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301

Article: Album Review

Aaron Goldberg / Guillermo Klein: Bienestan

Read "Bienestan" reviewed by Mark F. Turner


Collaborations between two jazz pianists on the same recording are rare. Yet in the case of rising stars Aaron Goldberg and eclectic composer Guillermo Klein's Bienestan--whose title means “a place of well-being"--the collaboration works on many levels and translates into a rewarding experience.Their connection began at Berklee in the 1990s. Goldberg played piano in ...

222

Article: Album Review

Monty Alexander: Harlem-Kingston Express Live!

Read "Harlem-Kingston Express Live!" reviewed by David Rickert


Many jazz musicians have mined the music of other cultures and countries for new ideas. Many of the most successful combinations have come from importing the music of warmer climates--Afro-Cuban and bossa nova to name but two. Monty Alexander has always done the reverse: a native of Jamaica who played straight-ahead jazz in the ...

234

Article: Album Review

Gerald Wilson Orchestra: Legacy

Read "Legacy" reviewed by Raul d'Gama Rose


The beauty of listening to an orchestra in fine form is like being treated to an oceanic swell of music that rises and falls, creating great harmonic waves of sound. This further regales the intellect with the swish of brushstrokes as the music changes in color, from sometimes thick, dark dripping shades, evoking brooding emotion to ...

250

Article: Album Review

Samuel Blaser: Consort in Motion

Read "Consort in Motion" reviewed by Troy Collins


Initially defined by composer Gunther Schuller in the late 1950s as a synthesis of jazz improvisation and classical composition, the Third Stream movement has since drifted into relative obscurity. However, in the ensuing decades the milieu has provided fertile ground for a number of visionary artists to make bold statements. The increasingly commonplace role of conservatory ...

236

Article: Album Review

Aaron Goldberg and Guillermo Klein: Bienestan

Read "Bienestan" reviewed by Raul d'Gama Rose


There might actually have been a universe called “Bienestan" and it may have existed for as long as Guillermo Klein. The rich sonic topography of this undiscovered place is just emerging. It is a place of oceans of sound, with energetic waves that make their rhythmic way to lap upon a shore that glistens with all ...

192

Article: Album Review

Pear: Extemp'ore

Read "Extemp'ore" reviewed by David Rickert


Most jazz albums involve at least a little bit of preparation: song selection, rehearsals, selection of sidemen and so on. Pear, on the other hand, is after something much more spontaneous and pure on its debut, Extemp'ore. The group is comprised of percussionist Rick Milne and keyboardist Nick Pierone. They enter the studio and play whatever ...

373

Article: Album Review

Gretchen Parlato: The Lost and Found

Read "The Lost and Found" reviewed by C. Michael Bailey


Gretchen Parlato is emerging as the most important jazz singer since Cassandra Wilson. Her vocal approach is so unique and her repertoire so eclectic that she stands to create a jazz vocal genre unto herself. After placing first in the 2004 Thelonious Monk International Jazz Vocals Competition, Parlato released her eponymous debut, self-produced, in 2005. Warmly ...

247

Article: Album Review

Brainkiller: The Infiltration

Read "The Infiltration" reviewed by Mark F. Turner


With a name like Brainkiller, it's easy to imagine a punk band thrashing the noise to a frenzied crowd of head-bangers. While the idea is not entirely a stretch in terms of The Infiltration's energy, there are clear differences: first, instead of the usual guitar or piano-led ensemble, there's an uncommon trio of trombone, keys, and ...

193

Article: Album Review

Sean Jones: No Need for Words

Read "No Need for Words" reviewed by Raul d'Gama Rose


Trumpeter Sean Jones has something to say and he says it in his inimitably bright, clear and soaring voice. This is clearly why he is fast becoming associated with the renaissance of the instrument that was brought about by an early mentor, Wynton Marsalis. Jones is a deeply spiritual player. His impulse to adorn notes with ...

175

Article: Album Review

Various Artists: Everybody Wants To Be A Cat: Disney Jazz Volume 1

Read "Everybody Wants To Be A Cat: Disney Jazz Volume 1" reviewed by Larry Taylor


What a discovery; what a great idea. Producer Jason Olaine has taken songs from a number of Disney movies--some rarely recorded by jazz musicians--and made fresh new versions, utilizing some of today's most well-known jazz artists. The performers range from 90 year-old piano legend Dave Brubeck to 17 year-old Canadian vocalist Nikki Yanofsky; ...


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