Remember a Musical Visionary" reviewed by Dave Kaufman

by Dave Kaufman

Julius Hemphill, a brilliant alto saxophonist and extraordinary composer, was a towering figure in avant-garde jazz and creative music. Yet his body of work remains surprisingly little known, even among aficionados of this sort of adventurous music. Hemphill's music demonstrated a deep feeling for the blues and other African American traditions. His creative vision extended well ...

6

Article: Album Review

Tommy Muellner: Solitary Moon

Read "Solitary Moon" reviewed by Mark Corroto

by Mark Corroto

Today's hipster jazz musicians do not play standards. Perhaps “poseur" is a better description for artists who deliberately eschew classic compositions. Yet standards and familiar songs serve an important purpose in jazz: they provide a shared musical language, a lingua franca through which musicians communicate and listeners can measure the quality of an interpretation. Maybe, just ...

3

Article: Album Review

Geof Bradfield / Myra Melford / Ben Goldberg / Dana Hall: Open Or Close

Read "Open Or Close" reviewed by Dan McClenaghan

by Dan McClenaghan

Ornette Coleman may come to mind at the beginning of the spin of Open Or Close. This is understandable. The title song, which opens the set, is from Coleman's pen. Additionally, the jazz collective at work here--reedmen Geof Bradfield and Ben Goldberg, pianist Myra Melford and drummer Dana Hall play loose and free, à la Ornette, ...

9

Article: Reanimating Conversations Past

Charlie Haden: Anatomy of a Jazz Classic

Read "Charlie Haden: Anatomy of a Jazz Classic" reviewed by John Ephland

by John Ephland

It was a phoner from the suburban Chicago offices of DownBeat to bassist Charlie Haden in L.A. Our talk, which was held on September 15, 1991, was periodically interrupted by his needing to say, “Hold on one second." The occasion? The 30th anniversary of the release of saxophonist Ornette Coleman's groundbreaking LP Free Jazz: A Collective ...

10

Article: Book Review

Reimagining Panama's Musical And Cultural Narratives Of Jazz

Read "Reimagining Panama's Musical And Cultural Narratives Of Jazz" reviewed by Ian Patterson

by Ian Patterson

Reimagining Panama's Musical And Cultural Narratives Of Jazz Patricia Zarate de Perez 203 Pages ISBN: 9781793621832 Lexington Books 2026 A young but precocious music, jazz thrust its way into almost every corner of the planet in double time, shaping and, in turn, being shaped by every culture it has ...

7

Article: Album Review

Jeff Lederer: There's a Yearnin'

Read "There's a Yearnin'" reviewed by Jerome Wilson

by Jerome Wilson

Jazz and classical music have been intersecting for decades. One of the most prominent examples of this was the Third Stream movement of the sixties, where composers and musicians like Gunther Schuller and John Lewis encouraged the efforts of jazz musicians who wanted to experiment in the world of classical music. The music created through the movement ...

15

Article: Album Review

Marion Brown: Live in Europe 1968 & 1972

Read "Live in Europe 1968 & 1972" reviewed by Mark Corroto

by Mark Corroto

There was not much room in the crowded landscape of the 1960s avant-garde for everyone to receive equal attention. Critics and listeners alike gravitated toward the towering presence of John Coltrane, whose music dominated both record sales and jazz journalism. As a result, visionary figures such as Eric Dolphy, Albert Ayler and Marion Brown often found ...

10

Article: Album Review

Sam Norris: Wood/Gold - Solo Saxophone Volume 1

Read "Wood/Gold - Solo Saxophone Volume 1" reviewed by Jack Kenny

by Jack Kenny

This is music where you need to embrace the journey, not the destination: The music might not have a clear beginning, middle, and end in the traditional sense; enjoying the moment-to-moment unfolding of sounds and ideas is the purpose. Sometimes the act of listening to a saxophone is rewarded because the musician wants to ...

3

Article: Radio & Podcasts

Tribute to Abdullah Ibrahim aka Dollar Brand; RIP Walt Parazaider; New Music From Audrey Ochoa, Chris Potter, and Others

Read "Tribute to Abdullah Ibrahim aka Dollar Brand; RIP Walt Parazaider; New Music From Audrey Ochoa, Chris Potter, and Others" reviewed by David W. Daniels

by David W. Daniels

In addition to the tribute to Abdullah Ibrahim and music from the artists mentioned in the title, the show includes recently released music from Helen Sung, Dawn Clement, Chris Hazelton, and others. Birthday recognition for Erroll Garner, Tom Harrell, Marcus Miller, and more.Playlist Abdullah Ibrahim and Ekaya “Duke 88" from African River (Enja) 00:00 ...


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