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Craig Handy: The Busiest Man In Jazz
by Robert Dugan
Saxophonist Craig Handy is a musician's musician. Those “in the know" know about him, which is why he's been a first call player in New York for over two decades. He is a careful, thoughtful improviser—expansive and precise. His solos build on a rich knowledge of the tradition at the same time as they often set ...
Monkadelphia: All Monk, All the Time
by Victor L. Schermer
Over the past several years, there has been a revival and reconsideration of the music of Thelonious Monk. No one embodies this trend better than Monkadelphia, a group of Philadelphia-based jazz musicians who play his music exclusively--a difficult challenge which they embrace with vitality, panache, and sophistication. With Chris Farr on saxophone, Tony Miceli on vibes, ...
Ralph Lalama Quartet: The Audience
by C. Michael Bailey
Dexter Gordon achieved a post-bebop tenor saxophone sound that was Somewhere between the sleepy, vibrato-less tone of Lester Young and the falling-off- the-edge wail of John Coltrane. Yonkers native Ralph Lalama comes It is out of this tradition. On his fifth recording as a leader and his first release since 2008's successful Energy Fields (Mighty Quinn), ...
"Chaography": A New Kind of Jazz Film To Be Made
by R.J. DeLuke
Who wants to see a movie about jazz musicians that tells a good story, accurately portrays the lives of musicians and contains good, happening music? Show of hands not necessary. Skepticism understood, based on past history. Yet that's exactly the lofty goal of young filmmaker Doug Chang, a jazz fan who is ...
Jazz Musician of the Day: Dexter Gordon
All About Jazz is celebrating Dexter Gordon's birthday today! JAZZ MUSICIAN OF THE DAY Dexter GordonDexter Gordon is considered to be the first musician to translate the language of Bebop to the tenor saxophone. Dexter Keith Gordon was born on February 27, 1923 in Los Angeles, California. His father, ...
Dee Dee Bridgewater: Dee Dee on Billie
by Esther Berlanga-Ryan
It is almost inevitable for most people to think of Billie Holiday as a wounded human being who suffered, struggled and eased her pain with drugs and song lyrics on her way to self destruction in 1959. In her greatness, Billie was as devastating and as devastated as a summer with no water. And yet her ...
Hadley Caliman: Straight Ahead
by C. Michael Bailey
The most appealing thing about Hadley Caliman, save for his very eloquent name, is his equally eloquent and understated tenor saxophone playing. Firmly in a post-Coltrane context, Caliman plays a virile and muscular tenor saxophone whose tone compels because of its carefully crafted rough edges. Straight Ahead follows up his 2008 Origin release Gratitude. ...
Eric Alexander: Eric Alexander Quartet: Chim Chim Cheree
by Sean Coughlin
Chim Chim Cheree has been dubbed “a tribute to John Coltrane." Returning with usual sidemen Harold Mabern at the piano, Joe Farnsworth on drums, and bassist John Webber, this album represents a thorough examination of Coltrane's music made up of Coltrane originals and tunes Coltrane ostensibly owned throughout his career. While George Coleman, Dexter Gordon, and ...
Fred Anderson: 21st Century Chase
by John Sharpe
There are few more thrilling sounds in jazz than the twin tenors of Fred Anderson and Kidd Jordan in aerobatic flight. Though they play together in person on at least an annual basis, including headline appearances at the Vision Festival in 2005 and 2008, this is the first time they have appeared together on disc since ...
Hadley Caliman: Straight Ahead
by Dan McClenaghan
Seattle-based tenor saxophonist, Hadley Caliman took a thirty year hiatus from recording before he released Gratitude (Origin Records, 2008). It was an exceptional mainstream set that displayed Caliman's John Coltrane, Dexter Gordon, and Joe Henderson influences, in hints and brief whispers, and reintroduced the saxophonist's own distinctive, full-of-life voicings.With Straight Ahead, he steps out ...
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