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Ehud Asherie with Harry Allen: Lower East Side
by Dan Bilawsky
In this day and age, when shock-and-awe maneuvers and new-thing sounds tend to get all the plaudits and press in jazz, it says a lot when a throwback duo date is widely admired by critics and fans alike. Such was the case with pianist Ehud Asherie's Upper West Side (Posi-Tone, 2012), which brought him into contact ...
Ehud Asherie with Harry Allen: Upper West Side
by Raul d'Gama Rose
Upper West Side is as fine a duet album as has been made by a pianist with another instrumentalist. This declaration may very possibly include the albums made by Hank Jones with Tommy Flanagan and Oscar Peterson with Dizzy Gillespie. It is a credit to pianist Ehud Asherie that he made this album at such a ...
Ehud Asherie with Harry Allen: Upper West Side
by C. Michael Bailey
Wherever tenor saxophonist Harry Allen shows up, there is sure to be a major outbreak of Old School. Along with Scott Hamilton, Allen is a keeper of the flame encompassing saxophone practice from Frankie Trumbauer to Lester Young. Pianist Ehud Asherie is cut from the same bolt as Ralph Sutton and Dick Hyman. His previous Posi-Tone ...
Ehud Asherie with Harry Allen: Upper West Side
by Dan Bilawsky
The closing track on pianist Ehud Asherie's Modern Life (Posi-Tone, 2010), whether intentional or not, came to serve as musical foreshadowing for this album. Modern Life has Asherie leading a crack quartet through a program of largely lesser-performed gems by cream-of-the-crop composers like George Gershwin, Jerome Kern and Tadd Dameron, but when the album reaches its ...
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