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Don Redman: Setting the Template
by Jim Gerard
As someone who came to jazz as a young man in the 1970s, I can attest that subsequent generations of both its chroniclers and, even sadder, its practitioners, have succumbed to the peculiarly and regrettable American disease of a-historicism. They've shoved jazz history through a sieve, reducing it from an epic tale of heroic ...
Sun Ra: The Eternal Myth Revealed Vol. 1
by Skip Heller
Author's note: Michael Ricci has ordained me with the power to come to you once a month and throw a little information your way. A lot of great music falls through the cracks, often enough because the people who make it don't live comfortably in some nice categorical box. If you're someone who prefers music to ...
Bill Wyman’s Rhythm Kings Collector’s Edition Box Set
by Chris M. Slawecki
Bill WymanBill Wyman's Rhythm Kings Collector's Edition Box SetProper American2011 From all accounts, founding member Bill Wyman resigned from the Rolling Stones in 1992 because he was weary of the frantic pace of life as bassist for “The World's Greatest Rock 'n' Roll Band."Wyman's bass ...
Kenny Burrell: Every Note Swings
by Chris M. Slawecki
Kenny Burrell has appeared on so many essential jazz recordings that jazz history and his story seem irretrievably intertwined. Billie Holiday's valedictory rumination Lady Sings the Blues (Verve, 1956)? Jimmy Smith's epochal funk throwdown Back at the Chicken Shack (Blue Note, 1960)? Tony Bennett's Carnegie Hall debut? Kenny Burrell played guitar for them all. Even Jimi ...
Nick Hempton: The Way It Is
by David A. Orthmann
The Business (Positone, 2011) is a milestone in the career of Nick Hempton. Since arriving in the USA from his native Australia in 2004, the 35-year-old saxophonist, composer, and bandleader has slowly but surely worked his way up the ladder of the notoriously competitive New York City jazz scene. Hempton's second date as a leader is ...
Nick Hempton: The Business
by Bruce Lindsay
Saxophonist Nick Hempton's decision to call his second album The Business might be a comment on the commercial nature of jazz, or it might be a rather hubristic statement about the nature of his own music. Big, fat grooves, a real sense of swing, strong melodies and even stronger rhythms suggest that Hempton is right to ...
Not Your Classic: Carlos Redman
By CYRIL JOSH BARKER Carlos Redman is tooting his own horn across the city, becoming one of the most noted emerging musicians on the jazz scene. After spending years in the Midwest and southern U.S., the 30-year-old jazz trumpeter is making his mark on the Big Apple. With his band, Chemistry, Redman not only plays jazz, ...
Take Five With Paul Lieberman
by Paul Lieberman
Meet Paul Lieberman: After a session at Mickey Hart's, Gil Evans noted to Airto Moreira: “everything he plays sounds right," and David Sanborn responded to a show in New York with a surprise kiss. Saxophonist and flutist Paul Lieberman's 2011 CD ibeji features a number of legendary musicians: Rufus Reid and Nilson Matta on ...
The Boswell Sisters: The Boswell Sisters Collection
by Chris Mosey
This magnificent boxed set of five CDs and one DVD represents the entire commercially released recorded output of the Boswell Sisters, the most popular and influential close harmony vocal group ever. They were white, but lead singer Connie-- she later changed the spelling to Connee--sang black. Ella Fitzgerald, when she was starting out, said her aim ...
Love Is Just Around The Chorus
by Andrew J. Sammut
In Lost Chords (Oxford University Press, 1999), Richard M. Sudhalter describes a humorous but powerful image of the working class jazz musician circa 1933: That most broadcast work was surely, in [Artie Shaw's] words, “boring, mind- numbing garbage" is more than substantiated by a photograph recently unearthed by the Institute of Jazz Studies, ...
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