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Ella and Basie!
by Thomas Carroll
In July 1963, singer Ella Fitzgerald and pianist Count Basie's orchestra entered the studio for their first full-length recording session as a collective. They produced a gem for both veteran jazz fans and novices. The album features both artists in top swinging form and it is concise enough to serve as an introduction to those just ...
Jane Scheckter: Easy To Remember
by Edward Blanco
Music from The Great American Songbook is getting quite a workout these days, with more musicians and singers spinning their renditions of old standards and classics than ever before. On the stellar Easy To Remember, jazz-cabaret singer Jane Scheckter taps into the well, lending her interpretations to songs from this repertoire with an all-star cast of ...
An interview with jazz vocalist Dheepa Chari: From Ella Fitzgerald to Depeche Mode
The growth of an artist is measured between records. In the case of New York-based jazz vocalist Dheepa Chari, it is the creative evolution unveiled from her 2010 debut EP, On 4th Street, to her new full-length debut, Some New Fashion. The first glimpse of development is already revealed on the first track, “Rocks in My ...
Yuka Mito: Time After Time
by Edward Blanco
Time After Time, Yuka Mito's second solo album, shines new light on oft-recorded songs from The Great American Songbook, adding three pop tunes and one original for a tasteful project from a Japanese vocalist with a love for jazz. Now based in New York, Mito divides her performance time between the Tokyo and New York jazz ...
Rani Singam: Contentment
by Ian Patterson
Singer Rani Singam has been a leading figure on the Singapore jazz scene for a number of years, specializing in the jazz standards of yore. Her strong vocals and fine interpretive skills have also made her sought after at festivals in the region, so it is something of a bold move to break the mold and ...
Chris McNulty: A Siren From Down Under
by Ludwig vanTrikt
Chris McNulty emigrated to New York City, from her native home in Melbourne, Australia, in 1988. Since then she's released five recordings, with Waltz For Debby (Discovery, 1991) first introducing the Australian singer to American audiences. On that record, she wrote what would ultimately become the official, published lyrics to Miles Davis' classic “Blue in Green." ...
Elly Hoyt: Elly Hoyt
by Ian Patterson
Tasmanian-born Elly Hoyt's self-titled debut catapulted her into the forefront of the jazz scene Down Under, winning the coveted Bell Award for Best Australian Jazz Vocal Album in 2011. Australian jazz is perhaps stronger than ever, with a veritable wealth of young musicians emerging and festivals popping up like 'roos, and this award serves meaningful notice ...
SuperSax Me
by Jack Bowers
Back in the early 1970s bassist Buddy Clark and saxophonist Med Flory conceived a brilliant idea: to form a group (primarily a reed section with rhythm) that would use orchestrated arrangements of saxophonist Charlie Parker's transcendent bop solos as the basis for its music. As for a name, nothing less than SuperSax would suffice. The nine-piece ...
Mike Wofford / Holly Hofmann Quintet: Turn Signal
by Larry Taylor
Holly Hofmann is an energetic, swinging, straight-ahead jazz flautist who has been performing for over 30 years. Mike Wofford, her husband, a recognized piano master, co-leads on Turn Signal, playing with an understated, intuitively rhythmic style. The two now live in San Diego, California, but travel extensively for performances. Recording her first disc ...
Mike Wofford / Holly Hofmann Quintet: Turn Signal
by Dan McClenaghan
Down in out-of-the-way San Diego, California (that's out-of-the-way in a New York-centric jazz world), flautist Holly Hofmann and pianist Mike Wofford have been steadily making world-class jazz for a couple of decades. Wofford--who has spent much of his career in supporting roles, backing vocalists Sarah Vaughan and Ella Fitzgerald, saxophonists Zoot Sims and Benny Carter, and ...
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