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Billy Cobham
Born:
The legendary Billy Cobham, with his matchless, dazzling, ambidextrous skills as a drummer, has applied the same insistent fervor to his long list of monumental achievements. He’s an accomplished composer and record producer. It is a rarely known fact that he was at the forefront of the electronic music industry and it’s development through Jazz. He was one of the first percussionists, along with Max Roach and Tony Williams to utilize the Electronic Drum Controller made in 1968 by the Meazzi Drum Company in Milano, Italy while on concert tour with Horace Silver in Europe. He is one of the few Percussionists, specializing in the Jazz drum set to lead his own band
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Francis Clay
Born:
Francis Clay was the definite blues drummer who played drums in the Muddy Waters band during its heyday in the late 1950s, then rejoined Waters in 1965 for a stint of almost two years, thus solidifying his enduring contribution to the Blues. Clay was born in Rock Island, a riverside town on the Mississippi in northwest Illinois. His father, a waiter, was also a keen amateur musician. Attracted to the drums by seeing an uncle's set, he began to teach himself on a homemade kit, and by the age of 15 was playing professionally with a jazz band. After further apprenticeship in orchestras and a brief stint as a booking agent, he moved in 1947 to Chicago, where he worked with trumpeter King Kolax and saxophonist Gene Ammons
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Kenny Clarke
Born:
Kenny Clarke (born Kenneth Clarke Spearman, later aka, Liaqat Ali Salaam, on January 9, 1914 in Pittsburgh, Pennsylvania-died January 26, 1985 in Paris, France) was a jazz drummer and an early innovator of the bebop style of drumming. As the house drummer at Minton's Playhouse in the early 1940's, he participated in the after hours jams that led to the birth of Be-Bop, which in turn lead to modern jazz.
He is credited with creating the modern role of the ride cymbal as the primary timekeeper. Before, drummers kept time on the high-hat and snare drum ("digging coal", Clarke called it) with heavy support from the bass drum. With Clarke time was played on the cymbal and the bass and snare were used more for punctuation. This led to a much more relaxed style of drumming. From this point more and more rhythms and poly-rhythms are made possible. For this, "every drummer" Ed Thigpen said, "owes him a debt of gratitude." Clarke was nicknamed "Klook" or "Klook-mop" for the style he innovated.
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Mike Clark
Born:
Mike Clark gained worldwide recognition as one of America’s foremost jazz and funk drummers while playing with Herbie Hancock in the early seventies. His incisive playing on Hancock’s “Actual Proof” garnered him an international cult following and influenced generations of drummers. While Mike digs the funk, he consider jazz his first love, and playing that music is what he says feeds his soul.
Besides Herbie Hancock, Mike has performed and recorded with such well-known jazz greats as Christian McBride, Chet Baker, John Scofield, Nicholas Payton, Tony Bennett, Wayne Shorter, Joe Henderson, Donald Harrison, Eddie Henderson, Bobby Hutcherson, Vince Guaraldi, Woody Shaw, Albert King, Larry Coryell, Mike Wolff, Wallace Roney, Billy Childs, Dr. Lonnie Smith, Chris Potter, Bobby McFerrin, Nat Adderly, Oscar Brown Jr., and Gil Evans and his Orchestra.
Results for pages tagged "Drums"...
