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Leonard E. Jones: Taking Control Of Destiny
by Barbara Ina Frenz
Bassist and photographer Leonard E. Jones laid the foundation of his musical and artistic ideas as an original member of the Association for the Advancement of Creative Musicians. The AACM ranks as the most well-known and influential organization of the 1960s under African American leadership that created American experimental music through challenging “racialized limitations on venues ...
Joe Lovano: Cleveland's Ultimate Jazz Titan
by Matthew Alec
Friday, June 24th, 2022, saxophonist Joe Lovano's group Sound Prints (alongside trumpeter and co-leader Dave Douglas) delivered a tour de force performance to spellbound audience members at the historic Mimi Ohio Theatre in Playhouse Square as a part of Cleveland's annual Tri-C JazzFest. Seasoned group interplay between drummer Rudy Royston, bassist Matt Penman, and pianist Leo ...
Mattias Ståhl: What I'm Listening To Now
by Vincenzo Roggero
Mattias Ståhl is a Swedish jazz vibraphonist, multi-instrumentalist and composer. A key figure on the nordic jazz scene, he is active both as a leader and a sideman in countless projects including Eirik Hegdal's Team Hegdal, the Trondheim Jazz Orchestra, IPA and many more. 1. Thelonious Monk, Solo Monk, (Columbia, 1965).
Mattias Stahl : gli album che sto ascoltando
by Vincenzo Roggero
1. Thelonious Monk, Solo Monk, (Columbia, 1965). Ritorno sempre a questo disco, ascolto un sacco di Bach ma dopo un po' ho bisogno di qualcosa per staccare e Monk è la ricetta. E lo preferisco in solo o in trio. 2. Getatchew Mekurya, Negus of Ethiopian Sax , (Philips, 1970).
Good Vibes
by Jerome Wilson
Vibraphone players have never been as plentiful in jazz as trumpeters or saxophonists but there have been several notable ones over the years, going from Red Norvo and Milt Jackson in the past to Joel Ross and Patricia Brennan today. Here are a pair of recent albums that feature other active vibes players. Roberto ...
Miles Davis & Don Cherry: Which One Is The Grifter?
by Chris May
The Swiss-based ezz-thetics label's Revisited strand of reissues is a jazz connoisseur's dream. The label identifies outstanding albums of the 1960s, sets one of its gifted audio engineers to mastering them and makes them newly available. Earlier editions of many of these albums are hard to find and the sound on all of them is substantially ...
Roberto Zorzi: esplorazione senza confini
by Angelo Leonardi
Il percorso musicale del chitarrista Roberto Zorzi è così ricco ed eclettico che è impossibile includerlo in un particolare genere musicale. L'iniziale amore per visionari artisti rock come Robert Fripp e Brian Eno s'è arricchito nel tempo di approcci, tanto liberi quanto anticonvenzionali, di Derek Bailey e altri esponenti dell'avanguardia inglese degli anni settanta. La ricerca ...
March 2022
by Pat Youngspiel
Jun MiyakeWhispered Garden Enja Records / Yellowbird Records 2022 Leaving the hazy Lost Memory Theatre (Enja, 2013, 2015, 2018) behind and moving on to the equally shrouded Whispered Garden, Paris-based trumpeter, composer and sound-architect Jun Miyake introduces us to a musical magnum-creation, his newest, that seems to encompass everything from ...
Bill Stewart: Ain't No Funk In Iowa
by Mike Brannon
This article was first published at All About Jazz in May 2002. Upon joining The John Scofield group in the mid '80s it seemed like drummer Bill Stewart just appeared out of nowhere. Of course, Scofield and Stewart did a number of tours and studio dates together while word got around about Stewart's unique ...
Ornette Coleman: New York Is Now & Love Call Revisited
by Mark Corroto
These sessions, the last two Ornette Coleman would record for Blue Note Records, in April and May of 1968, are generally remembered for the rhythm section. Was it Coleman or producer Francis Wolff that invited John Coltrane's former sidemen, bassist Jimmy Garrison and drummer Elvin Jones to record? Was this a scheme to draw the Coltrane ...
