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204

Article: Reassessing

Ornette Coleman: Change Of The Century

Read "Ornette Coleman: Change Of The Century" reviewed by C. Michael Bailey


Ornette ColemanChange Of The CenturyAtlantic1959 Change Of The Century was an audacious album title, to say the least. On his second Atlantic release--and second with his most like-minded ensemble (trumpeter Don Cherry, bassist Charlie Haden and drummer Billy Higgins)--alto saxophonist Ornette Coleman pushed the freedom principal farther. At ...

140

Article: Album Review

Wadada Leo Smith's Organic: Heart's Reflections

Read "Heart's Reflections" reviewed by Jerry D'Souza


The creative arc of Wadada Leo Smith describes a man of many talents. He was a member of the Association for the Advancement of Creative Musicians (AACM) before forming the Creative Construction Company with Anthony Braxton and Leroy Jenkins. He has organized music into rhythm units and added a form of notation he called Akhreanvention. He ...

274

Article: Reassessing

Ornette Coleman: The Shape Of Jazz To Come

Read "Ornette Coleman: The Shape Of Jazz To Come" reviewed by C. Michael Bailey


Ornette ColemanThe Shape Of Jazz To ComeAtlantic1959 Ornette Coleman's Contemporary Records releases Something Else!!!! (1958) and Tomorrow Is The Question! (1959) documented the alto saxophonist's development from the last vestiges of bebop toward a harmonically freer jazz language. Coleman's album titles became more prophetic as they were ...

241

Article: Album Review

Rob Mazurek's Starlicker: Double Demon

Read "Double Demon" reviewed by Nic Jones


Starlicker is a trio which crosses the genres with ease and a healthy disregard for categorization. Cornetist Rob Mazurek is one of those musicians more preoccupied with the future of improvised music than with its glorious past. Much the same can be said for vibraphonist Jason Adasiewicz, who once again proves himself to be one of ...

324

Article: Reassessing

Ornette Coleman: Tomorrow is the Question!

Read "Ornette Coleman: Tomorrow is the Question!" reviewed by C. Michael Bailey


Ornette ColemanTomorrow is the QuestionContemporary1959Shaking out of the contractual obligation forcing him to employ a pianist on his debut, Something Else!!!! (Contemporary, 1958), alto saxophonist Ornette Coleman dispensed with the instrument altogether on 1959's Tomorrow is the Question!, causing a bit of consternation on the part of the ...

278

Article: Extended Analysis

Jan Kopinski's Reflektor: Mirrors

Read "Jan Kopinski's Reflektor: Mirrors" reviewed by Chris May


Jan Kopinski's ReflektorMirrors33 Jazz2011 Tenor saxophonist Jan Kopinski is best known for his pioneering improv-meets-funk band, Pinksi Zoo. Formed in the mid-1980s, Pinski Zoo burst onto the emerging British delinquent-jazz scene around the same time as Rip Rig & Panic, then fronted by multi-instrumentalist Don Cherry's adopted ...

402

Article: Reassessing

Ornette Coleman: Something Else!!!!

Read "Ornette Coleman: Something Else!!!!" reviewed by C. Michael Bailey


Ornette ColemanSomething Else!!!!Contemporary2011 (1958) Robert Louis Stevenson noted that, “The mark of a good action is that it appears inevitable in retrospect." The middle-to-late 1950s in jazz were populated with several “good actions," all considered inevitable evolutionary reactions to earlier genre, specifically swing and bebop--the latter the ...

256

Article: Extended Analysis

Goran Kajfes: X/Y

Read "Goran Kajfes: X/Y" reviewed by Chris May


Goran KajfešX/YHeadspin Recordings2011 Best known for his work with the timewarp friendly Swedish band Oddjob, Croatian-born trumpeter Goran Kajfeš has released two solo albums during the last decade--on each of which he too has had one foot planted in retro ground and the other in more modern ...

140

Article: Live Review

Peter Brotzmann: Vision Festival 16, June 8, 2011

Read "Peter Brotzmann: Vision Festival 16, June 8, 2011" reviewed by Warren Allen


Peter Brötzmann QuartetAbrons Art Center Main StageNew York, NYJune 8, 2011 On a hot June night in downtown NYC, the Vision Festival welcomed German tenor saxophonist Peter Brötzmann to the main stage of the Abrons Art Center. Famously nicknamed “Machine Gun" early on in his career by Don Cherry, for ...

196

Article: Live Review

Ted Daniel and Tomasz Stanko: Vision Festival 16, June 7, 2011

Read "Ted Daniel and Tomasz Stanko: Vision Festival 16, June 7, 2011" reviewed by Warren Allen


Ted Daniel's International Brass Membrane Society Salute to King OliverAbrons Art Center Main StageNew York, NYJune 7, 2011 Tuesday night at lower Manhattan's Abrons Art Center saw the Festival of New Trumpet team up with the hosting Vision Fest for a night of great music from musicians of all ages, ...


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