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135

Article: Album Review

Jacob Fred Jazz Odyssey: Race Riot Suite

Read "Race Riot Suite" reviewed by Doug Collette


Jacob Fred Jazz Odyssey's Race Riot Suite is a reminder how adventurous the group has always been since its inception in 1994--never more so, perhaps, than in its latest incarnation, in place beginning in 2010. Four intervals, labeled “Prayers," are interspersed throughout the seven formally labeled tracks and allow JFJO to demonstrate its own ...

199

Article: Album Review

Wadada Leo Smith's Organic: Heart's Reflections

Read "Heart's Reflections" reviewed by Raul d'Gama Rose


To assess Wadada Leo Smith's contribution to the literature of his chosen instrument--the trumpet--as his sole claim to fame would be touching just the tip of the proverbial iceberg of his importance in the scheme of contemporary music. Firstly, there is a bottomless depth to him that rivals that of musicians such as Yusef Lateef and ...

175

Article: Album Review

Roswell Rudd: The Incredible Honk

Read "The Incredible Honk" reviewed by Raul d'Gama Rose


There is a distinct sense of the celebration of his 75th year on this good earth as trombonist Roswell Rudd continues the journey through his singular musical universe on his superb The Incredible Honk. Criss-crossing the paths he took when he first reconnected with ethnomusicologist producer and soul mate Verna Gillis, Rudd undertakes a sonic sojourn ...

145

Article: Record Label Profile

Re:konstruKt: New Music Online from Istanbul

Read "Re:konstruKt: New Music Online from Istanbul" reviewed by Gian Paolo Galasi


The online independent label re:konstruKt was founded in 2008 by Umut Çağlar, an Istanbul-based guitarist and leader of the konstruKt quartet. The label was formed few months after the band's first rehearsals. Its initial purpose was to document the evolution of the Istanbul experimental scene.Çağlar's development as a musician is a good example of ...

236

Article: Reassessing

Ornette Coleman: This is Our Music

Read "Ornette Coleman: This is Our Music" reviewed by C. Michael Bailey


Ornette ColemanThis is Our MusicAtlantic1961 This is Our Music is the militantly expressed jumping-off point for alto saxophonist Ornette Coleman on the way to the epochal Free Jazz: A Collective Improvisation (Atlantic, 1961). Coleman picks up exactly where he left off on Change of the Century and never ...

204

Article: Reassessing

Ornette Coleman: Change Of The Century

Read "Ornette Coleman: Change Of The Century" reviewed by C. Michael Bailey


Ornette ColemanChange Of The CenturyAtlantic1959 Change Of The Century was an audacious album title, to say the least. On his second Atlantic release--and second with his most like-minded ensemble (trumpeter Don Cherry, bassist Charlie Haden and drummer Billy Higgins)--alto saxophonist Ornette Coleman pushed the freedom principal farther. At ...

140

Article: Album Review

Wadada Leo Smith's Organic: Heart's Reflections

Read "Heart's Reflections" reviewed by Jerry D'Souza


The creative arc of Wadada Leo Smith describes a man of many talents. He was a member of the Association for the Advancement of Creative Musicians (AACM) before forming the Creative Construction Company with Anthony Braxton and Leroy Jenkins. He has organized music into rhythm units and added a form of notation he called Akhreanvention. He ...

274

Article: Reassessing

Ornette Coleman: The Shape Of Jazz To Come

Read "Ornette Coleman: The Shape Of Jazz To Come" reviewed by C. Michael Bailey


Ornette ColemanThe Shape Of Jazz To ComeAtlantic1959 Ornette Coleman's Contemporary Records releases Something Else!!!! (1958) and Tomorrow Is The Question! (1959) documented the alto saxophonist's development from the last vestiges of bebop toward a harmonically freer jazz language. Coleman's album titles became more prophetic as they were ...

241

Article: Album Review

Rob Mazurek's Starlicker: Double Demon

Read "Double Demon" reviewed by Nic Jones


Starlicker is a trio which crosses the genres with ease and a healthy disregard for categorization. Cornetist Rob Mazurek is one of those musicians more preoccupied with the future of improvised music than with its glorious past. Much the same can be said for vibraphonist Jason Adasiewicz, who once again proves himself to be one of ...

324

Article: Reassessing

Ornette Coleman: Tomorrow is the Question!

Read "Ornette Coleman: Tomorrow is the Question!" reviewed by C. Michael Bailey


Ornette ColemanTomorrow is the QuestionContemporary1959Shaking out of the contractual obligation forcing him to employ a pianist on his debut, Something Else!!!! (Contemporary, 1958), alto saxophonist Ornette Coleman dispensed with the instrument altogether on 1959's Tomorrow is the Question!, causing a bit of consternation on the part of the ...


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