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About Eric Alexander

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Musician

Eric Alexander

Born:

Boasting a warm, finely burnished tone and a robust melodic and harmonic imagination, tenor saxophonist Eric Alexander has been exploring new musical worlds from the outset. He started out on piano as a six-year-old, took up clarinet at nine, switched to alto sax when he was 12, and converted to tenor when jazz became his obsession during his one year at the University of Indiana, Bloomington (1986-87). At William Paterson College in New Jersey he advanced his studies under the tutelage of Harold Mabern, Joe Lovano, Rufus Reid, and others. "The people I listened to in college are still the cats that are influencing me today," says Alexander

Album

The Iron Man: Live At Smoke

Label: Smoke Sessions Records
Released: 2019
Track listing: Disc 1: A Few Miles From Memphis; I Get A Kick Out of You; I Know That You Know; I Remember Clifford; T-Bomne Steak; Almost Like Being in Love; Dear Lord.

Disc 2: Nightlife in Tokyo; She's Ou of My Life; How Insensitive; Mr. P.C.; On a Clear day (You Can See Forever); You Are Too Beautiful; Rakin' and Scrapin'.

Album

Leap of Faith

Label: Giant Step Arts
Released: 2019
Track listing: Luquitas; Mars; Corazon Perdido; Hard Blues; Frenzy; Big Richard; Magyar; Second Impression.

Album

Live Encounter

Label: Ubuntu Music
Released: 2019
Track listing: Encounter; Naima; Incazzato; Still; Second Impressions; Heartaches; Eddie Harris.

6

Article: Catching Up With

Michael Weiss: Soul Journey

Read "Michael Weiss: Soul Journey" reviewed by Luke Seabright


Bebop is a complex craft, and like all crafts the only way to get any good at it is by learning from those who mastered it before you. Jamming through the night, getting on to that bandstand and firing away your best improvised lines, jousting with your partners (be they friends or strangers) like in the ...

55

Article: Radio & Podcasts

Eric Alexander, Tristano and Nat Cole Centennials & Ellingtonia

Read "Eric Alexander, Tristano and Nat Cole Centennials & Ellingtonia" reviewed by Marc Cohn


Tenor saxophonist Eric Alexander appeared in Baton Rouge Tuesday, November 19th @ the Manship Theatre, downtown Baton Rouge. So we warmed you up for his visit with his trio and quartet work, as well as a sideman with Mike LeDonne on the B-3 and pianist Junior Mance (knee deep in the blues). There's also our last ...

7

Article: Album Review

Ben Markley Quartet: Slow Play

Read "Slow Play" reviewed by Jack Bowers


The jacket cover on this splendid new studio recording from OA2 Records reads “Ben Markley Quartet Featuring Joel Frahm," and for good reason: the New York City-based saxophonist lends considerable improvisational weight to Slow Play, which would be a far different animal without him. That's not to say that pianist Markley, bassist Marty Kenney and drummer ...

44

Article: Radio & Podcasts

Listeners' Recent Faves

Read "Listeners' Recent Faves" reviewed by Marc Cohn


Listeners' favorites this week from shows 381 to 390! Lots of 'pop' covers tickled your fancy this time around, along with a trip to New Orleans and the usual dose of grits & gravy. Enjoy the show. And, no, we haven't abandoned Blue Note 50th anniversary salutes (yet:); they will be featured next week. Thanks for ...

5

Article: Live Review

Monterey Jazz Festival 2019

Read "Monterey Jazz Festival 2019" reviewed by Josef Woodard


Monterey Jazz Festival Monterey County Fairgrounds Monterey, CA September 27-19, 2019 It sometimes happens at the historic Monterey Jazz festival that the “main" and most memorable takeaways of a program occur away from the main arena stage. And so it went at the 62nd annual festival in September--at least to these ...

39

Article: From Far and Wide

Istanbul Jazz: So Close to the Music, So Far From New York

Read "Istanbul Jazz: So Close to the Music, So Far From New York" reviewed by Arthur R George


That any musician, old cat, young lion, or apprentice anywhere, endeavors in jazz is amazing enough, given the elusiveness of “success." That is even more true in Istanbul, Turkey: not a conventional jazz capitol, far from the African-American roots of jazz, and even beyond the music's major continental domiciles. Yet the tilting cobblestoned streets of the ...


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