Home » Search Center » Results: Don Cherry
Results for "Don Cherry"
Jacob Fred Jazz Odyssey: Race Riot Suite
by Doug Collette
Jacob Fred Jazz Odyssey's Race Riot Suite is a reminder how adventurous the group has always been since its inception in 1994--never more so, perhaps, than in its latest incarnation, in place beginning in 2010. Four intervals, labeled Prayers," are interspersed throughout the seven formally labeled tracks and allow JFJO to demonstrate its own ...
Wadada Leo Smith's Organic: Heart's Reflections
by Raul d'Gama Rose
To assess Wadada Leo Smith's contribution to the literature of his chosen instrument--the trumpet--as his sole claim to fame would be touching just the tip of the proverbial iceberg of his importance in the scheme of contemporary music. Firstly, there is a bottomless depth to him that rivals that of musicians such as Yusef Lateef and ...
Roswell Rudd: The Incredible Honk
by Raul d'Gama Rose
There is a distinct sense of the celebration of his 75th year on this good earth as trombonist Roswell Rudd continues the journey through his singular musical universe on his superb The Incredible Honk. Criss-crossing the paths he took when he first reconnected with ethnomusicologist producer and soul mate Verna Gillis, Rudd undertakes a sonic sojourn ...
Re:konstruKt: New Music Online from Istanbul
by Gian Paolo Galasi
The online independent label re:konstruKt was founded in 2008 by Umut Çağlar, an Istanbul-based guitarist and leader of the konstruKt quartet. The label was formed few months after the band's first rehearsals. Its initial purpose was to document the evolution of the Istanbul experimental scene.Çağlar's development as a musician is a good example of ...
Ornette Coleman: This is Our Music
by C. Michael Bailey
Ornette ColemanThis is Our MusicAtlantic1961 This is Our Music is the militantly expressed jumping-off point for alto saxophonist Ornette Coleman on the way to the epochal Free Jazz: A Collective Improvisation (Atlantic, 1961). Coleman picks up exactly where he left off on Change of the Century and never ...
Ornette Coleman: Change Of The Century
by C. Michael Bailey
Ornette ColemanChange Of The CenturyAtlantic1959 Change Of The Century was an audacious album title, to say the least. On his second Atlantic release--and second with his most like-minded ensemble (trumpeter Don Cherry, bassist Charlie Haden and drummer Billy Higgins)--alto saxophonist Ornette Coleman pushed the freedom principal farther. At ...
Wadada Leo Smith's Organic: Heart's Reflections
by Jerry D'Souza
The creative arc of Wadada Leo Smith describes a man of many talents. He was a member of the Association for the Advancement of Creative Musicians (AACM) before forming the Creative Construction Company with Anthony Braxton and Leroy Jenkins. He has organized music into rhythm units and added a form of notation he called Akhreanvention. He ...
Ornette Coleman: The Shape Of Jazz To Come
by C. Michael Bailey
Ornette ColemanThe Shape Of Jazz To ComeAtlantic1959 Ornette Coleman's Contemporary Records releases Something Else!!!! (1958) and Tomorrow Is The Question! (1959) documented the alto saxophonist's development from the last vestiges of bebop toward a harmonically freer jazz language. Coleman's album titles became more prophetic as they were ...
Rob Mazurek's Starlicker: Double Demon
by Nic Jones
Starlicker is a trio which crosses the genres with ease and a healthy disregard for categorization. Cornetist Rob Mazurek is one of those musicians more preoccupied with the future of improvised music than with its glorious past. Much the same can be said for vibraphonist Jason Adasiewicz, who once again proves himself to be one of ...
Ornette Coleman: Tomorrow is the Question!
by C. Michael Bailey
Ornette ColemanTomorrow is the QuestionContemporary1959Shaking out of the contractual obligation forcing him to employ a pianist on his debut, Something Else!!!! (Contemporary, 1958), alto saxophonist Ornette Coleman dispensed with the instrument altogether on 1959's Tomorrow is the Question!, causing a bit of consternation on the part of the ...