Denis Charles
Born:
Denis Charles was a jazz drummer. Charles was born in St. Croix, Virgin Islands, and first played bongos at age seven with local ensembles in the Virgin Islands. In 1945 he moved to New York, and gigged frequently around town. In 1954 he began working with Cecil Taylor, and the pair collaborated through 1958. Following this he played with Steve Lacy, Gil Evans, and Jimmy Giuffre. He befriended Ed Blackwell, and the two influenced each other. He recorded with Sonny Rollins on a calypso-tinged set, and then returned to time with Lacy, with whom he played until 1964. He worked with Archie Shepp and Don Cherry in 1967 and then disappeared from the record until 1971
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Leon "Ndugu" Chancler
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Leon "Ndugu" Chanclerwas a world-renowned American pop, funk and jazz drummer. He further developed his skills and shared his talent as a studio musician, composer, producer and university professor. Born in Shreveport, Louisiana, on July 1, 1952, Leon Ndugu Chancler was the last child of seven children from the union of Rosie Lee and Henry Nathaniel Chancler. In 1960 the family relocated to Los Angeles, California. Chancler began playing drums when he was thirteen years old. He would publicly reminisce about being asked to leave a classroom for continuously tapping on the desk, only to be later heard tapping on the poles in the hallway
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Joe Chambers
Born:
Born and raised near Philadelphia to a musical family, Joe Chambers heard not only the rock and roll of Louis Jordan and Slim Gaillard, but the classical of Vivaldi, Wagner, Beethoven and Mahler. Drums came early. "I think an instrument picks you. I used to play on post and pans when I was little. I was setting them up like a kit at four years of age, so the instincts were there." More taken with Lester Young and Lionel Hampton than Little Richard, Chambers nonetheless soon joined a band playing all the R&B hits of the day. "We played 'house rock,' horn players walking the bar like Big Jay McNeely and Tiny Bradshaw
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Big Sid Catlett
Born:
Sidney "Big Sid" Catlett was an American jazz drummer. Catlett was one of the most versatile drummers of his era, adapting with the changing music scene as it progressed toward bebop. Catlett was born in Evansville, Indiana and at an early age he was instructed in the rudiments of piano and drums under the tutelage of a music teacher hired by his mother. When he and his family relocated to Chicago, Catlett received his first drum kit, and immersed himself in the diverse styles and techniques of Zutty Singleton, Warren "Baby" Dodds, and Jimmy Bertrand, among others. In 1928, Catlett began playing with violinist and clarinet player Darnell Howard, before joining pianist Sammy Stewart's Orchestra in New York City and making appearances at the Savoy Ballroom. After performing for several lesser established musical acts, Catlett began recording and performing with multiple musicians including Benny Carter, McKinney's Cotton Pickers, Fletcher Henderson, and Don Redman throughout the 1930s
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Michael Carvin
Born:
Michael Carvin is a drummer of extraordinary talent, inventiveness and technique. His mastery affords him the ability to handle any musical situation and to skillfully pass on his knowledge of the instrument to an ever increasing number of students internationally. Born in Houston, Texas, Carvin's musical training began at age six with his father, one of the top drummers in Houston. By the age of twelve,Carvin began playing professionally and won what would be the first of five consecutive Texas rudimental championships. Mr. Carvin's diverse career has included two years as a staff drummer with Motown Records and extensive studio and television work on the West Coast. Joining Freddie Hubbard's band in 1973, Mr
Results for pages tagged "Drums"...
Terri Lyne Carrington
Born:
Celebrating 40 years in music, NEA Jazz Master and three-time GRAMMY® award-winning drummer, producer, and educator, Terri Lyne Carrington started her professional career in Massachusetts at 10 years old when she became the youngest person to receive a union card in Boston. She was featured as a “kid wonder” in many publications and on local and national TV shows. After studying under a full scholarship at Berklee College of Music, Carrington worked as an in-demand musician in New York City, and later moved to Los Angeles, where she gained recognition on late night TV as the house drummer for both the Arsenio Hall Show and Quincy Jones’ VIBE TV show, hosted by Sinbad.
While still in her 20’s, Ms. Carrington toured extensively with Wayne Shorter and Herbie Hancock, among others and in 1989 released a GRAMMY®-nominated debut CD on Verve Forecast, Real Life Story. In 2011 she released the GRAMMY®Award-winning album, The Mosaic Project, featuring a cast of all-star women instrumentalists and vocalists, and in 2013 she released, Money Jungle: Provocative in Blue, which also earned a GRAMMY®Award, establishing her as the first woman ever to win in the Best Jazz Instrumental Album category.


