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Article: In Pictures

New Orleans Jazz and Heritage Festival 2018

Read "New Orleans Jazz and Heritage Festival 2018" reviewed by Mark Robbins


Yes, Virginia, there is jazz at the New Orleans Jazz and Heritage Festival. From it's inception in 1970, George Wein, mastermind of the Newport Jazz Festival and the Newport Folk Festival, created a festival that was indigenous with New Orleans. Whether it was the music, food, arts and crafts everything was New Orleans. That first year ...

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News: Recording

Exquisite Vocalist Shirley Crabbe Sings Of Personal Connection On "Bridges," Available April 30, 2018

Exquisite Vocalist Shirley Crabbe Sings Of Personal Connection On "Bridges," Available April 30, 2018

Some vocalists excel at lyric interpretation. They know how to tell the story of a song with subtlety and nuance. Other singers have such beautiful voices that they’d be a pleasure to listen to if they sang the periodic table set to a Brahms lullaby. It’s not easy to say which is Shirley Crabbe's strength, since ...

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Article: SoCal Jazz

Ron Carter: A Clew of Worms

Read "Ron Carter: A Clew of Worms" reviewed by Jim Worsley


So the saying goes, the early bird gets the worm. Occasionally, if one is so fortunate, you can get a whole lot more. From the beginning just knowing that I was going to have the opportunity to see and hear Ron Carter play was about seeing a legend. Of course you hope to hear ...

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Article: Live Review

T.S. Monk Sextet at Revolution Hall

Read "T.S. Monk Sextet at Revolution Hall" reviewed by Tom Borden and Eric Gibbons


T.S. Monk Sextet Revolution Hall PDX Jazz 2017 Portland, OR February 25, 2017 The centerpiece of the 2017 PDX Jazz festival was a posthumous honor bestowed upon the late great Thelonious Monk. Inarguably a pillar in the pantheon of jazz, Monk's music was delivered at this year's festival from as ...

Album

Blue Monday

Label: RP Production
Released: 2016
Track listing: Sweet Georgia Brown/Dig; True Love Remember Me; Without You/Senz’e Te; Que Sera Sera; Under the Moon; But Not For Me; Blue Monday; back To Black; You’ll Say Tomorrow/Perché Domani; When You Were Here; Skin To Skin; Suo Pe’ Parla; Perché Domani.

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Article: Live Review

2016 Detroit Jazz Festival

Read "2016 Detroit Jazz Festival" reviewed by C. Andrew Hovan


2016 Detroit Jazz Festival Hart Plaza Detroit, Michigan September 2-4, 2016 The staging of North America's largest free jazz festival must indeed be some kind of massive undertaking. In the years since artistic director Chris Collins has taken the reins of the festival, there have been many changes, some for the ...

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Article: Album Review

Letizia Gambi: Blue Monday

Read "Blue Monday" reviewed by James Nadal


As the world continues to shrink--musically speaking of course--the melding of American jazz with Mediterranean melody is another spin cycle that makes appreciation of this evolving art form so interesting. With high expectations, Neapolitan vocalist Letizia Gambi, which hails from a theatrical family, and has extensive jazz education, releases Blue Monday, an exuberant and ambitious production ...

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News: Recording

Letizia Gambi's "Blue Monday" - Produced By Lenny White

Letizia Gambi's "Blue Monday" - Produced By Lenny White

Letizia Gambi: Blue Monday (ArtistShare) Produced by Lenny White with Special Guest Ron Carter Release Date: February 12, 2016 Musicians: Lenny White: Drums; Helen Sung, Donald Vega: Piano; Gil Goldstein: Accordion; Ron Carter, John Benitez, Daryl Johns: Bass; Jisoo Ok: Cello; Hector Del Curto: Bandoneon; Pete Levin: Keyboards; Dave Stryker, Nick Moroch, Tom Guarna: ...

Album

With Respect To Monty

Label: Resonance Records
Released: 2015
Track listing: Eleuthera; 3000 Miles; Compassion; Slippery; Consider; Mango Rengue; Renewal; You Can See; Sweet Lady; The Gathering.

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Article: Album Review

Donald Vega: With Respect To Monty

Read "With Respect To Monty" reviewed by Dan Bilawsky


When pianist Donald Vega put together Spiritual Nature (Resonance Records, 2012), he presented an arresting mix of music that shined a light on some of his influences. There was a touch of Scriabin in the mix, pointing to classical music; a nod to pianist Oscar Peterson by way of bassist Niels-Henning Ørsted Pedersen's “Future Child"; a ...


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