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Lost Tribe: Lost Tribe
by John Kelman
Lost TribeLost TribeWindham Hill Jazz1993 Today's Rediscovery ultimately jumpstarted the careers of five young musicians who have since gone on to varying degrees of greater fame and exposure. While not necessarily household names, few who follow the contemporary jazz scene will be unaware of saxophonist David Binney, guitarists Adam Rogers and ...
Kevin Bruce Harris: Folk Songs - Folk Tales
by John Kelman
Kevin Bruce Harris Folk Songs--Folk Tales Enja Records 1994 Today's Rediscovery is both a long lost and sadly overlooked gem of a record: electric bassist Kevin Bruce Harris' Folk Songs--Folk Tales. Harris first emerged as part of the M-Base collective that began with saxophonist Steve Coleman and his Five ...
Bill Frisell: This Land
by John Kelman
Bill Frisell This Land Elektra Nonesuch 1994 Today's Rediscovery? This Land, guitarist Bill Frisell's landmark 1994 album with Don Byron, Curtis Fowlkes, Billy Drewes, Kermit Driscoll & Joey Baron. Coming on the heels of 1993's eclectic covers record Have a Little Faith (Elektra Nonesuch), This Land is as much about ...
Don Byron: Tuskegee Experiments
by John Kelman
For this column I step away from my avoidance of personalization because its roots and intent are, indeed, very, very personal. The germination of this column began as the result of two coinciding events. First, after months of relative inactivity due to a health matter that, while thankfully non-life threatening and treatable, could take ...
Troker: Crimen Sonoro
by Chris M. Slawecki
It's curious how the exact same things that attract one person to music will repel another. For example, I'm at my friend Mike's birthday party and we start talking about music we're listening to, and I bring up Crimen Sonoro, the new release by Troker, which my wife and I listened to in the car driving ...
What a Wonderful World (of Music)
by Chris M. Slawecki
Wil Blades Field Notes Royal Potato Family 2014 It's good to know that no matter how many things change around us, there's still nothing that kicks out the jams like a good old school B-3 organ, guitar and drum trio. Wil Blades provides an excellent case study ...
Louis Sclavis Quartet: Silk and Salt Melodies
by Karl Ackermann
With its ancient roots and latter-day association with New Orleans, Dixieland and swing, the clarinet isn't often a frontline instrument in modern jazz let alone avant-garde. A handful of players such as Don Byron and Marty Ehrlich have aided in its prominence but not many. In the hands of Louis Sclavis the bass clarinet is not ...
Jon Cowherd: Mercy
by John Kelman
It's always difficult for an artist who has become so intimately associated with a group--especially if he or she has been a significant compositional contributor--to build a separate identity outside of that group. It might be one of the reasons that Pat Metheny Group keyboardist Lyle Mays--who not only contributed compositions of his own, but also ...
Mattias Ståhl Trio: Jag Skulle Bara Gå Ut
by Mark Corroto
The rebirth of the vibraphone as a tool for creative music making has been a long time coming. Like the clarinet, it had to lose its nerdishness to gain acceptance. Artists like Jason Adasiewicz, Matt Moran and the Swedish-born Matthais Ståhl are making the vibes as relevant today as the mid-sixties and 1970s work of Khan ...
Jeff "Tain" Watts Family Reunion Band at the Jazz Standard
by Tomas Pena
Jeff Tain" Watts Family Reunion Band Jazz Standard New York, NY January 23, 2014 Sigmund Freud would have had a field day with Jeff Tain" Watts' compositions. Case in point: The Devil's Ringtone," where Watts conjures up an imaginary conversation between Satan and a corrupt politician. The tune features ...



