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Jazz Guitarist Joe Morris Does It His Way
By Tad Hendrickson A jazz artist who balances a sharp ear for melody with an intellect inspired by improvisation's outer reaches, Joe Morris is part of a community of musicians who play what has been called the downtown jazz, avant-garde, free jazz or even just free music scenes. Since he began performing on guitar in 1975, ...
Drummer Matt Wilson Put the 'Play' in Playing Jazz with His Quartet
Drummers have a reputation of being a little “different" than the rest of the players on the bandstand. There are jokes about drummers not being real musicians and how machines do their job better, often told by drummers themselves. No matter the genre, these musicians inarguably tend to march to the beat of their own making. ...
The Joshua Redman Trio
by AAJ Staff
Joshua Redman TrioIndianpolis Jazz FestivalIndianapolis, IndianaSeptember 19, 2009 By the inner compass one finds one's direction, and Joshua Redman didn't fail to find his on the first night of the Indianapolis Jazz Festival at Clowes Memorial Hall. With Gregory Hutchinson on drums and Matt Penman on bass, they played a few classic covers, ...
Matt Wilson: Leaving a Mark
by Matt Wilson
Often times just being in the right place at the right time will provide us with moments that inspire us for a lifetime. We should all be grateful for the moments where someone has done or said something that leaves a mark on our lives. Here are five “leave a mark" moments in my ...
Jennifer Lee: Quiet Joy
by Jeff Dayton-Johnson
You cannot judge a jazz CD by its cover, particularly in this age of frankly shoddy-looking self-produced sleeves that may well detract attention from good music inside. The cover of Jennifer Lee's Quiet Joy is not amateurish--on the contrary, it is very tastefully assembled. Nevertheless, it could be misleading. The cover depicts the San Francisco Bay ...
Chris Potter: Way Above Ground with Underground
by R.J. DeLuke
Saxophonist Chris Potter, at age 38, has long been fast-tracked to the head of his class to become regarded as one of the strongest players on the scene. It doesn't seem that long ago that he was first making waves on recordings, and then became part of the superb Dave Holland quintet, where his strengths were ...
J.D. Allen Trio: Shine
by Raul d'Gama Rose
The unfettered joy of listening to J.D. Allen's Shine comes from being reunited with the blues and spiritualism of modern Afro-American saxophone music. This kind of feeling and emotion all but died with John Coltrane. Arguably only a handful of players such as Pharoah Sanders, Archie Shepp and, perhaps, Dewey Redman kept those flames alive. And ...
J. D. Allen Trio: Shine
by Mark Corroto
It's impossible to be an impostor at the gambit in which J.D. Allen's trio is participating. His jukebox length compositions either hit or have the possibility to miss badly. Luckily, he has released a second trio album of all bull's-eyes. Shine! follows the pattern established on I AM I AM (Sunnyside, 2008). ...
Cameron Brown: Here and How! Volume 2!
by Florence Wetzel
Bassist Cameron Brown has had a long and illustrious career as a sideman. He has appeared on around 100 recordings, providing an anchor for luminaries such as Archie Shepp, Roswell Rudd and Beaver Harris, as well as the celebrated Don Pullen/George Adams Quartet. In 2003 Brown stepped out as a leader with Here and How!, culled ...
Gnu Trio: Gnu Trio
by Matt Marshall
True to its homophonic name, the Gnu Trio offers an ever-evolving musical canvas on its self-titled debut release. Often further minimizing the trio format to duet (with the odd man out supplying the occasional, well-placed accent), the group nevertheless produces an expansive sound that traces the hills and valleys of modern music. Moving organically from the ...
