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Chad Eby: Broken Shadows
by Mark Corroto
Attention grabbing music these days is either accomplished by the loudest voice (American Idol anybody?) or the rudest performance. While not saying jazz has descended to that level, certainly the squeakiest wheel often gets the most attention. Then again, hearing a genuine voice like saxophonist Chad Eby reaffirms the instinct that an authoritative performance from a ...
Duology + 2 at the London Jazz Festival
by John Sharpe
Duology + 2 Cafe OtoLondonNovember, 13, 2009 The opening night of the London Jazz Festival provided a rare opportunity to hear clarinetist Michael Marcus and trumpeter Ted Daniel--two seasoned, but unsung denizens of the New York scene--in the intimate surroundings of Dalston's Cafe Oto. Marcus made his debut with ...
John Butcher & Mark Sanders / Alex Ward & Roger Turner / John Tchicai & Tony Marsh: Treader Duos
by John Eyles
These three contrasting reeds/drums duos are a fine record of the concert at which they were recorded, in February 2008 at St Giles-in-the-Fields church, London. Each of the three tracks lasts about twenty five minutes, long enough for the duos to give a good account of themselves. The three tracks give an opportunity to hear some ...
Charles Tyler Ensemble: Charles Tyler Ensemble
by Jerry D'Souza
Charles Tyler was an innovative musician who could unfurl a maelstrom of ideas from just a spark. He played with fire and spirit, finding his muse in free jazz and filling his music with bold inventions. Tyler met Albert Ayler when he was 14. He later went on to play with Ayler, whose influence can be ...
Bobby Bradford: Self-Determination in the Great Basin
by Clifford Allen
Born in Cleveland, Mississippi in 1934 and raised between Dallas and Los Angeles, trumpeter Bobby Bradford began playing with Ornette Coleman in Los Angeles in the 1950s, and replaced Don Cherry in an unrecorded Coleman quartet during the early 1960s. However, the most significant partnership in Bradford's musical life was with the clarinetist and composer John ...
Jazz Guitarist Joe Morris Does It His Way
By Tad Hendrickson A jazz artist who balances a sharp ear for melody with an intellect inspired by improvisation's outer reaches, Joe Morris is part of a community of musicians who play what has been called the downtown jazz, avant-garde, free jazz or even just free music scenes. Since he began performing on guitar in 1975, ...
Drummer Matt Wilson Put the 'Play' in Playing Jazz with His Quartet
Drummers have a reputation of being a little “different" than the rest of the players on the bandstand. There are jokes about drummers not being real musicians and how machines do their job better, often told by drummers themselves. No matter the genre, these musicians inarguably tend to march to the beat of their own making. ...
The Joshua Redman Trio
by AAJ Staff
Joshua Redman TrioIndianpolis Jazz FestivalIndianapolis, IndianaSeptember 19, 2009 By the inner compass one finds one's direction, and Joshua Redman didn't fail to find his on the first night of the Indianapolis Jazz Festival at Clowes Memorial Hall. With Gregory Hutchinson on drums and Matt Penman on bass, they played a few classic covers, ...
Matt Wilson: Leaving a Mark
by Matt Wilson
Often times just being in the right place at the right time will provide us with moments that inspire us for a lifetime. We should all be grateful for the moments where someone has done or said something that leaves a mark on our lives. Here are five “leave a mark" moments in my ...
Jennifer Lee: Quiet Joy
by Jeff Dayton-Johnson
You cannot judge a jazz CD by its cover, particularly in this age of frankly shoddy-looking self-produced sleeves that may well detract attention from good music inside. The cover of Jennifer Lee's Quiet Joy is not amateurish--on the contrary, it is very tastefully assembled. Nevertheless, it could be misleading. The cover depicts the San Francisco Bay ...
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