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Charles Lloyd / Jason Moran: Hagar's Song
by Ian Patterson
Saxophonist/composer Charles Lloyd's 16 albums for ECM since the late 1980s represent a body of work as important as the influential recordings he made for Columbia and Atlantic in the 1960s. Lloyd's recordings with his latest quartet, Rabo de Nube (2008), Mirror (2010), Athen's Concert (2011) and, now, Hagar's Song, stand together as a special chapter ...
Dick Hyman: The Beat Goes On
by Chris M. Slawecki
Composer, arranger, bandleader, pianist, soloist and accompanist Dick Hyman has already lived several jazz lifetimes, and as he contemplates his 86th birthday in March 2013, his career shows no sign of slowing down.A New York City native, Hyman served as pianist with a Dixieland band and with Lester Young at the December 1949 opening ...
Buster Bailey: All About Memphis
by Andrew J. Sammut
Buster Bailey's skill as both an improviser and section man made him a shoo-in for some of the best gigs in jazz history. Starting, from his teenage years, with W.C. Handy, steady employment under King Oliver, Fletcher Henderson, John Kirby and Louis Armstrong also left the clarinetist little time (perhaps need) to record as a leader. ...
Earl Hines Sessions: 1928-45
Earl “Fatha" Hines is all but forgotten today. A dashing pre-war pianist and bandleader, Hines spent much of his post-war career as the stride era's most daunting practitioner. He didn't have hits the way Louis Armstrong did, he never saw much value in film acting, and he didn't bother embracing modern jazz forms. Nevertheless, Hines was ...
Alexander Hawkins: Retaining The Sense of Discovery
by John Sharpe
One of the fastest-rising stars of the UK jazz scene, pianist Alexander Hawkins is remarkable in that he shines equally in both the further reaches of free improvisation and the creation of ingeniously crafted charts. Indeed, Hawkins' particular talent might be in bringing the two so close that it's hard to distinguish between them. At times ...
Jazz Musician of the Day: Earl Hines
All About Jazz is celebrating Earl Hines' birthday today! A brilliant keyboard virtuoso, Earl “Fatha” Hines was one of the first great piano soloists in jazz, and one of the very few musicians who could hold his own with Louis Armstrong. His so-called \'trumpet\' style used doubled octaves in the right hand to produce a clear ...
Furthest From "Weather Bird" So Far...
by Nic Jones
I've taught jazz history classes where I've made use of the Armstrong yardstick. It's a straightforward thing involving no more than comparing and contrasting two Louis Armstrong performances from the 1920s, the latter of which is always “Weather Bird," a duet featuring Armstrong and Earl Hines, on piano. So pitting, say, “Skip the Gutter," from June ...
Dick Hyman, Topsy Chapman Celebrate Teddy Wilson This Week On Riverwalk Jazz
Teddy Wilson backed Louis Armstrong and Billie Holiday—then became a star playing with Benny Goodman. He made history as one of the first black musicians to join a white band in public performances. Wilson’s understated, delicately-swinging piano style defined the Swing Era. This week on Riverwalk Jazz, pianist Dick Hyman (who took piano lessons from Wilson ...
Louis Armstrong & The All Stars: Satchmo At Symphony Hall - The Complete Performances
by Skip Heller
Louis Armstrong & The All StarsSatchmo At Symphony Hall: 65th Anniversary The Complete PerformancesVerve 2012 Writing about trumpeter and singer Louis Armstrong is difficult. In the most literal sense, he is the watershed of jazz. He was neither the first acknowledged genius of the music (soprano saxophonist Sidney ...
"Complete" Louis, Duke, Bessie and Charlie Boxes Coming in October
The ultimate year-round jazz festival of Legacy Recordings continues to set a new industry standard with four more Complete Album Collections from the Sony Music archives family of labels, by the greatest names in jazz and blues: LOUIS ARMSTRONG – THE COMPLETE OKeh COLUMBIA & RCA VICTOR RECORDINGS 1925-1933 (OKeh/Columbia/RCA/Legacy) 10 titles, 10 CDs; CHARLIE CHRISTIAN ...
