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Rock Swings
by Duncan Heining
A while ago, me and Mrs. O'Groove were at the Diamante Dance Academy, Chelmsford --I kid you not--for our regular lesson, when our teacher, Natasha Fellowes, put on this big band version of Van Halen's “Jump." Turned out it was off Paul Anka's Rock Swings album (2005). No particular reason but I've always had a soft ...
Malcolm Griffiths: A Man For All Seasons
by Duncan Heining
We talk often of the stars, like 'Trane and Miles. We remember the bandleaders, such as Basie and Duke. We even recall the composers and arrangers, Ellington again, Gil Evans and Monk. And we never forget those star soloists like Johnny Hodges or Lester Young. But the guys in the machine room, the guys who make ...
Jan Garbarek: Popofoni
by Duncan Heining
Popofoni was originally issued as a double LP in the early seventies. It was both a reaction and a response by a number of Norwegian composers to a spurious debate that had taken place on Norwegian television in 1969. The debate pitted proponents of popular culture against spokespeople for European Art Music. Popofoni was intended an ...
Chris Biscoe Allison Neale: Then and Now
by Duncan Heining
The idea here is a simple one. Pick a selection of tunes--five standards, two originals--and revisit them, in the style of the Gerry Mulligan/Paul Desmond Quartet. That group was a brief affair, making just two records together--Gerry Mulligan-Paul Desmond Quartet and Two of a Mind. Cleverly, Biscoe and Neale have only picked two tunes covered by ...
Tom Challenger's Brass Mask: Brass Mask Live
by Duncan Heining
You need a truly modern street band in your musical life. That's a statement. Period. No “buts," no “maybes." You might not know it but it's just what you've been lacking and here it is with Brass Mask's second CD, Live. I enjoyed their first record, Spy Boy a lot. Here was a band ...
Roberto Bonati: Nor Sea, nor Land, nor Salty Waves
by Duncan Heining
Italian composer and bassist is a master of the musical journey. Rêve de Jongleur (2000) with the ParmaFrontiere Orchestra took the listener along the pilgrim routes of medieval Europe that carried the song of the troubadour, as well as the faithful and goods to trade. A Silvery Silence--fragments from Moby Dick (2006) followed the whalers of ...
Martin Speake: The Thinking Fan's Saxophonist
by Duncan Heining
British alto saxophonist, Martin Speake, is one of the most adventurous and articulate musicians in a music peppered with creative artists. That he is not a household name--even within the proscribed and marginalised world of jazz--says more about the times than it does about Speake or his single-minded approach to his art. Speake combines ...
Julie Tippetts: Didn't You Used To Be Julie Driscoll?
by Duncan Heining
The respect in which Julie Tippetts is held by her fellow musicians and fans is truly heartening--and truly deserved. Back in the late sixties, then Julie Driscoll, she gave up a very different career trajectory in music, one that had begun with Steampacket and continued with Brian Auger & The Trinity, to follow a journey characterised ...
Julie Sassoon: Fourtune
by Duncan Heining
Fourtune is British pianist-composer Julie Sassoon's first quartet recording. Sassoon's musical approach draws in equal measure on her classical training and on a love of jazz and improvised music. This marriage goes far beyond the translation of a pianistic technique from one musical area to another but becomes something far deeper and more powerfully emotionally moving ...
London Jazz Festival 2016
by Duncan Heining
The London Jazz Festival, now in its 24th year, straddles the capital--its noble aim, as ever, is the provision of musical succour for the diverse tastes that make up the larger British jazz audience. You want mainstream, you'll find it. Looking for fusion, then look no further. Free jazz, bebop, blues? Step this way. Postjazz? Postjazz? ...
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