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Christian Wallumrod: The Zoo Is Far
by Budd Kopman
With The Zoo Is Far, pianist/composer Christian Wallumrød increases his compositional control of the musical forces, now a sextet, at his disposal. This is music of the interior mind, which has an intensity fused to a melancholic beauty. It is mesmerizing, while existing at the boundary of composition and jazz. The quartet that ...
Eberhard Weber: Stages Of A Long Journey
by Budd Kopman
The one thing that America can learn from other countries is that art in general, and jazz in particular, is supported in many ways. Jazz is recognized as a vibrant art form and funded at governmental levels and through popular support. Stages Of A Long Journey is a wonderful example, the result of the city of ...
Frode Haltli: Passing Images
by Budd Kopman
Frode Haltli does not play accordion, but rather makes music with an instrument that we call an accordion. Using carefully chosen musicians, Haltli has created, with Passing Images, a highly intense, very concentrated work that is both disconcerting and beautiful--something to be slowly savored and pondered. Its fifty-one minutes are full of surprises ...
Pierre Favre: Fleuve
by Budd Kopman
With Fleuve, drummer and percussionist Pierre Favre demonstrates that not only is he a master of his instrument, but he also has complete command in the fields of composition and arrangement. The music dances (often literally), and is light, airy and transparent. Favre seems to go out of his way to choose instrumentation that works against ...
Miroslav Vitous: Universal Syncopations II
by Budd Kopman
At least one underlying context of the ECM label has been to present jazz where the line between improvisation and composition/arrangement is blurred. When the improvisations are not “jazzy" as the term is commonly understood, it begins to be difficult to discern where the composition ends and the improvisation begins. This is not ...
Eberhard Weber: Stages of a Long Journey
by Jerry D'Souza
Eberhard Weber has had a distinguished career as a bassist. He pioneered the use of electronics with the bass, and while that enhanced the dimension and the dynamic, he did not let it obscure the harmony and sensibility of his music. Weber turned 65 in 2005. His birthday was celebrated in Stuttgart with two ...
Miroslav Vitous: Universal Syncopations II
by Jerry D'Souza
Miroslav Vitous is the centrifugal force of Universal Syncopations II. He composed, arranged, directed, produced, engineered and archived the music, which was recorded between November 2004 and April 2005. Vitous uses different combinations to play his music. He moves from a trio to a quintet and, where necessary, has overdubbed orchestral parts or has multi-tracked vocals ...
Louis Sclavis: L'imparfait des langues
by Budd Kopman
L'imparfait des langues represents an attempt by reedman Louis Sclavis to challenge himself compositionally by incorporating new features into his working musical vocabulary while increasing the level of unpredictability. The resulting work is, perhaps surprisingly, the closest thing to a “jazz" album that he has produced. While encouraging change, Sclavis nevertheless has a ...
David Torn: Prezens
by Budd Kopman
With Prezens, guitarist and electronics magician David Torn returns to ECM with his first album since Cloud About Mercury (ECM, 1987). In the intervening twenty-year absence, Torn has made a number of albums for other labels, and has also composed movie soundtracks. The music was created by a working band that spent years ...
Gianluigi Trovesi: Vaghissimo Ritratto
by Budd Kopman
Gianluigi Trovesi's music features a mixture of styles that is the result of exposure to and reverence of European music, specifically Italian (both popular and classical) and American jazz. Fugace (ECM, 2003) stressed the jazz aspect, particularly its blues origins, as well as its collision with and effect on European music, specifically Italian popular music.
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