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171

Article: Album Review

Dino Saluzzi / Anja Lechner: Ojos Negros

Read "Ojos Negros" reviewed by Nenad Georgievski


This subtle, sublime collaboration finds Dino Saluzzi and Anja Lechner crafting music at once intimate, expansive and lyrical. The juxtaposition of Saluzzi's bandoneon with Lechner's cello produces mesmerizing textures and tones that are without parallel. It presents a fascinating combination of two extraordinary musicians that are among the most accomplished on their respective instruments. The sinuous ...

133

Article: Live Review

Dino Saluzzi & Anja Lechner at The Americas Society

Read "Dino Saluzzi & Anja Lechner at The Americas Society" reviewed by Budd Kopman


Dino Saluzzi & Anja LechnerThe Americas SocietyNew York, NYSaturday April 14, 2007 5:30-7:00 PM “The Americas Society promotes the understanding of the political, economic, and cultural issues that define and challenge the Americas today, from the Arctic Circle to the southernmost tip of Argentina" (from the website). A fortuitous convergence ...

185

Article: Album Review

Dino Saluzzi/Anja Lechner: Ojos Negros

Read "Ojos Negros" reviewed by Dan McClenaghan


Call this music tango if you must--and the title track of the Dino Saluzzi/Anja Lechner set, Ojos Negros, is a tango tune from the pen of Vincente Greco. But this duet set, Saluzzi's bandoneon in a fluid, airy dance with Anja Lecher's cello, might better be categorized as “just music."The two instruments, individually, make ...

281

Article: Album Review

Dino Saluzzi / Anja Lechner: Ojos Negros

Read "Ojos Negros" reviewed by Budd Kopman


What is beauty? What does it mean to feel, to remember, to laugh or to cry? How can music sound both created beforehand and recreated each second? Is music a direct connection to the infinite, to our very ground of being, so we can see into the musician's soul? These and many, many ...

281

Article: Album Review

Dino Saluzzi / Anja Lechner: Ojos Negros

Read "Ojos Negros" reviewed by John Kelman


The late Astor Piazolla was undeniably responsible for bringing visibility to the bandoneon and widespread acclaim to the tango form. Over the course of the past quarter century, however, it's been Piazolla's fellow countryman Dino Saluzzi who has directed the instrument towards paths unseen. Over the course of nine ECM releases Saluzzi has explored the instrument's ...

1

Article: Album Review

Dino Saluzzi Group: Juan Condori

Read "Juan Condori" reviewed by AAJ Italy Staff


Non cessa di affascinare l’ormai settantaduenne maestro argentino del bandoneon, Dino Saluzzi, che ormai da venticinque anni propone originalissimi lavori per l’etichetta ECM. In questo Juan Condori lo troviamo nuovamente alla testa della “Saluzzi family”, il gruppo con il quale si sente più a suo agio nel mettere in scena una musica del tutto particolare, propria, ...

Album

Juan Condori

Label: ECM Records
Released: 2006
Track listing: La Vuelta De Pedro Orillas; Milonga De Mis Amores; Juan Condori; Memoria; La Parecida; Inside; Soles/La Camposantena; Las Cosas Amadas; A Juana, Mi Madre; Los Sauces; Improvisacion; Chiriguano.

359

Article: Album Review

Dino Saluzzi Group: Juan Condori

Read "Juan Condori" reviewed by Budd Kopman


Juan Condori is one of most heartfelt and deeply moving releases you will come across. It is about remembrance--of childhood, people and place, of things lost and regained, of relationships, of a life lived fully, with intent. It actually does not matter what label you give this music, but if you must, let ...

110

Article: Album Review

Dino Saluzzi Group: Juan Condori

Read "Juan Condori" reviewed by Robert R. Calder


Juan Condori is useful if you want to find out how Dino Saluzzi, born 1935, a slightly younger veteran bandoneonist, sounds relative to Astor Piazzolla--not only is the setting comparable, but the music made by this family group is well worth hearing anyway. Saluzzi has the more lyrical turn of phrase, and the band has a ...

311

Article: Album Review

Dino Saluzzi Group: Juan Condori

Read "Juan Condori" reviewed by John Kelman


Anyone still laboring under the misapprehension that there's an “ECM sound" need only look at the live film score retrospective of Greek composer Eleni Karaindrou's Elegy of the Uprooting, the improvisational classicism of French pianist François Couturier's Nostalghia--Song for Tarkovsky and Argentinean bandoneonist Dino Saluzzi's Juan Condori--all released on the same day. These three recordings couldn't ...


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