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548

Article: Live Review

Jazzkaar 2011: Tallinn, Estonia, Days 1-3

Read "Jazzkaar 2011: Tallinn, Estonia, Days 1-3" reviewed by John Kelman


Days 1-3 | Days 4-6 | Days 7-8 Punkt Festival in Tallinn / Talvin Singh and Niladri Kumar Jazzkaar Festival 2011 Tallinn, Estonia April 20-22, 2011 It's one thing to visit a European country and marvel at the history that has been made in centuries past; it's another to ...

207

News: Festival

David Sylvian Announced as Artist in Residence for Punkt 2011

David Sylvian Announced as Artist in Residence for Punkt 2011

David Sylvian has been confirmed as Artist in Residence for the Punkt Festival in Kristiansand, Norway (September 1-3). Sylvian will be creating an audiovisual installation entitled “Uncommon Deities," and will curate an evening of concerts, including the debut live performance of his 1988 release Plight and Premonition. In addition to Sylvian, this concert will feature John ...

786

Article: Live Review

Polar Jazz: Longyearbyen, Svalbard, February 3-7, 2011

Read "Polar Jazz: Longyearbyen, Svalbard, February 3-7, 2011" reviewed by John Kelman


Polar Jazz / Arctic MoodLongyearbyen,Svalbard, Norway February 3-7, 2011 Flying into Longyearbyen is a surreal experience. It's a two-day trip from North America--one day to get to Oslo, Norway, and the second to make the final trek above the Arctic Circle to the islands of Svalbard, about halfway between the ...

Album

Live Extracts

Label: Jazzland Recordings
Released: 2010
Track listing: Electromoers; Electromagnetic; Still Changing; Drøbek Saray; Murky Seven; Sign of Seven; Blå Meis.

703

Article: Interview

Nik Bartsch: Rhythmically Dancing Around Fugato Fires

Read "Nik Bartsch: Rhythmically Dancing Around Fugato Fires" reviewed by Ian Patterson


Hungarian composer and pianist Béla Bartók once said, “In art there are only fast or slow developments. Essentially it is a matter of evolution, not revolution." Pianist and composer Nik Bärtsch would be the first to recognize that he is no revolutionary, as his aesthetic vision draws inspiration from multiple sources, ranging from 20th century classical ...

332

Article: Take Five With...

Take Five With Barry Cleveland

Read "Take Five With Barry Cleveland" reviewed by AAJ Staff


Meet Barry Cleveland: Barry Cleveland's guitar playing is rooted in progressive and psychedelic rock, branching into ambient, experimental, funk, and various ethnic styles--enhanced by cutting-edge electronics and unorthodox playing techniques. He's also a deft engineer and producer with an iconoclastic approach to recording and mixing. Cleveland released his first commercial album--Mythos--on Larry Fast's ...

Article: Album Review

Eivind Aarset & The Sonic Codex Orchestra: Live Extracts

Read "Live Extracts" reviewed by AAJ Italy Staff


Recentemente, Eivind Aarset ha partecipato al nostro questionario di Proust. Tra il serio e il faceto, il chitarrista ci ha confessato che la sua paura più grande è “che il pubblico alla fine capisca quanto sono incompetente" e che il suo motto è “potrebbe funzionare". Queste risposte non dimostrano solo un senso dell'understatement, e dell'umorismo, tipicamente ...

1,958

Article: Live Review

Punkt Festival 2010

Read "Punkt Festival 2010" reviewed by John Kelman


The trials and tribulations of international travel--flight delays, missing or damaged baggage, and increasing limitations on said baggage--can be enough to frustrate even the most patient and seasoned world traveler. But despite an almost incredible confluence of problems flying to Kristiansand, Norway, for Punkt 2010, once there all such problems were forgotten. Punkt is simply too ...

183

Article: Album Review

Unni Wilhelmsen: 7

Read "7" reviewed by John Kelman


She may be less known on an international level, but Unni Wilhelmsen is something of a star in her own country, with her 1997 debut going gold and winning two Norwegian Grammy Awards ("Best Female Artist of the Year," “Best Album of the Year"). Not bad for a singer/songwriter who began playing guitar at the age ...

427

Article: Multiple Reviews

Eclectic electric jazz comes of age

Read "Eclectic electric jazz comes of age" reviewed by Mark Corroto


Back in the 1980s, the marriage of jazz and electronics produced the unfortunate, creativity destroying “jazz fusion" genre. That was because drum machines, synthesizer produced horn lines and computer generated hand claps were often too perfect. A sort of “sanitized for your protection" version of motel drinking glasses. Think about the then innovative trumpeter Miles Davis' ...


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