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Jazz Musician of the Day: Don Cherry
All About Jazz is celebrating Don Cherry's birthday today! Don Cherry was born in Oklahoma City, OK in 1936 and raised in Los Angeles, where he first began to play the trumpet and later piano. According to Cherry, his upbringing had everything to do with his interest in music: “Yeah, well I was fortunate to have ...
Steve Coleman a Imola e Crag Taborn a Ferrara
by Libero Farnè
Steve Coleman & Five Elements Teatro Ebe Stignani, Imola 9.10.2021 Craig Taborn Trio Torrione Jazz Club, Ferrara 5.10.2021 È davvero interminabile e ubiqua la programmazione del festival Crossroads, giunto alla ventiduesima edizione, coinvolgendo tutto il territorio dell'Emilia-Romagna. Iniziata a Correggio il 17 maggio con Little Italy, il ...
Don Cherry: Complete Communion & Symphony For Improvisers Revisited
by Mark Corroto
Before his departure, Don Cherry was a kind of Johnny Appleseed for what would eventually be called the “New Thing" in jazz. He can be heard in the midst of the innovative work of Ornette Coleman, Sonny Rollins, Albert Ayler, Steve Lacy, Archie Shepp, and John Tchicai. Cherry's fertilizations changed the sound of creative music then ...
East-West Trumpet Summit at Meydenbauer Center Theatre
by Paul Rauch
East-West Trumpet Summit Meydenbauer Center Theatre Bellevue Blues & Jazz Festival Bellevue, WA October 9, 2021 Two trumpet quintets in jazz are rare, historically and presently. The alliances most commonly mentioned are the bop era tandem of Fats Navarro and Howard McGhee ...
Joe Harriott: Free Form & Abstract Revisited
by Mark Corroto
Call it partisanship or maybe musical chauvinism, but North American audiences have traditionally had little appreciation for jazz musicians from the United Kingdom or, for that matter, Europe. Rewind back to 1961, and explain why Americans were not hip to the Joe Harriott Quintet? His two releases, Free Form, released in 1961, and Abstract, in 1963, ...
Bergamo Jazz 2021
by Libero Farnè
Bergamo Varie sedi 16—19.9.2021 Nel febbraio 2020 su questo sito apparve una bella ed esaustiva intervista a Maria Pia De Vito, in qualità di neo nominata alla direzione artistica di Bergamo Jazz, prima donna dopo oltre quaranta edizioni del festival. Fra l'altro, in quella circostanza si colse opportunamente l'occasione per disquisire sul ...
Isaiah Collier and The Chosen Few, David Boykin Expanse & BSP Trio
by Maurice Hogue
I decided to take a break and let the music do the talking this time out, so this is an almost host-less episode of One Man's Jazz, filled with some great music as always. Featured are Chicago saxophonists Isaiah Collier & The Chosen Few, David Boykin Expanse and Dave Rempis (with Kuzu). There's more from James ...
Gustafsson / McPhee / Håker Flaten / Nilssen-Love: The Thing She Knows...
by Chris May
The Hat Hut and ezz-thetics family of labels is in 2021 just three years shy of its fiftieth anniversary. This is a remarkable, perhaps unique, achievement for an independent company which has concerned itself exclusively with the avant-garde end of jazz and conservatoire music from the get go, and has done so with the highest (for ...
Albert Ayler: New York Eye and Ear Control Revisited
by Mark Corroto
The backstory of New York Ear and Eye Control is a significant factor in the music and the direction free jazz took in the 1960s. Filmmaker Michael Snow commissioned Albert Ayler's trio with bassist Gary Peacock and drummer Sunny Murray to record a thirty-minute soundtrack for a movie, “Walking Woman," he had yet to film. As ...
Albert Ayler: New York Eye And Ear Control Revisited
by Chris May
The development of so-called free jazz in New York during the first half of the 1960s was topped and tailed by three landmark recordings: Ornette Coleman's Free Jazz (Atlantic, 1961), John Coltrane's Ascension (Impulse, 1966) and Albert Ayler's New York Eye And Ear Control (ESP, 1966). Of the three discs, only New York Eye And Ear ...
