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Pat Martino: Comin' & Goin'

by Douglas Payne
The two-disc set, Comin' and Goin', collects guitarist Pat Martino's final Muse LP of the 1970s, Exit (1976), and his first Muse recording of the 1980s, The Return (1987). In between, Martino recorded two fine fusion albums for Warner Bros. (both documented on the 32 Jazz set, First Light ), suffered a brain aneurysm, lost all ...
Joe Locke/David Hazletine Quartet: Mutual Admiration Society

by Douglas Payne
Consummate relational jazz seems completely outdated. Groups are thrown together in studios to record music obviously calculated to sell. To guess, special-guest announcements for jazz records that include the names Wynton Marsalis or John Medeski must get cash registers to ring.But such back-in-the-day collaborations as Duke Ellington and John Coltrane - designed to send ...
Eddie Henderson: Reemergence

by Douglas Payne
Trumpeter Eddie Henderson has recorded more consistently throughout the 1990s (for Steeplechase and Milestone) than he did during the previous decade, so this really isn't a reemergence" at all. It is, however, among one of his finest albums since what remains his very best--his first two kosimgroovy solo albums, cut for Capricorn in 1973 and inexcusably ...
Ray Vega: Boperation

by Douglas Payne
Before Boperation, trumpeter Ray Vega's second Concord Picante disc as a leader, I knew nothing about the man or his music. But my inattention or inappropriate disregard shifted dramatically within the first few notes of this disc. Even if you've known all along about Ray's previous self-titled disc - or his higher profile work with Tito ...
Paul Tobey: Wayward

by Douglas Payne
Paul Tobey is that rare pianist who doesn't play so much as plot -- as a composer might. Well he should since seven of the eight tunes on the young Canadian's debut, Wayward, are his own. And they're well worth hearing. He is a masterfully musical player and a fascinating composer whose musical patterns - written ...
Paul Bollenback: Soul Grooves

by Douglas Payne
The days of honest to God soul jazz are probably long gone. It's hard to even remember all the good players who stretched out over some well-known R & B or dug deep into a meaningful blues. They packed all the clubs and their records, one a month it seemed, sold like crazy. Somewhere along the ...
Eric Alexander: Man With A Horn

by Douglas Payne
Think of the stunning array of tenor greats buoyed at one time or another by pianist Cedar Walton: John Coltrane, Dexter Gordon, Gene Ammons, Clifford Jordan, Wayne Shorter, Hank Mobley, Joe Henderson, Lucky Thompson, Junior Cook, George Coleman and Stanley Turrentine to name only a few. And these associations take into account neither the considerable number ...
Bireli Lagrene: Routes To Django/Bireli Swing '81

by Douglas Payne
Close your eyes and play any one of the 28 songs on this two-disc set. Guess when the recordings were made, who's playing and how old the player is. It sounds like the catchy, acoustic guitar swing pioneered by Django Reinhardt at the Hot Club de France in Paris during the 1930s.Hard as it ...
Charles Earland: Intensity

by Douglas Payne
For 1972's Intensity, Charles Earland's fifth of ten Prestige discs, the Mighty Burner seemed to be aiming toward something a little different than his usual collection of soulful tenor-organ jams. The presence of two songs from the rock group Chicago and a small trumpet-dominated horn section indicate that jazz-rock was the goal. The result, the LP's ...
Sonny Phillips: My Black Flower

by Douglas Payne
Organist and pianist Sonny Phillips kept a rather low profile during his two decades in jazz. Born and raised in Alabama in 1936, Phillips headed to Chicago's DePaul University as a teen to pursue a career in education. At 20, he began studying privately with pianist Ahmad Jamal and started playing his own gigs in Chicago. ...