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Meet Marc Cohn
by Marc Cohn
Meet Marc A. Cohn Dr. Cohn is a New Yorker-in-exile and has been doing jazz radio as an avocation since 1967. He is Professor Emeritus in Seed Biology at Louisiana State University, where he has won numerous teaching awards. He is a widely recognized authority on seed dormancy, is Editor Emeritus of Seed Science Research (the ...
Take Five with Mark Wade
by Mark Wade
Meet Mark Wade Voted one of the top bassists of 2016, 2018, and 2019 in the prestigious Downbeat Magazine Reader's Poll, Mark Wade has been active in the NYC area for over 20 years. His debut album Event Horizon (2015) and follow up release Moving Day (2018) received international acclaim, and Moving Day was picked as ...
Rudy Royston: PaNOptic
by Karl Ackermann
Like many jazz musicians in 2020, drummer/composer Rudy Royston has felt the direct effects of living in the coronavirus world. The Texas native, now a New Jersey resident, found his streams of income drying up without gigs, but then experienced a fortunate twist of fate that stood him up. Head above water, the artist pays it ...
Tom Lawton: Not Less Than Everything
by Victor L. Schermer
Not known, because not looked for But heard, half-heard, in the stillness Between two waves of the sea. Quick now, here, now, always-- A condition of complete simplicity (Costing not less than everything) --T.S. Eliot, Four Quartets; “Little Gidding" This poetic quotation ...
John Zorn and The Downtown Scene (1983 - 1995)
by Russell Perry
Never far from the pulse of jazz innovation, New York in the 1980s incubated what has become known as the “downtown scene." Radically multi-stylistic, the resulting music was unabashedly eclectic, celebrating influences from bebop to punk rock to cartoon music and eventually klezmer and Balkan music “From the shrill, colorful legacy of noise music and new ...
Trumpets? Yes (And More)
by Marc Cohn
Lots of trumpeters this week (mostly 21st century music): Marcus Printup, Ron Horton, Roy Hargrove, Farnell Newton, along with Buck Clayton (and Buddy Tate) plus Emmett Berry (and Don Byas). Big band (a bit off center) from Marty Ehrlich and Django Bates and the Charlie Parker centennial (Koko, including the 'famous' breakdown) and our chronological Sonny ...
Jazz in the Time of Pandemic
by Karl Ackermann
The first week of April 2020: images crystalized the daily news reports; a dystopian Times Square; Piazza Navona in Rome, emptied of tourists, Barcelona's Basílica de la Sagrada Família standing like an abstract ruin, makeshift morgues in hospital parking lots. The jazz world is small but still a microcosm of society with interdependencies that run deep. ...
Avant-Retro or Retro-Avant? Part II
by Ludovico Granvassu
Anthony Braxton playing standards? Don Byron and Phillip Johnston playing the music of Raymond Scott? Nothing to be suprised about... as musicians have a more open mind than critics like to recognize. So here's the second part of this week's show focusing on retro-sounding jazz performed by forward-leaning musicians -a bit like the jazz equivalent of ...
It Takes Two to Jazz: Part I
by Ludovico Granvassu
This week we focus on the art of the duo. A challenging format as one does neither have the complete freedom of a solo nor the support of a larger band. Yet, in the hands of the right artists, it can produce magical music. Happy listening! Ben Allison “Mondo Jazz Theme ...
Results for pages tagged "Don Byron"...
Don Byron
Born:
For well over a decade, Don Byron has been a singular voice in an astounding range of musical contexts, exploring widely divergent traditions while continually striving for what he calls "a sound above genre." As clarinetist, saxophonist, composer, arranger, and social critic, he redefines every genre of music he plays, be it classical, salsa, hip-hop, funk, rhythm & blues, klezmer, or any jazz style from swing and bop to cutting-edge downtown improvisation. He has been consistently voted best clarinetist by critics and readers alike in leading international music journals since being named "Jazz Artist of the Year" by Down Beat in 1992
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