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Aldo Salvent: Ancestros
by Don Phipps
With its varied rhythms, much of Latin music possesses an erotic dance-like quality with romance never far behind. And on his album Ancestros, composer and saxophonist Aldo Salvent certainly gives credence to these generalities. The album is chock-full of music that glides through a variety of beats and patterns like a dolphin skating atop the ocean ...
Gagliardi/Albrigtsen/Thornton/Thorén: The Trip
by Don Phipps
Those who like a cup of coffee or tea on a chilly morning will appreciate the warmth provided by the album, The Trip. There is a great deal of happiness in this music, and it bubbles and percolates like a champagne toast on the Tyrrhenian Sea. The performing quartet, comprised of saxophonist Gianni Gagliardi, ...
Marc Edwards & Guillaume Gargaud: Black Hole Universe
by Don Phipps
Black holes are giant space predators—devouring light itself. Theory holds that, as one approaches a black hole's event horizon, time itself slows. So it is interesting that on their album Black Hole Universe, drummer Marc Edwards and guitarist Guillaume Gargaud have chosen to create five diverse yet similar spontaneous compositions which jettison time signatures and conventional ...
Matthew Halsall: Oneness
by Don Phipps
On Oneness, trumpeter and composer Matthew Halsall has fashioned a compendium of pieces that are fixed between spiritual meditative repose and poetry in motion. The collection of seven tone poems was recorded over three sessions in 2008 and are only in 2019 being released. In the liner notes, Halsall explains: “I've always treasured these recordings and ...
Pol Belardi's Force: Organic Machines
by Don Phipps
On Organic Machines, Pol Belardi's Force quartet offers intoxicating, warmly accessible melodies over rock beats. Composing all 14 numbers on the album, Belardi's lyricism is buoyed by a relatively light touch on bass and the three musicians who accompany him on this outing, pianist Jerome Klein, saxophonist David Fettmann and drummer Niels Engel. All ...
Robert Landfermann: Topaz
by Don Phipps
A brilliant tour de force, Robert Landfermann's Topaz is helped in no small part by the amazing contributions of the quartet Landfermann assembled for this session. It is clear he prefers spontaneous improvisation over formal structures. The key to such an approach relies on the ability of the musicians to both listen to one another and ...
Ruby Rushton: Ironside
by Don Phipps
Ruby Rushton's Ironside is like a trip back to the jazz of Dave Grusin's late 1980s film soundtrack The Fabulous Baker Boys. Hard driving bop, the music bubbles along with syncopated riffs and upbeat, energetic shuffles interlaced with soulful intervals. Woodwind player Edward Cawthorne penned six of the tunes, keyboardist Aidan Shepherd penned two ...
Nils Wogram Nostalgia: Things We Like to Hear
by Don Phipps
On Things We Like To Hear, trombonist Nils Wogram and his bassless trio Nostalgia explore a kind of Miles Davis cool to hot fusion. Wogram provides an expressive center to the outing, his playing running from bluesy drawls to punchy explosiveness while focused on the themes and range of rhythms found in the compositions.
Evgeny Sivtsov: Zoo
by Don Phipps
On Zoo, composer and pianist Evgeny Sivtsov reimagines and contrasts jazz styles in a clever and skillful manner. Sivtsov sounds like a cross between Thelonious Monk, Bud Powell, or even Lennie Tristano—not just in his technique, but in his attack as well. This makes for piano playing that, depending upon the number, is at times robust ...
Mike Murley: Taking Flight
by Don Phipps
Mike Murley's Taking Flight is a candlelight romance of well-chosen covers and two original compositions. At times, Murley's sax sound is slightly reminiscent of Ben Webster while, when he plays ballads, one can hear echoes of John Coltrane. In short, his sound is sweet and warm. Combining this sound with the elegant contributions of his bandmates ...
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