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Gato Barbieri: In Search of the Mystery
by Warren Allen
This is not dinner music, nor is it Last Tango in Paris, though there are actually hints of tango flitting around the mix. This is Gato Barbieri with a little extra scream in his step, moving out in the free vein of the '60s avant-garde--loud, brash, unpolished and unapologetic. Showing the influence of his work with ...
Josh Berman: Old Idea
by Nic Jones
If it really is about old ideas, as the title of this album by cornetist Josh Berman states, then the ones expressed here are done so in collective tongues fresh enough to be transformative, from mouths breathing new life into them. Berman has been a stalwart of the Chicago improvised music community for awhile now, and ...
Vision Festival 2009: Day 1
by John Sharpe
Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 Brass 'n' Bang / Douglas R. Ewart and Inventions / Lawrence “Butch" Morris14th Annual Vision Festival Abrons Arts Center New York, New York June 9-15, 2009 New ...
Steve Kuhn: Shimmering Beauty
by Maxwell Chandler
This interview was originally published on All About Jazz on March 2, 2009. Whether it is in his trio, collaborating with vocalists or accompanying an orchestra, pianist Steve Kuhn has always managed to effortlessly defy and combine genres. Whether it is an older recording or one of his newer albums, an inherent ability to ...
Gato Barbieri: In Search of the Mystery
by Jerry D'Souza
Leandro “Gato" Barbieri has traversed a wide range of musical styles over his career. His earliest recordings counted Don Cherry, Abdullah Ibrahim and Roswell Rudd as collaborators. He was quick to settle into the avant-garde before exploring South American music. He later went on to play pop fanned tunes and disco music. Fortunately these commercialized transgressions ...
Gato Barbieri: In Search of the Mystery
by Raul d'Gama Rose
Gato Barbieri winds up and uncorks a meandering apocalyptic shout that begins with a growling, sinewy tenor and often returns there via a continuous spiral of bell-like primal screeches. He is probing, poking the tones of the tenor and searching madly for a timbral key to unlock a hidden route to harmonic peace. On this seminal ...
J.D. Allen Trio: Shine
by Raul d'Gama Rose
The unfettered joy of listening to J.D. Allen's Shine comes from being reunited with the blues and spiritualism of modern Afro-American saxophone music. This kind of feeling and emotion all but died with John Coltrane. Arguably only a handful of players such as Pharoah Sanders, Archie Shepp and, perhaps, Dewey Redman kept those flames alive. And ...
Manu Codjia: Manu Codjia
by Jeff Dayton-Johnson
Manu Codjia is among the most active sidemen on the French jazz scene and one of the most original guitarists playing jazz anywhere. His playing--clearly indebted to Bill Frisell, but also to Allan Holdsworth, Tommy Bolin on Billy Cobham's Spectrum (Atlantic, 1973), and a host of other influences--constantly generates new ideas on several levels at once: ...
The Thing: Bag It!
by A. Henkin
One of the most appealing facets of The Thing-- saxophonist Mats Gustafsson, bassist Ingebrigt Haker Flaten and drummer Paal Nilssen-Love--is the visceral experience of seeing them play live. Huddled closely on stage, wearing matching Ruby's BBQ of Austin t-shirts, dripping with sweat and manhandling their instruments, the trio is one of the modern wonders of avant-garde ...
CODONA: The CODONA Trilogy
by Jeff Stockton
CODONA The CODONA Trilogy ECM Records 2009 Somewhere along the way “world music" became a suspect term. Mixed up with the concept of “new age," it makes you think more about hemp clothing, crystal therapy and holistic healing than the sort of basic elemental sounds trumpeter Don Cherry pioneered in ...
