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289

Article: Album Review

Arild Andersen: Live at Belleville

Read "Live at Belleville" reviewed by Karl Ackermann


More than forty years ago, Norwegian bassist, Arild Andersen joined saxophonist Jan Garbarek and the late Finnish drummer Edward Vesala to record the groundbreaking Triptykon (ECM 1972), one of these musicians' most energized work. It's a happy coincidence that the new millennium has seen both Garbarek and Andersen--ECM artists, both--create what may be their individual masterpieces--Live ...

407

Article: Album Review

Keith Jarrett / Charlie Haden: Jasmine

Read "Jasmine" reviewed by John Kelman


As close to a direct pipeline to the heart as anything, it's hard for music to be anything but intimate reflection of events transpiring in a musician's life. Pianist Keith Jarrett's last release--the stunning triple-disc Testament--Paris / London (ECM, 2009)--was, self-admittedly, impacted by the pianist's “incredibly vulnerable emotional state," but resulted in some of his deepest, ...

898

Article: Extended Analysis

Arild Andersen: Green Into Blue - Early Quartets

Read "Arild Andersen: Green Into Blue - Early Quartets" reviewed by John Kelman


He's one of Norway's “Big Four"—a group of artists who, with the assistance of the emerging ECM label in the early 1970s, kick-started international focus on the music from a country that, despite its relatively small population, has become a truly vital force in the evolution of jazz over the past 40 years. Alongside saxophonist Jan ...

857

Article: Extended Analysis

Chick Corea: Solo Piano

Read "Chick Corea: Solo Piano" reviewed by John Kelman


It may be Keith Jarrett and Paul Bley who, with Facing You (1972) and Open, To Love (1973) respectively, put ECM on the map for what would become a lifelong focus on the art of solo piano, but it was Chick Corea's Piano Improvisations Vol. 1 (1971) and Vol. 2 (1972) that represented the label's first ...

1

Article: Album Review

Anouar Brahem: The Astounding Eyes of Rita

Read "The Astounding Eyes of Rita" reviewed by AAJ Italy Staff


Il musicista tunisino Anouar Brahem aggiunge un altro tassello alla sua personale sintesi di oriente e occidente. Dopo il capitolo in trio con Jean-Louis Matinier e François Couturier documentato da due album (Le pas du chat noir e Le voyage de Sahar), decisamente orientato verso un impressionismo cameristico di stampo europeo, ritorna alla dimensione più mediorientale ...

180

Article: Album Review

Paul Motian / Chris Potter / Jason Moran: Lost in a Dream

Read "Lost in a Dream" reviewed by Ted Gordon


Consider this album a blind date of sorts: Drummer Paul Motian-meets-pianist-Jason Moran, introduced by the matchmaker, saxophonist Chris Potter. Though Motian had worked once with Moran in 2006, this collaboration is a stunning example of the versatility and mastery of Motian's veteran technique. Recorded over a week of concerts at New York City's Village Vanguard, Motian's ...

Article: Album Review

Paul Motian: Lost in a Dream

Read "Lost in a Dream" reviewed by AAJ Italy Staff


Paul Motian torna a registrare al Village Vanguard. E lo fa con un trio, formazione che esalta al massimo grado la sua poetica asciutta, spigolosa, immersa nei silenzi. Il gioco trigonometrico che scolpisce e attraversa lo spazio è sempre stato un motivo di stimolo, di riflessione, di approfondimento per il lavoro del batterista. Un'attrazione iniziata con ...

Article: Album Review

Tord Gustavsen: Restored, Returned

Read "Restored, Returned" reviewed by AAJ Italy Staff


Il quintetto protagonista di questo bell'album del quarantenne pianista norvegese è in realtà tale solo a pizzichi e bocconi. L'iniziale “The Child Within," per esempio, è un duo piano/sax soprano, algido, delicato, fin quasi esangue. Certo schiettamente nordico. Un tratto tipico di questa landa del jazz contemporaneo è anche, senz'ombra di dubbio, la solennità: appunto quella ...

359

Article: Album Review

Ralph Towner / Paolo Fesu: Chiaroscuro

Read "Chiaroscuro" reviewed by Martin Gladu


In a stuffed, empty room, rays of moonlight spill through a cobwebbed window and come licking a tired hardwood floor to the feet of an old, stiff chair. On it, the silhouette of a guitar; its strings, silent. At its side, a second chair with an embossed trumpet planted alongside a lonely music stand completes the ...

244

Article: Album Review

Paul Motian / Chris Potter / Jason Moran: Lost in a Dream

Read "Lost in a Dream" reviewed by Dan McClenaghan


Drummer Paul Motian seems to fit very comfortably into any musical situation, and elevate it. With a career that spans more than five decades--and seeming to begin at an early pinnacle with pianist Bill Evans' trio on the legendary Sunday at the Village Vanguard (Riverside Records, 1961)--Motian has, as a sideman, augmented musical visions galore. A ...


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