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Greg Murphy, Art Blakey & More
by Joe Dimino
The legend of the jazz drum kit and a survivor Ralph Peterson opens this week's episode of Neon Jazz, along with a few of his mentors, Art Blakey and Walter Davis Jr.. From there, we throttle into a new crop of tunes from some great jazz cats like James Suggs, Greg Murphy and Hilary Gardner. Then, ...
Don Byron / Aruan Ortiz: Random Dances And (A)tonalities
by John Sharpe
The title Random Dances And (A)tonalities hints at the inclusive nature of this studio encounter between Cuban-born, New York-based pianist Aruán Ortiz and American clarinetist Don Byron. Ortiz's admiration for Byron's work caused him to seek out the reedman and led to this session that brings together their varied backgrounds. Between the two, they encompass early ...
Authentic Gypsy Jazz At The Jazz Corner
by Martin McFie
Fredric Gomes The Jazz Corner Authentic Gypsy Jazz Hilton Head Island February 22-23, 2019 Gypsy Jazz or Manouche was the invention of Django Reinhardt whose sound came from old gypsy tunes played with a swing rhythm. During the inter-war years, Django heard Louis Armstrong and Duke Ellington in Europe's ...
Byron Stripling and the Philly Pops at the Kimmel Center
by Victor L. Schermer
Byron Stripling and the Philly Pops Uptown Nights" The Kimmel Center for Performing Arts Philadelphia, PA March 1, 2019 The Philly Pops' Uptown Nights," as the title implies, revealed itself to be a festive show that featured the music of the 1920s through the 1940s when ...
Deborah Shulman: The Shakespeare Project
by Nicholas F. Mondello
William Shakespeare's works have generated many musical endeavors. Duke Ellington's Such Sweet Thunder (Columbia Records, 1957) and Leonard Bernstein's score for West Side Story are among those which come to mind. In 1941, British composer Arthur Young recorded Shakespeare in Swing (Decca Records, 1941), which featured his compositions over Shakespeare's words. And, in 1964, celebrated British ...
Ben Webster: Ben Webster's First Concert in Denmark
by Chris Mosey
This is a small piece of jazz history. In January 1965, Ben Webster, newly arrived in Europe from America, was working out where to settle down. This concert shows why he decided on Copenhagen. The album starts with Webster making a point about the playing of his former boss Duke Ellington's In A ...
Eric Dolphy: Musical Prophet: The Expanded 1963 New York Sessions
by Mike Jurkovic
2018 was a spectacular year for archival jazz. Just a quick glance at last year's releases includes John Coltrane's Both Directions At Once: The Lost Album (Verve), Coltrane's further adventures on Miles Davis & John Coltrane The Final Tour: The Bootleg Series, Vol. 6 (Legacy), and Erroll Garner's revelatory Nightconcert (Mack Avenue Records) quickly taking its ...
Documenting Jazz 2019
by Ian Patterson
Documenting Jazz Conservatory of Music and Drama TU Dublin Dublin, Ireland January 17-19, 2019 Jazz music, which has pretty much always meant different things to different people, has been comprehensively documented since its arrival in the first decades of the twentieth century. The most obvious form of ...
Cooper-Moore: Catharsis and Creation in Community Spirit
by Jakob Baekgaard
It's tempting to think of a life in music as a linear story with a beginning, middle and end, because that's the way life is: we are born, we live, and then we die. In this narrative, one could assume there will be highs and lows and masterpieces might emerge out of a misty fog of ...
Jazz & Soundtracks
by Ludovico Granvassu
Jazz has had a very close relationship with cinema and TV. To be perfectly frank in this relationship cinema and TV have not as generous as jazz has been towards cinema. Jazz has been only sporadically covered by quality movies. When that has happened the quantity of stereotypies and clichés about jazz spoiled them ...


