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Jordan Young Group: The Jordan Young Group
by David Rickert
Organ albums have always been the comfort food of jazz. Buying one of the classics from the fifties and sixties, the line-up is almost certain (guitar and/or sax, drums, never a bass), and a bunch of songs that would satisfy some primal need for deep, funky grooves. However, this predictability ensured that a lot of them ...
Buselli-Wallarab Jazz Orchesta / Vaughn Wiester / Chie Imaizumi
by Jack Bowers
Buselli--Wallarab Jazz OrchestraMezzanineOwl Studios2010 After veering slightly off-course recently with several albums devoted in part to backing singers, the outstanding Indianapolis-based Buselli-Wallarab Jazz Orchestra is back in a more pleasing instrumental groove on Mezzanine, profiling the compositions and arrangements of co-leader / trombonist Brent Wallarab. The first ...
Lew Tabackin: Jazz na Hrade
by Ken Dryden
Lew Tabackin began to make his mark in the '60s, touring or recording with Maynard Ferguson, the Thad Jones/Mel Lewis Orchestra, Duke Pearson, Joe Henderson, Elvin Jones, Donald Byrd and The Tonight Show Band. From 1968-69, he was a main soloist with the Danish Radio Orchestra. He helped his wife, Toshiko Akiyoshi, to form her long-running ...
Duke Pearson's Big Band: 1967
The story of jazz is filled with behind-the-scenes guys who contributed mightily to the music but are little known today. One of these invisible hands was Duke Pearson. In addition to being a fine composer, hard bop pianist and Blue Note record producer, Pearson briefly led a compelling big band in the late 1960s. Top musicians ...
Ralph Lalama: Steppin' Out, Steppin' Forward
by R.J. DeLuke
Ralph Lalama's rich tenor saxophone voice has been heard for years on the New York City scene, perhaps most notably with the Vanguard Jazz Orchestra and its predecessors, first led by Thad Jones and Mel Lewis, and later by just Lewis. He's a guy who grew up when rock music was fully bursting on the American ...
Ralph Lalama Quartet: The Audience
by C. Michael Bailey
Dexter Gordon achieved a post-bebop tenor saxophone sound that was Somewhere between the sleepy, vibrato-less tone of Lester Young and the falling-off- the-edge wail of John Coltrane. Yonkers native Ralph Lalama comes It is out of this tradition. On his fifth recording as a leader and his first release since 2008's successful Energy Fields (Mighty Quinn), ...
Lew Tabackin
by Ken Dryden
Lew Tabackin needs no introduction to serious jazz fans. The tenor saxophonist and flutist worked with Maynard Ferguson, Thad Jones-Mel Lewis Orchestra, Joe Henderson, Duke Pearson, Donald Byrd, Elvin Jones and The Tonight Show Band; was a star soloist with the Danish Radio Orchestra in the late '60s; and joined alto saxophonist Phil Woods for a ...
Ralph Lalama: The Audience
by David A. Orthmann
A few choice items from the American Popular Songbook, tunes by Wayne Shorter, Duke Pearson, and Stevie Wonder, plus three brief duo improvisations, all rendered in a recognizable mainstream style by a band that includes two primary soloists and a bass and drums team. On the face of it, Ralph Lalama's second Mighty Quinn release appears ...
Ralph Lalama: The Audience
by Joel Roberts
Tenor saxophonist Ralph Lalama is a respected jazz journeyman probably best known for his more than 25-year tenure with the Vanguard Jazz Orchestra. He's also played and recorded with the Joe Lovano Nonet, the Carnegie Hall Jazz Band and drummer Joe Morello's group, among others. But he's had relatively few opportunities to record as a leader. ...
Mickey Roker: You Never Lose the Blues
by Victor L. Schermer
Drummer Mickey Roker is a mainstay and icon of the jazz world, having a played with Dizzy Gillespie, the Modern Jazz Quartet, Lee Morgan, and many of the other signature groups of modern jazz. Yet he has always maintained his Philadelphia roots, and is and has been a regular at Ortlieb's Jazzhaus in that ...
