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Julian Lage: Living Lage
by Dan Bilawsky
It's good to be Julian Lage. The former wunderkind is all grown up and living large, playing with some of the best musicians on the planet; that makes perfect sense, considering he's also one of them. The young guitarist has done his homework, paid his dues and earned his stripes, and now he's spreading his wings ...
Dave Holland: Prism
by Dan Bilawsky
Bassist Dave Holland first became a leader-on-record with Conference Of The Birds (ECM, 1973), a now-classic outré quartet session. That initial leader date portrayed Holland as a restless seeker, willing and eager to explore the inner workings of group dynamics and the outer reaches of convention, and he's done little to alter that perception of himself ...
The New Gary Burton Quartet: Guided Tour
by John Kelman
For some, retirement means winding down and enjoying what life has to offer, after a lifetime spent with the daily grind of making a living. With most musicians, however, while making a living has been a not insignificant challenge, making music can hardly be called a daily grind; it's work, to be sure, but it's also ...
Dave Holland: Prism
by J Hunter
Although über-bassist Dave Holland made his bones with one of Miles Davis' early electric bands, the lion's share of the British native's own music has come from the acoustic side of the scale. As such, longtime Holland fans will receive a major shock with their first listen to Prism. Those fans will need open ears and ...
Bill Frisell: Big Sur
by Glenn Astarita
Heralded guitar maestro Bill Frisell combines his 858 Quartet and Beautiful Dreamers units to impart another watermark on his Americana legacy, featuring an organic acoustic-electronic sketch of this picturesque area of California coastline. The album comprises nineteen-tracks, spanning Civil War-era country-chamber, undulating ostinatos, layered strings, parts, and even snippets of surf music on “The Big One." ...
Oliver Jones: Just For My Lady
by Dan Bilawsky
Pianist Oliver Jones has become something of a national treasure on the Canadian jazz scene over the past three decades. That's all the more remarkable considering the fact that this soon-to-be eighty year old didn't start making jazz recordings until he was in his 50s. In many respects, as his recording career has ...
Robin McKelle & The Flytones: Soul Flower
by C. Michael Bailey
First, Robin McKelle & The Flytones Soul Flower is not neo-soul. Neo-soul is what Amy Winehouse was and Cee Lo Green is (at least on his “Forget You"). Neo-soul is a cheeky attempt to cash in on a classic style while, at the same time, not taking it seriously. Second, Soul Flower might be better termed ...
Freihofer's Saratoga Jazz Festival, Saratoga Springs, NY, June 29-30, 2013
by R.J. DeLuke
Saratoga Performing Arts CenterFreihofer's Saratoga Jazz FestivalSaratoga Springs, NYJune 29-30, 2013 Fiery music that burned with intensity, eclectic compositions that shifted in time signature and tempo, sweet melodies and down-home dirty blues--all were heard at this year's Freihofer's Saratoga Jazz Festival in upstate New York, an event that is among the ...
Jimmy Amadie Trio: Live At The Philadelphia Museum of Art
by C. Michael Bailey
In a period of profound artistic expansion and change in jazz, with labels like ECM, Winter & Winter and Pirouet and countless self- produced recordings erasing and redrawing genre lines, is it even proper (or even necessary) to celebrate the time tested, the mainstream, the old fashioned purveyors of the music? Is there a need for ...
Bob James & David Sanborn: Quartette Humaine
by Dan Bilawsky
It's much easier to take Quartette Humaine at face value as an organic-and-acoustic outing between two high profile figures known for blurring the pop-jazz line than it is to take it under its marketed premise: a tribute to the famed partnership between pianist Dave Brubeck and saxophonist Paul Desmond. While pianist Bob James and saxophonist David ...
