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Sinikka Langeland: The Half-Finished Heaven
by Vic Albani
Esistono, lo sanno bene gli elfi piuttosto che gli umani, paradisi finiti a metà. Uno di questi lo racconta -grazie anche alle liriche di Tomas Tranströmer -nella sua quarta esperienza nei solchi di ECM la norvegese {Sinikka Langeland, regina del delicatissimo kantele, un'interessante variante del nordico dulcimer in stile cetra/arpa. L'altro è quello ormai certificato e ...
Mathias Eick: Midwest
by John Kelman
Having first emerged on ECM Records, garnering significant attention for his work with fellow Norwegian, guitarist Jacob Young (2004's Evening Falls), and Finish pianist/harpist Iro Haarla (2006's Northbound), it seemed only a matter of time before trumpeter Mathias Eick would get the opportunity to start releasing albums of his own for the label. But if the ...
Jakob Bro: Gefion
by Jakob Baekgaard
Throughout his career, Danish guitarist Jakob Bro has continued to refine and improve his musical expression. It has been a constant search that has taken him in many different directions, from the refined chamber-playing and melodic purity on the Balladeering-trilogy to remix experiments with electronic musician Thomas Knak. Another way he has challenged ...
Creation
by John Kelman
It's been four years since pianist Keith Jarrett, an ECM recording artist since the early '70s, last released a solo piano recording, 2011's Rio. While Rio's more consistently buoyant, optimistic nature reflected similar changes in Jarrett's life, it was not a recording that, for example, ranked as highly as Concerts: Bregenz / Munich , issued, in ...
Charles Lloyd at SFJAZZ
by Harry S. Pariser
Charles Lloyd SFJAZZ San Francisco, CA April 24-26, 2015 Even in the idiosyncratic world of jazz, Charles Lloyd stands apart. Born in Memphis in 1938, Lloyd is a master of the tenor saxophone and flute. His ethnic mix--Irish, Cherokee, African, and Mongolian--mirrors the vast number of musical styles he has crossed ...
Andy Sheppard Quartet: Surrounded By Sea
by Ian Patterson
Saxophonist/composer Andy Sheppard has found a home in ECM. It's maybe not the perfect home for an artist as eclectic as Sheppard, for it's hard to see some of his other projects--notably the Scofield/Lovanoesque quartet Hotel Bristol--fitting in with the ECM aesthetic. Still, Sheppard's melodic improvisational approach and the airy lyricism on Movements in Color (ECM, ...
only sky
by John Kelman
Despite a career that now goes back over three decades, the relative infrequency of releases from guitarist and sound sculptor David Torn renders any new one, at the very least, a cause for speculation...if not enthusiastic anticipation. Beyond the soundtracks that have become one piece of the puzzle that defines who Torn is--and acting as engineer ...
Tim Berne's Snakeoil: You've Been Watching Me
by Vincenzo Roggero
Snakeoil di Tim Berne è sicuramente formazione che farebbe fare l'en plein in un Blindfold test," procedura ideata dal critico musicale Leonard Feather attraverso la quale il musicista in questione viene sottoposto all'ascolto di un disco, con lo scopo di individuarne il titolare ed esprimere una valutazione. Troppo riconoscibile l'impianto sonoro, troppo solide le coordinate stilistiche ...
Karen Mantler: Business is Bad
by Hrayr Attarian
Composer/singer/multi-instrumentalist Karen Mantler's fifth release as a leader, Business is Bad, is a set of nine intimate sketches of everyday life. Delivered in Mantler's unique musical style, the pieces range from the whimsical My Magic Pencil" to the elegiac Surviving You" and everything in-between. Mantler does not so much sing these engaging soliloquies as ...
Jack DeJohnette: Made in Chicago
by Glenn Astarita
Drummer Jack DeJohnette reunites with his longtime comrades emanating from Chicago's fabled Association for the Advancement of Creative Musicians (AACM), founded by pianist Muhal Richard Abrams in 1965. This live outing recorded at Millennium Park in 2013 was part of the Chicago Jazz Festival and signifies the musicians' inaugural performance as a quintet, paralleling the AACM's ...


