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23

Video

Loose Walk

Featuring the music of Dexter Gordon
Duration: 10:00

Dexter sets it out
186

Article: Live Review

Red Holloway Quartet: San Diego, February 8, 2011

Read "Red Holloway Quartet: San Diego, February 8, 2011" reviewed by Robert Bush


Red Holloway Quartet with Plas JohnsonSaville Theater, San Diego City CollegeSan Diego, CAFebruary 8, 2011 Red Holloway has “been there and done that" when it comes to jazz standards and all forms of the blues. While normally his specialties are both playing the tenor saxophone and belting out blues vocals, ...

646

Article: Interview

Stanley Clarke: Path Maker

Read "Stanley Clarke: Path Maker" reviewed by Esther Berlanga-Ryan


Innovation is a cherished quality in any art form and, truth be told, some follow greatness while others create the patterns that make that same greatness possible. There are teachers, and then, there are students. In jazz, musicians skilled in all sorts of instruments tend to look at their older peers in amazement, and challenges within ...

264

Article: Take Five With...

Take Five With Tyson Ailshie

Read "Take Five With Tyson Ailshie" reviewed by AAJ Staff


Meet Tyson Ailshie: Tyson Ailshie hails from Denver, Colorado, where he writes and performs straight-ahead jazz music in trio and duo settings as a group leader. Combining original compositions with deep grooves and intimate settings of eclectic jazz standards, he is beginning to make a name for himself in the Denver area, having performed most recently ...

194

News: Interview

Grammy Award-Winning Bassist Stanley Clarke Interviewed at All About Jazz

Grammy Award-Winning Bassist Stanley Clarke Interviewed at All About Jazz

When bassist Stanley Clarke won the Grammy Award for Best Contemporary Jazz Album, last week, for The Stanley Clarke Band (Heads Up, 2010), it was particularly meaningful, given he was up against everyone from fellow fusion god John McLaughlin to young up-and-comer Trombone Shorty. But while this particular win has great significance for the bassist who ...

326

Article: Album Review

John Medeski & Lee Shaw: Together Again: Live At The Egg

Read "Together Again: Live At The Egg" reviewed by Bruce Lindsay


John Medeski is one of the jazz world's best-known and most accomplished keyboard players--but he had to begin learning jazz somewhere. That somewhere was with pianist, composer and teacher Lee Shaw, in late '70s Fort Lauderdale, Florida. Over 30 years later, as the title of their album makes plain, Medeski and Shaw are Together Again: Live ...

312

Article: Album Review

Herbie Hancock: Maiden Voyage

Read "Maiden Voyage" reviewed by Greg Simmons


There are few worse examples of a masterpiece performance being savaged by poor recording quality than Herbie Hancock's Maiden Voyage. This very expensive recent re-release on 45RPM vinyl by Analogue Productions only serves to highlight its engineering travesty.Rudy Van Gelder had the great fortune to record the best of the best in jazz for ...

299

Article: Live Review

Punt a del Este Jazz Festival, January 15-19, 2011

Read "Punt a del Este Jazz Festival, January 15-19, 2011" reviewed by Gerardo Stawsky


15th International Festival of Punta del EsteJanuary 5-9, 2011Punta del Este, Uruguay Over the last 15 years, dozens of today's top jazz musicians--the McCoy Tyner's and Joe Lovano's--have continued to return to the Punta del Este Jazz Festival, in Uruguay. The Festival is celebrated on a dairy farm in an ...

158

News: Recording

Dexter Gordon - Our Man in Paris (Blue Note, 1963)

Dexter Gordon - Our Man in Paris (Blue Note, 1963)

When I bought this disc many years ago, the music manager of the now defunct Borders in Colonie, NY told me a story that for this record date Gordon had brought a number of complicated originals to the studio. Pianist Bud Powell was having none of it however, and in the end the album focused on ...

315

Article: Multiple Reviews

Daniel Humair in the Lions' Dens

Read "Daniel Humair in the Lions' Dens" reviewed by Jeff Dayton-Johnson


Drummer Paul Motian is well-known for his “melodic" percussion, in which he skits and dodges arrhythmically, letting the guitars and saxophones mark the pulse of the composition. But for all the praise breathlessly--and deservedly--heaped upon Motian for this approach, the number of drummers who follow his example somewhere on this side of the free-jazz frontier, is ...


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