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Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Jack Kenny
The vagaries of the jazz life are all over this release. Why Kenny Dorham should be underappreciated is a mystery. For the gig at the Blue Morocco he had assembled a great super group with a deep well of experience. Drummer Denis Charles had worked with Cecil Taylor. Kenny Dorham had accompanied Charlie Parker, at Parker's peak. Bassist Paul Chambers had supported both Miles Davis and Sonny Rollins. Pianist Cedar Walton had been in the Jazz Messengers. alto sax man ...
Continue ReadingKenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Thierry De Clemensat
Another remarkable chapter in contemporary music comes to life once again, thanks to Resonance Records. It was from 1967 that Blue Bossa In The Bronx: Live from the Blue Morocco emerged, an unreleased performance by the legendary jazz trumpeter Kenny Dorham, recorded live at the Blue Morocco jazz club in the Bronx, NY. The session features Sonny Red, Cedar Walton, Paul Chambers and Denis Charles. Transferred from the original tape reels captured by the renowned engineer Bernard Drayton, ...
Continue ReadingKenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Pierre Giroux
Trumpeter Kenny Dorham's stature in jazz history is undeniable, yet he remains one of music's most under-appreciated masters. Despite being a vital presence among the great innovators of his era, Dorham never achieved the star power his talent deserved. In conjunction with Record Store Day, Resonance Records is releasing Blue Bossa in the Bronx: Live from the Blue Morocco as a deluxe CD edition that captures Dorham in fiery form during a never-before-heard live performance. The package includes Bob Blumenthal's ...
Continue ReadingKenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Troy Dostert
On their 1955 live recording At the Cafe Bohemia (Blue Note), the Jazz Messengers' Art Blakey introduced his trumpet player, Kenny Dorham, as the “Uncrowned King," a title that was perhaps fitting at the time given Dorham's still-rising trajectory. But even in his prime, Dorham arguably never received his proper accolades, and he would typically be regarded as more of a “musician's musician" than some of the more celebrated trumpeters like Clifford Brown, Lee Morgan or Freddie Hubbard. Hence, the ...
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