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Article: Album Review

Roberta Gambarini: Easy To Love

Read "Easy To Love" reviewed by Richard J Salvucci


In 2007, All About Jazz reviewer Michael Caratti wrote: “This debut outing from Roberta Gambarini sees the Italian-born jazz vocalist pair up with two star-studded rhythm sections and legendary tenor saxophonist James Moody, to present what has to be one of the best vocal jazz albums of the decade. Opening with Cole Porter's classic title track ...

9

Article: Play This!

Rob McConnell & The Boss Brass: Easy To Love

Read "Rob McConnell & The Boss Brass: Easy To Love" reviewed by Brian Eaton


Rob McConnell & The Boss Brass was perhaps one of the most underrated jazz big bands. This world-class band from Toronto, Canada was led by trombonist, composer, and arranger Rob McConnell and featured top-notch players including altoist Moe Koffman, guitarist Ed Bickert, flugelhornist Guido Basso, and Eugene Amaro on tenor. Released back in 1985 on their ...

Results for pages tagged "Easy to Love"...

Musician

Walter Clark

Born:

Born in Brooklyn, New York,

 

Although recordings of his unique voice and arrangement style have just begun to surface with the 2002 release of his first album, "Perfect Love," Walter Clark has been on the music scene, performing for audiences around the world for over 30 years. He has become a fixture at such upscale hotels as The Ritz Carlton in Osaka Japan. With a repertoire of over 500 songs spanning multiple genres and decades he has been able to excite and satisfy listeners of varied backgrounds and maintain a career exclusively as a full-time performing artist since 1980. Unique and non- traditional in his approach to harmony and arrangement Clark also manages to convey an air of spirituality and humility in his music which can be quite appealing. Sometimes called "the singer with the bedroom voice," he covers music that has a positive message timelessness and staying power. Through a wide variety of musical genres and original arrangements Walter imbues every performance with a jazz ambiance delivering relaxing renditions of ballads and love songs. My new CD Night And Day, has an emphasis on love songs. Its a collection of recordings made from 2001-2020, some from old CDs and vintage live recordings, others are more recent, since my rebuilding and relocation of the studio. Although my preference is to make the emotional quality of music more important than technical aspects, I do my best to faithfully serve the original writers of the songs. His CD, "Best Thing to Come," was released early in August of 2011. Blending elements of lounge, new age, ethnic, jazz, rock, pop and gospel music. Featuring new songs and new arrangements of earlier songs. Intimate and laid back, smooth vocals with thoughtful, uplifting lyrics. No pitch shifted vocals. 93% pure analog. 100% Love! "Whatever the genre, my goal is to present music which is healing and uplifting." Born in Brooklyn New York, he studied classical music for 10 years in Philadelphia, but took a U turn in his studies in the mid- sixties and decided to pursue more popular music, learning by ear some of his favorites by such greats as Ramsey Lewis, The Beatles, McCoy Tyner and Quincy Jones. He dabbled in various R&B groups in Philadelphia but had all but given up on a musical career until a fateful meeting with John Lennon in the early 70's. Lennon urged him not to give up on his music, but Philadelphia had little to offer in the way of full time work, and after leaving the city and relocating to the Washington D.C area he decided, immediately upon the death of Lennon to quit his day job, putting all his energy into pursuing a career in music. Detailed Biographical Information: He attended Temple University in Philadelphia, where he formed The Last Musicians, an avante-garde group of poets, actors, and musicians who produced films, soundtracks, concerts, and appeared in radio programs for the university for two years. Walter found Philadelphia a difficult place to find steady work, especially since most of the music which he was writing at the time was what would probably be categorized today as “New Age Music.” He had all but given up on a musical career until a fateful meeting with John Lennon and Yoko Ono in the early 70's at the Drake Hotel in Philadelphia. After talking, drinks, and an impromptu jam session in the lounge John fervently urged him, “Don't give up on your music, man.” But it was a long road back, and he spent most of the 70's surviving by working various jobs: truck driver, taxi driver, construction worker, armed guard, and occasionally finding work on weekends with the local R&B bands. Walter eventually relocated to the Washington, D.C. area in 1979, and decided after the death of Lennon to put all of his energies into becoming a full time musician. “From the moment I made that decision, everything changed. Before that, I had been content to work a day job and gig at night, but now Lennon's words came back to haunt me. I realized that over 7 years had passed since the meeting and I still had not made a firm and complete commitment to my art, and had made no progress. It was time to make a choice. It was very scary to just up and quit my job, but little by little, positive things started happening to me.” During the early 1980's he performed as a lead vocalist, backup vocalist, and multi-keyboard player in a variety of Top 40, Rock, Soul, Reggae, and Jazz groups. In 1983 a talent scout saw him performing in a group, and invited him to become the regular entertainer at former Washington Redskins' quarterback Joe Theismann's Restaurant in Bailey's Crossroads Virginia. There he began his solo career and worked for two years, building up his repertoire, fans, and his confidence as an artist. He then moved on to the Washington, D.C. hotel circuit, first with a full time position entertaining at the Holiday Inn Crowne Plaza, a 5 Star hotel in Rockville, Maryland, and then at the Olde Towne Holiday Inn, in Alexandria, Virginia, and the Ramada Hotel in Oxon Hill Maryland, where he entertained for a period of three years. On October 3, 1986 he appeared at the Smithsonian Institute, Washington, D.C. in a noontime concert entitled “Portraits in Jazz” sponsored by the National Portrait Gallery of Washington. In 1989 a friend submitted one of Walter's tapes to Quincy Jones. Although Quincy was reportedly very excited about his fresh and original sound he was too busy with other projects to get involved with Walter, but sent the word back that he should get out of the hotel circuit, and do some traveling, preferably internationally in order to expand his horizons. “ I wasn't expecting to hear anything from Quincy. The fact that one of my idols had actually took the time to listen to my demo, that he liked it and had even offered some advice was a stupendous event to me. I immediately decided to make some international connections and see what would come of it.” And in November 1989, Walter decided to do just that and to try his luck on the road. After several trips to the Far East he settled in Japan. Why Japan? My interest in Japan started at a young age. In my pre-teens I studied judo from a Japanese sensei in Philadelphia. Then later in college I continued judo and also took up an interest in Japanese cooking and adopted their macrobiotic diet. So when the gig in Japan came up, I jumped at the chance to see this country. The Japanese audiences' level of sophistication, respect and knowledge of jazz here was a big surprise to me. The people have been very kind and supportive. Its peaceful, clean, safe and quiet here, and I love the food. Since 1992 it has been his base of operations, and between international engagements, he has worked there in Tokyo, Kobe, Osaka, and Fukuoka in various clubs, restaurants, and 4 star hotel's numerous dinner shows, concerts and special events . He frequently performs nightly at THE BAR in Osaka's Ritz Carlton Hotel. The warm and relaxing quality of his vocal intonation has enabled him to work in a variety of fields, including that of a narrator for Universal Studios, Japan, and Fujitec International. There was also a national television appearance by Mr. Clark on the popular “Ninki Mono” celebrity TV program in Japan. From 2000-2001 Clark also appeared in a TV commercial for Genova jewelry in Japan's Kobe/Osaka area. In the year 2001, in spite of a rigorous performing schedule, he produced and released two CD's which featured live and multitrack recordings. In February 2002 Clark appeared as an actor several times on NHK's TV series “Sono toki rekishi ga ugoita,” roughly translated as “This was a turning point in history.” It was also a turning point for Walter. After that TV project, Clark began to spend more time at home. The focus for the remainder of the year was on research and development of new songs, new techniques of recording, and personal growth. The 2002 year end release of Perfect Love was the product of the years efforts and rewards. It was also the first CD to feature Original songs, and the first CD to be marketed commercially. This biography was provided by the artist or their representative.

