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Eric Dolphy
Born:
Eric Allan Dolphy was a jazz musician who played alto saxophone, flute and bass clarinet.
Dolphy was one of several groundbreaking jazz alto players to rise to prominence in the 1960s. He was also the first important bass clarinet soloist in jazz, and among the earliest significant flute soloists; he is arguably the greatest jazz improviser on either instrument. On early recordings, he occasionally played traditional B-flat soprano clarinet. His improvisational style was characterized by a near volcanic flow of ideas, utilizing wide intervals based largely on the 12-tone scale, in addition to using an array of animal- like effects which almost made his instruments speak. Although Dolphy's work is sometimes classified as free jazz, his compositions and solos had a logic uncharacteristic of many other free jazz musicians of the day; even as such, he was definitively avant-garde. In the years after his death his music was more aptly described as being "too out to be in and too in to be out."
50 Years Later: 10 Jazz Albums from 1975 That Deserve Another Spin
by Kyle Simpler
1975 was a landmark year for music, marked by several outstanding album releases. Bob Dylan's Blood on the Tracks (Columbia), Led Zeppelin's Physical Graffiti (Swan Song), Pink Floyd's Wish You Were Here (Harvest), Frank Zappa's One Size Fits All (DiscReet) and Jeff Beck's Blow by Blow (Epic) were just a few of the titles that have ...
Homage to John Coltrane, Including the Album A Love Supreme Interpreted By Four Different Jazz Musicians
by David W. Daniels
Our annual tribute to John Coltrane on the week of his birthday--His music as interpreted by Billy Bang, Bob Mintzer Big Band, Kenny Garrett, Larry Coryell and more. Includes a rendering of the album A Love Supreme with four different jazz artists performing each part of the four-part composition. Playlist John Coltrane “Giant Steps"--from ...
A Farewell to Madrid's Café Central
by Artur Moral
It happened to Chicago with The London House and The Velvet Lounge; it happened to San Francisco with the Black Hawk Club and the Keystone Corner; and, of course, it happened to New York City with Cafe Society, Sweet Basil, Village Gate and Jazz Standard. It has also happened in many other places and cities around ...
Gary Bartz Is Nobody's Jazz Musician
by Bridget A. Arnwine
Gary Bartz is nobody's jazz musician. What he has built and created as an artist with a career that spans six decades defies labels, especially ones that have storied racist connotations and otherwise derogatory origins like the word jazz. He is a composer of the finest order and as gifted as the most revered names in ...
Paul Bley Trio: Floater & Syndrome The Upright Piano Sessions Revisited
by Giuseppe Segala
Il catalogo Revisited Series dell'etichetta ezz-thetics si va facendo sempre più nutrito, attingendo a storiche registrazioni prese da cataloghi internazionali e focalizzandosi spesso su caposaldi a cavallo tra gli anni Cinquanta e Sessanta. Si potrà dire che il cultore navigato già conosce bene tali opere e magari le possiede in multipla versione, nei supporti più graditi. ...
Giovanni Maier: 5 album tra contrabbasso e violoncello, improvvisazione e standard
by Neri Pollastri
Fortemente impegnato nella didattica, coinvolto in alcune formazioni importanti e di lungo periodo --Enten Eller, Eternal Love --e in vari progetti più ristretti, il contrabbassista Giovanni Maier conserva tuttavia un'autonoma vena produttiva che gli permette di registrare ogni anno diversi album in formazioni estemporanee, editi da varie label e dalla sua stessa etichetta indipendente, Palomar Records. ...
Hayley Kavanagh Quartet At Scott's Jazz Club
by Ian Patterson
Hayley Kavanagh Quartet Scott's Jazz Club Belfast, N. Ireland August 29, 2025 “Welcome to the Upper East Side." Variations on this phrase--delivered by Scott's Jazz Club co-founder Cormac O'Kane--have greeted visitors to Belfast's award-winning jazz venue every Friday night since 2020. Hard to believe that half a decade has whizzed ...
Silke Eberhard Trio: Being-A-Ning
by John Sharpe
Adventurous German saxophonist Silke Eberhard has long favored the trio format as a proving ground, even as she splits her time with her larger Potsa Lotsa ensemble, and other projects. With bassist Jan Roder and drummer Kay Lübke, she has cultivated a rapport that feels both intuitive and restless. Being-A-Ning, the group's fifth release--each one bearing ...
Potsa Lotsa XL: Amoeba's Dance
by Ian Patterson
Like an amoeba, whose shape-shifting properties enable it to adapt to its surroundings, Silke Eberhard's Potsa Lotsa expands and contracts according to its needs. Originating as a four-horn ensemble inspired by the music of multi-instrumentalist/composer Eric Dolphy, Potsa Lotsa blasted off with Potsa Lotsa: The Complete Works Of Eric Dolphy (Jazzwerkstatt, 2010). An auspicious debut, Eberhard's ...
