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Steve Heckman & Matt Clark: Some Other Time/Slow Café
by Dan Bilawsky
Back in the summer of 2004, saxophonist Steve Heckman and pianist Matt Clark took to the studio to lay down some duo tracks. Those recordings have now finally found their way into the world through Some Other Time/Slow Café, an album presenting a dozen pieces that speak with casual and reflective charm while highlighting the rapport ...
The University of the Arts “Z” Big Band: Monterey, Here We Come!
by Victor L. Schermer
UArts “Z" Big Band Reception and Kickoff Concert Kaplan Auditorium University of the Arts Philadelphia, PA September 7, 2017 They were underdogs, but they gave it their best shot. Then they shocked themselves and everyone else by tying for first place with the UNLV ...
Oscar Feldman: Gol
by James Nadal
Don't let the paucity of recordings from saxophonist Oscar Feldman fool you. It appears he has been woodshedding, assembling a new band of compatible musicians, and is now ready to step back into the spotlight. After his hiatus, quietly working on other projects, Feldman presents Gol, an eclectic blend of music covering the sounds of South ...
Bobby Hutcherson: The Kicker
It's unclear why Bobby Hutcherson's The Kicker wasn't released by Blue Note until 1999, despite being recorded in 1963. The album is flawless as far as I can tell. It swings, it's engaging, the musicians on the session were spectacular and there don't appear to be any instrumental errors or microphone snafus. If I were guessing, ...
Theo Hill: Promethean
by David A. Orthmann
Promethean captures Theo Hill at a significant juncture in his development. The record is ample evidence that the thirty-something New York City-based artist is rapidly securing a place in the crowded field of noteworthy contemporary jazz pianists. On the one hand--particularly during medium and up-tempo cuts such as “This Here," “Hey, It's Me You're Talking To," ...
Lew Tabackin: A Life in Jazz
by Rob Rosenblum
Tenor saxophonist and flutist Lew Tabackin is known as a forceful and dynamic soloist, both in small group and big band settings. His views of the jazz music scene, both past and present, are equally compelling. Recently, I had the opportunity to spend several hours with Mr. Tabackin for this interview. Rather than insert ...
Benny Green: Happiness!
by Dan Bilawsky
Happiness is listening to Benny Green. He brings joie de vivre to the piano keys with his Herculean chops, in-the-pocket soulfulness, and tight arrangements, all of which can be heard in spades on this live date. The scene for this spirited recording was the Kuumbwa Jazz Center--a gem of a venue in California ...
Glenn Zaleski: Fellowship
by Dan Bilawsky
Ever overcook a dish? The end result is usually dry and wilted. How about undercooking? Has one of your meals ever succumbed to that fate? If it has, you've probably been disappointed by the raw and shapeless dish sitting before you. In composition, as in cooking, you need to find the perfect temperature that sits between ...
Dmitry Baevsky: The Day After
by David A. Orthmann
Imagine a group that, in large measure, references the bebop revolution of nearly seventy-five years ago, yet steers clear of the pitfalls of nostalgia, hero worship, and blatant imitation, and ultimately wins the day with an adroit blend of teamwork and compelling individual voices. For those who believe that nothing good can come from contemporary players ...
Duke Pearson: WAHOO!
by Greg Simmons
Duke Pearson occupied an unusual position within Blue Note Record's roster of artists. In addition to recording as both leader and sideman he also served as the label's A&R man, following in the footsteps of Ike Quebec. Pearson also served as the arranger on many albums, including sessions--Stanley Turrentine's Rough 'n' Tumble, comes to mind--where other ...