Album

Easy To Love

Label: Lizzie Thomas Music
Released: 2014
Track listing: Track listings: You Do Something To Me; Close Your Eyes; One Note Samba; I’ve Got You Under My Skin; I Only Have Eyes For You; Easy To Love; Just The Way You Look Tonight; You Stepped Out Of A Dream; Shadow Of Your Smile; Our Love Is Here To Stay.

Album

Easy to Love

Label: Self Produced
Released: 2009

Album

Easy to Love

Label: Self Produced
Released: 2009
Track listing: Day By Day; I Concentrate on You; You've Changed; Nature Boy; I Cried for You; Easy Living; Stardust; I'm in the Mood for Love; Then I'll Be Tired of You; I Only Have Eyes for You; Do You Know Why?; If I Could Be with You; If It's Magic; Song for You; Just for Grandma Jo.

496

Article: Album Review

Kalil Wilson: Easy to Love

Read "Easy to Love" reviewed by Raul d'Gama Rose


It is somewhat disconcerting how few new male vocalists inhabiting the jazz idiom practice their craft with the same degree of genius and virtuosity as saxophonists and other instrumentalists. It is a conundrum why so many new artists don't play the first instrument--the human voice. Some posit that poeta nascitur non fit? Is it true that ...

215

Article: Album Review

Roberta Gambarini: Easy To Love

Read "Easy To Love" reviewed by Michael Caratti


This debut outing from Roberta Gambarini sees the Italian-born jazz vocalist pair up with two star-studded rhythm sections and legendary tenor saxophonist James Moody, to present what has to be one of the best vocal jazz albums of the decade. Opening with Cole Porter's classic title track Gambarini's exquisite tone and masterful rhythmic phrasing are immediately ...

Album

Easy To Love

Label: KOCH International Jazz
Released: 2006
Track listing: Easy To Love; Only Trust Your Heart; Lover Man; On The Sunny Side Of The Street; Porgy, I's Your Woman Now/I Loves You, Porgy; Lover Come Back To Me; The Two Lonely People; Centerpiece; Guess I'll Hang My Tears Out To Dry; No More Blues; Smoke Gets In Your Eyes/All The Things You Are; Too Late Now; Multi-Colored Blues; Monk's Prayer/Looking Back.

171

Article: Album Review

Roberta Gambarini: Easy To Love

Read "Easy To Love" reviewed by Suzanne Lorge


If Roberta Gambarini had chosen to pursue opera we might be seeing her at the Met instead of in the world's top jazz clubs, so exquisite is the natural lyricism of her voice and her technical mastery of its use. Absent from her performance are the blatant shifts in registration, dicey intonation, and questionable diction that ...


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